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Another quick and dirty song by JonD and myself.
The BaiB style is Smooth Jazz Cool SW 16. We deleted all but the drums.
JonD is playing the EP via his keyboard controllers. I am playing the wind controller (tenor sax) and the fretless bass.
We hope that you like it.
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Last edited by Andrew - PG Music; 09/02/20 09:16 AM.
Me, it's not about how many times you fail, it's about how many times you get back up.
Cop, that's not how field sobriety tests work.
64 bit Win 10 Pro, the latest BiaB/RB, Roland Octa-Capture audio interface, a ton of software/hardware
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Mario,
This is very nice listening... I'm sitting here in Melbourne on a rainy Monday with your and Jon's composition playing in the background. It suits really well.
I mention this simply for what it's worth... it's entirely a personal preference thing. On my system there seemed to be a great deal of sustain with the piano chords, more than would occur in actual playing. It was more noticeable on headphones than speakers. If ever you revisit the arrangement, and if it's possible, it would be interesting to A/B the piano with various sustain settings just to see the differences in the effect produced... as I said, personal preference... please feel free to ignore.
Overall, this is a beautiful melody and I loved the jazz sax. You've really mastered the wind controller!
All the best,
Noel
MY SONGS...Audiophile BIAB 2024
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Nicely done - the sax playing flowed really well and was very melodic.
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This has been a smooth Jazz Monday for me so far. Playing catch up here on the User Forum posts and so far enjoyed songs by Alek Rand, F.M.M. and you and Jon. Enjoyed this and as always, marvel at your musical and midi skills.
I've got a technical question regarding your recording process. Do you render a song after entering your chord chart before you delete all the tracks but drums and do your overdubs?
BIAB Ultra Pak+ 2024:RB 2024, Latest builds: Dell Optiplex 7040 Desktop; Windows-10-64 bit, Intel Core i7-6700 3.4GHz CPU and 16 GB Ram Memory.
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Nice tune, y'all!
Your sax gets better all the time, Mario - really carries this one!
Cool bass lines, too.
I agree with Noel about the piano. The sustain was a tad distracting...
A good listen, nonetheless.
floyd
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Great job by both of you. Mario it is amazing what you're doing these days with that wind controller. I really enjoyed it. Tom
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Hi Mario,
really nice sax. You both did a good
job on this one.
I enjoyed my listen.
Guenter
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Journeyman
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Mario I found this piece to be a good listen. Your sax playing is very good. I enjoy smooth jazz and I think that you guys did a great job with your talents.
Sonny
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Nice tune, y'all!
Your sax gets better all the time, Mario - really carries this one!
Cool bass lines, too.
I agree with Noel about the piano. The sustain was a tad distracting...
A good listen, nonetheless.
floyd I think Floyd nailed this one! That tenor just purrs!! Take care. Greg
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Expert
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Hi Mario. Very smooth and reflective. Love that fretless playing. Cheers.
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Oh man, was that sax ever sweet and I love a
fretless bass (old bass fiddle guy).
Superb!
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I apologize for taking so long to thank everyone who listened and commented on this song; life has been getting in the way of making and listening to music lately!
Thanx all for the wind controller comments. They are greatly appreciated. I would suggest that all trumpet, sax, flute and clarinet players get an Akai EWI-USB wind controller. They take some time to get down but it is well worth it, especially for those horn parts.
Noel and others- we looked into the piano sustain problem and JonD and I totally agree with you. That is something that we I should have caught but didn't, my bad!
Charlie - my usual workflow is this:
1-input chords in biaB and choose a style
2-in the MIDI plug in mode copy all tracks to Sonar
3-decide which tracks I want to modify and/or replace
Thus sometimes I delete all but the drum track and replace them with our instruments. Many times I will keep the strings but modify them to my liking. Sometime I will take sections of a track, modify them and change instruments; for example once I liked a short section of the piano track so I copied it to a new track, raised it an octave and changed the sound to a harp. What I do really depends on what I want in the song.
Thanx again all.
Me, it's not about how many times you fail, it's about how many times you get back up.
Cop, that's not how field sobriety tests work.
64 bit Win 10 Pro, the latest BiaB/RB, Roland Octa-Capture audio interface, a ton of software/hardware
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