SNAKE LIPS - 07/23/13 03:07 PM
SNAKE LIPS
I couldn't get this little ditty outa my head while mountain biking the other day. Since I'm just a rhythm player I decided to see how close I could come to the concept using Realtracks only.....so this is our first post of an instrumental. Having played bluegrass for decades the arrangement wasn't much of a problem -- the issue was how to get the Realtrack solos to approximate my ideas and even more so how to make the different solos play close enough to maintain the feel.
As it turned out it was a tougher project than ANY of the vocal tunes that we've posted over the last 18 months. It took 10 different Realtracks and up to 25 generations of the each solo track to get enough "snippets" to piece together to get the melodic flow that I was looking for. I created a chord structure that would enhance this by forcing some quick changes, minor chords, and stops on the Realtracks. I find that these techniques give more unique Realtracks to play with. Although there is not a lead guitar solo in the tune I had to use lead guitar Realtracks to get the runs to complete the rhythm track -- at which point I was thinking maybe I should have just played the $%^#$ track! But the Realtrack challenge kept me at it.
I realize that if you aren't a bluegrass aficionado it probably just sounds like all bluegrass -- but what the heck. It's short at 1:55 but too tedious to make it longer and for many folks that may be 1:55 too long!
All tracks are Realtracks solo or rhythm from the bluegrass sets. Editing via Garageband.
Recent Posts
FIRE THE NEXT TIME
TRYIN'
I couldn't get this little ditty outa my head while mountain biking the other day. Since I'm just a rhythm player I decided to see how close I could come to the concept using Realtracks only.....so this is our first post of an instrumental. Having played bluegrass for decades the arrangement wasn't much of a problem -- the issue was how to get the Realtrack solos to approximate my ideas and even more so how to make the different solos play close enough to maintain the feel.
As it turned out it was a tougher project than ANY of the vocal tunes that we've posted over the last 18 months. It took 10 different Realtracks and up to 25 generations of the each solo track to get enough "snippets" to piece together to get the melodic flow that I was looking for. I created a chord structure that would enhance this by forcing some quick changes, minor chords, and stops on the Realtracks. I find that these techniques give more unique Realtracks to play with. Although there is not a lead guitar solo in the tune I had to use lead guitar Realtracks to get the runs to complete the rhythm track -- at which point I was thinking maybe I should have just played the $%^#$ track! But the Realtrack challenge kept me at it.
I realize that if you aren't a bluegrass aficionado it probably just sounds like all bluegrass -- but what the heck. It's short at 1:55 but too tedious to make it longer and for many folks that may be 1:55 too long!
All tracks are Realtracks solo or rhythm from the bluegrass sets. Editing via Garageband.
Recent Posts
FIRE THE NEXT TIME
TRYIN'