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Originally Posted By: methodman
Thanks for sharing. I think too many problems are being caused by people who write to expect something and themselves are unable to produce randomness when thinking through the musical exchange. For example I hate country, I am working with 900 classical pieces that came from PG Pianist which I don't know why they pulled it off the market. I personally have been exposed to many musical atmospheres I wouldn't have recognized that have taught me treatments for several kinds of patience's I don't know how to explain it yet. But I discovered I can represent up to 1000 numbers by using 30 numbers. If songwriters would start to share there styles of creating randomness it might shift rhythmical weight to other horizons. The other terrible truth is I think shows like the voice participate in this keeping traditions alive rather than an innovation style. Like trying to explain coming from Tarthiang Talku Time Space and Knowledge which is a series of exercises I found to improve the analysis for trying to make music. I am trying to write science arrangements over top 40 hits using math and science words. So I am at odds with religion which again stifles bringing in new terms and turns of thinking.





What he said.



Regards,


Bob

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Bob,

you

crack

me

up

(and this ain't the first time)


Kenny

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Originally Posted By: 90 dB

What he said.



Regards,


Bob


But I don't know what he said confused Does it go to 11? That's really all I need to know.


Chad (Hope that makes it easier)

TEMPO TANTRUM: What a lead singer has when they can't stay in time.
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LOL!


John

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Originally Posted By: HearToLearn

But I don't know what he said confused Does it go to 11? That's really all I need to know.


Now that's funny!

Great movie, wasn't it!


Me, it's not about how many times you fail, it's about how many times you get back up.
Cop, that's not how field sobriety tests work.

64 bit Win 10 Pro, the latest BiaB/RB, Roland Octa-Capture audio interface, a ton of software/hardware
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Themes run in trends, too. Today, at least half of the rotation has to do with casual or impulsive intimacy, many suggesting that alcohol br put into play. This must drive fathers crazy. If you think about it, and I try not to, it is about the young men challenging the fathers' territories, always a popular subject.
One mentions Jack Daniels. I wonder, does JD pay for that mention?


Link: www.soundcloud.com/ed_shaw (Feel Free to Use)
https://drooble.com/edward.shaw/hymn/index.htm
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What I am saying is that science and evolution use a completely non-1 syllable word vocabulary most songs use words with one syllable so I many times have searched for a 1 syllable word to replace a big science words but many science and math words don't have one syllable equivalents.
The other part is Listening gives reasons why and how ridges can be created to hold rhythm. Too many people just borrow all the time instead of playing around with more than just different camera orchestration than pan to this camera, I don't know I keep getting more creative and I kind of process with certain expectations. I do have a disability too so that may make me harder to understand because words explain concepts and I keep adding them and building deeper relationships to things. Now actually concentrating to personalize musical setups that I am weak in. But I still designate time to try to score parts 2 or 3 times a week for an hour or so. I hope this clears things up. I kinow the process but my concentration up until now has not let me do it. like inserting bars between all the staves and substituting in alternative parts Punching in zones. I haven't yet got the concentration for it but I understand what the complete work up looks like. I really am trying to be more than a dabbler.

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Don't worry about the staves - you might be better off without em. Keep it real. That's all you gotta do.

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