Thanks Noel, I appreciate the clarification. Will give this a study.

What really caught my attention was the "...when I play a C/F I don't hear the FMaj7sus2". The example provided showed by the OP showed the intended voicing on the keyboard which set the C at the top of the chord making it the most prominate for melody. The problem with substituing this voicing with C/F places a G on top - dramatically different. Unfortunely, BIAB does not allow one to specify the voicing. That is my biggest objection.

Otherwise, all is good. I may have gone off on a tangent. I tend to have issues with slash chords and inversions and how BIAB treats these. In fact I don't consider C/F an inversion. I consider it a slash chord since the F is not a chord tone. But I tend to struggle with this so likely I need to study some more.

thanks again.

Dan


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