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#866349 10/29/25 03:12 PM
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I decided to try out the "Cover" feature in SUNO for this new project. The singer's voice is way better than mine, and I like it.
=========================
ELEVEN (or 10)

I trust as I look up at the sky;
So why do you tell me I must fly
Like a bird to the peaks on high?

Now I'm being shadowed by my foes;
Aiming from the darkness, I'm their target, this I know;
Standing at the ready with their arrows and bows. 

If the good that I've done is shattered ,
Worried if anything I'd done  had mattered;
What will I do?

From there in the heavens where you dwell,
You watch my trial and wish me well;
I'm a child of the very first bell.

Both the enemy and I are in the measure;
You will never harm the flower that you treasure;
But woe to the foe.

Storms will rain on the ones who seek destruction;
Scourged by raging flames of lava in eruption;
Hot winds their due.

But if I've heard and understood,
Held myself virtuous and good,
I know we'll see each other
As we should.
==========================
The Style I used was _CBALDBR.STY. Country Ballad w/ Baritone Guitar...but I only used the bass and RT365 Finger-picking guitar
I recorded with my vocal, then sent to SUNO and asked for a cover, with a cello fill-in. Brought the stems back to RB for some balancing.
Pretty amazing technology!


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Tom, this is a really good song. Super chord progression. Suno did a great job with your song.
The vocal is great. I thought that the harmony sounded "fake" for a lack of a better work but that is just my opinion and others may will not agree. Sweet cello.
Sounds great.


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Thanks Mario...I didn't expect all aspects to be perfect, but, for purposes of learning how to do this, I'm pretty pleased.


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Nice job, Tom! Very pretty song with a cool theme. Super mix, too. The Suno vocal is very rich and nicely controlled. I'm not hearing as much of a dynamic range as I might have heard if you were singing this to interpret the lyrics (as you do). Am sure this type of subtlety isn't far away...


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That's a beautiful song. The singer is very good, but personally, I think you're doing a great job.
Laurent

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Tom,

Very beautiful song. Great job with the voice as well. I like the sound of it.

Bob

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A beautiful song, Tom. Did you train/model the suno voice with your own? I hear similar characteristics now and again. While I think you don't give yourself enough credit regarding your vocals, I have to say the compositionally, this is my favorite of yours.

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Thanks all...BYOB: I made a simple track of guitar/bass/my vocal. Then I submitted it to SUNO and chose the "cover" option. After doing this several times, I reviewed all the outputs, which were all slightly different, then selected the one I liked best. When you upload a song like this to SUNO, it analyzes it and creates a description, such as "This is a folk/blues song with a male voice..." etc. I've found you can edit the description to say, for example "a female voice" or even "a breathy female voice" and then reprocess it and SUNO will attempt to follow your description. I am very impressed that it is able to very accurately render the lyrics out of my vocal recording. I have lots to learn with it, but, considering it as a possible tool where I have shortcomings (or need a female vocal), I think it can bring value.


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Hi Tom!
As others have said, wonderful chord progression and melody. It took my ear to the end of the song to get used to the harmonic flow, and to me, that is a good sign of a song that I can come back to again and again while retaining some freshness. Looking at the lyrics and listening to the feel of the song, I am assuming you were aiming for a certain humility feel?
Regarding AI, thank you for your workflow description. I am keen to hear a before and after - not to see which is best (because I would give that award to your own vocal) - but to see how the tech interprets the original. I’m not expecting you to do this - I am just pondering.
Great song - good job! I always look out for your contributions to the forum.
Andrew

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I hope I'm not being swayed by the outstanding vocal when I say this is the best song I've ever heard from you. I keep listening over and over. Love the lyrics and the melody is superb. Great work!


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Yeah, maybe, but I like your voice much better. Still, I love this song. Fine melody and I like the harmony. The cello is perfect. All of the music is perfect.


Enjoy whatever happens!
marty

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Bob, Marty...thanks for listening. My original was pretty plain and basic. I was wanting to see how SUNO dressed it up by asking for it to add the cello. Worked out well. Thanks again.


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Great song man!

Yeah the vocals sound good, but I still like yours as well!

smile

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Came back for another listen, this is so good. Can you explain the title and the lyrics, Tom? IMWTK!


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Beautiful ballad, and as much as I like your voice personally, this vocal is really good.
Enjoyed my listen.
A lot!

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Thanks Bob and BD.
Something I've been wanting to do for a long time. This song is a "transcription", in modern musical form, of Psalm 11, or sometimes shown as Psalm 11(10) or 10(11)...From about Psalm 8 or 9, various Bibles have different numberings for the Psalms. I just picked a Psalm at random, then tried to render the stanza-by-stanza meaning as directly as possible, but with focus on Western music structures for song-like meter and rhyme schemes. Musically, I just wanted a very simple melody and chord pattern, since most of the creative work was the focus on the lyric. I didn't really have any particular style in mind, but I like how the AI rendered it. I think it turned out pretty OK, and I'm quite happy with it!

Thanks for asking!!


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Wow what a cool song. Beautiful and vocal. Loved the lyric. Well done


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Thanks Scott!!


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Hi Tom,
When the song started with that cello and then the vocals, I thought what wonderful voice, so bright, so clear.
Then I saw Suno was involved. Well, from what I've heard Suno is doing a great job on vocals and probably arrangements or instruments.
Of course, me, an oldie, likes the originals more. Not because they are better, no I fear Suno wins, but they are more genuine.
Still, Suno often wins, I fear.
About the cello... I prefer some more reverb on it. Now it's a bit 'dry' and very upfront. It needs a space of it's own.
The harmonies I loved. Like I said; Suno wins mostly...
But the song itself was yours, and that's a winner too!

Hans


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Tom - what a beautiful song, you have such lovely command of
song writing! Like I've said elsewhere recently, 'less is more' and
that really is the case here - love the cello, but would have
preferred your own voice!
Beautiful chord sequence too,

Carl

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What a lovely song!
Really beautiful.

Anne-Marie


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Tom,
You write both interesting lyrics AND interesting melodies.
Most of the melodies that I've heard in all these AI songs being posted are obviously written by the machine.
(While the machine seldom writes high quality lyrics, it always writes better melodies than where most amateur songwriters land)

So...did SUNO follow your melody note-for-note?
I've yet to see anyone actually answer that question...
Thanks.

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Hi, Tom.

Lovely song. The chords are cool, and Suno's vocal are really nice here. Suno also does some killer instrumentals.

Nice inner rhymes, too.

I was tempted to have Suno cover the SynthV vocal on my last song, but I don't have the paid version, which would mean splitting song up into multiple parts and hoping I'd get a similar voice. Plus, it made some deviations to the melody, probably to convince me to get the paid version. laugh


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Vocal control, you say. Never heard of it. Is that some kind of ProTools thing?

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This so beautiful and your voice is excellent. 5/5

Jona

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Thank you all for your comments and feedback… Regarding Suno, I completely composed the song and all I wanted from Suno was is an effective vocal.
However, I liked the instrumentation, so I went with it. SUNO played the melody and chord structure just as I had given it in my simple original, which was vocal, guitar, and bass. I am 100% against using an AI tool to create or change the melody, the chord structure, the tempo or rhythm or the lyrics. If I could figure out how to get Suno to simply replace my vocal with another, that would make me quite happy, but I have yet to figure out how to do that!


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I just want to add one more thing …. in my mind, “cover” should mean: play the song exactly as written, being respectful to all the elements: melody, chords, lyric, rhythm, tempo…I don’t mind adding a little (I mean “a little”) personality to the vocal, but don’t “invent” things. Also add your own ideas about instrumentation. that’s probably a lot more restrictive than the concept present in Suno and other AI tools that tend to want re-make a song in some new way, but that’s the respect I would like as the composer, handing my creation off to someone who’s going to interpret it. My 2 cents.


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Originally Posted by Tano Music
I just want to add one more thing …. in my mind, “cover” should mean: play the song exactly as written, being respectful to all the elements: melody, chords, lyric, rhythm, tempo…I don’t mind adding a little (I mean “a little”) personality to the vocal, but don’t “invent” things. Also add your own ideas about instrumentation. that’s probably a lot more restrictive than the concept present in Suno and other AI tools that tend to want re-make a song in some new way, but that’s the respect I would like as the composer, handing my creation off to someone who’s going to interpret it. My 2 cents.
Hi Tom!
As a songwriter, I can well understand (and support) your position on this - being able maintain control over your own creation. Looking forward to your next!
Andrew

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Upgrade to the 2025 49-PAK for just $49 and add 20 Bonus Unreleased RealTracks and 20 RealStyles, FLAC Files for the 20 Bonus Unreleased RealTracks, Look Ma! More MIDI 14: SynthMaster, MIDI SuperTracks Set 45: More SynthMaster, Artist Performance Set 18: Songs with Vocals 8, and RealDrums Stems Set 8: Pop, Funk & More with Jerry Roe.
Learn more about the Bonus PAKs!

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