All RealTracks!  This demo features rhythm section instruments playing over some common Bluegrass changes:  Strummed Acoustic Guitar, Acoustic Bass, Banjo & Mandolin, all using the "Doc" style at 100.  In true Bluegrass form, there are no drums, so each of these instruments blend together in a very down-home way!

This demo features the Fiddle Soloist, with Acoustic Guitar, Mandolin and Acoustic Bass RealTracks providing the solid foundation.  In Band-in-a-Box, you can now see the notes of the solo fly by on the on-screen piano keyboard or the on-screen notation with the new "RealCharts" feature.

This demo features the Banjo Soloist, playing melodic lines while the bass, guitar and mandolin provide a solid foundation.  Listen particularly to the beautiful descending banjo line at 0:43.

In this demo, rhythm fiddle and RealDrums are added.  The Fiddle, Rhythm, Bluegrass Doc Ev 100 style has an A section and a B section, so right off the top you're hearing "chops" played on the fiddle, then at the B section this is changed to "shuffles".  Since the Drums also have A & B sections, as the fiddle builds, so do the drums.

This demo features the Flat-picking Acoustic Guitar Soloist.  The rhythm is supplied by Acoustic Bass, Strummed Acoustic Guitar, and Mandolin RealTracks, all from RealTracks Set 33.

This demo features a stripped down rhythm section of Acoustic Bass, Strummed Guitar, and Mandolin, all the Bluegrass Doc Ev 130 styles from RealTracks Set 33.

Things are stripped down a bit with this demo, which features only three instruments:  Bass, Banjo, and Fiddle, all from RealTracks Set 33.  All of the subtleties become crystal clear when you hear these beautiful instruments in this subdued setting.

This demo features all RealTracks instruments from Set 33.  The soloist is the Acoustic Strumming Bluegrass Doc Ev 100, and the rhythm section is comprised of Acoustic Bass, Acoustic Guitar and Fiddle.  The fiddle here has two substyles, "Chops" for 'A', and "Shuffles" for 'B'.  For this demo, the minor section has been designated as 'A', and when the tune modulates to the major mode, the section switches to 'B', so the dramatic change of modes coincides with the change in fiddle playing.