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#867146 11/05/25 07:45 AM
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Hello friends.. it's been a while. I don't write many songs.

This one is based on how late life relationships might develop between friends. Revelation, denial, possibility then agreement? It's all conjecture. It's just a song, not a confession. LOL

The project started with the SUNO AI, but I scrapped everything but the chord progression, acoustic guitar and the drums. The rest is me, including the melody (since I couldn't sing the one generated by Suno.) This forum is to let people show how we use PGMusic products, and sometimes I just use it as a DAW. This is one of those times. No real tracks to call out.

https://www.dropbox.com/scl/fi/1ju6l74w43l7re78txhau/I-KNOW-WHO-YOU-ARE-AUDIO-MIX2.WAV?rlkey=twc6wah1lac9e412miu5swd30&dl=0

YOU ARE MY FRIEND GUITAR CAPO -4 below standard tuning ACTUAL KEY Dbm
----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
INTRO: (Bm A G A)

(Bm) I NEVER (A) WANT TO NEED YOUR (D) AFFIR (Asus) MATION (A)
(G) OR CUT AND (A) RUN AT THE FIRST (D) ALTER (A) CATION
(G) BEGGING FOR YOUR (A) FAVORS IM (Bm) PLIES YOUR FRIENDSHIP (A) WAVERS
(G) AND I NEED TO (A) TRUST YOU MORE ...THAN (F#) THAT

(Bm) WHAT I (G) KNOW OF YOU IS (D) BASED UPON YOUR (Asus) CHOICES
(Bm) ON ALL THE (G) THINGS YOU DID TO (D) CALM YOUR INNER (A) VOICES

(G) ON ALL THE (A) THINGS YOU SAID, AND (F#m) WHAT YOU (Bm) DIDN'T
TO (D) SEAL YOUR HEART AND (E) KEEP THINGS HIDDEN
TIL (F#) FINALLY REVEALING.... (F#m) YOU'RE JUST A (F#) BRAT!

(G) I KNOW WHO YOU (A) ARE... YOU ARE MY (D) FRIEND! (F#m)
I (G) LOVE THE FACT THAT (A) YOU CANNOT PRE (Bm) TEND (D)
TO (G) LIKE ME WHEN YOU'RE (A) PISSED OR (F#m) LOVE ME WHEN YOU'RE (Bm) KISSED
OR (G) PROMISE THAT YOU'LL (Em) ALWAYS STICK A (F#) ROUND


(Bm) I WISH I (G) UNDERSTOOD EX (D) ACTLY WHY YOU'RE (Asus) HERE
(Bm) ...AND WHY (G) LOSING YOU'S BE (D) COME MY GREATEST (Asus)FEAR
(G) WE DON'T NEED EACH (A) OTHER (F#m) DO WE? (Bm)
BUT YOUR (G) PRESENCE IN MY (Em) LIFE IS LIKE A (F#) BUOY
THAT KEEPS MY SHIP FROM RUNNING AGROUND

(G) I KNOW WHO YOU (A) ARE... YOU ARE MY (D) FRIEND! (F#m)
I (G) LOVE THE FACT THAT (A) I CANNOT PRE (Bm) TEND (D)
TO (G) HATE YOU WHEN YOU'RE (A) PISSED OR (F#m) NOT DESIRE YOUR (Bm) KISS
PLEASE (G) PROMISE THAT YOU'LL (Em) ALWAYS STICK A (F#sus) ROUND (F#)


Side notes:
Any woman worth her salt is a brat... at every age
Late in life, friendship is the prize
there's no place for pretense in any relationship
people have a fundamental need to be seen and understood... to be known as they know themselves.
"I know who you are", spoken from the position of credibility and sincerity, could be the ultimate compliment

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Hey, Pat. Really nice song, super performances and neat arrangement. Vocals and guitars are especially nice, and I really love the stacked guitars in the main riff. Like the dynamics of the tune as well and your use of vocal FX for a boost on the chorus. Super stuff.


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Too many guitars (is that a thing?)
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Originally Posted by DC Ron
Hey, Pat. Really nice song, super performances and neat arrangement. Vocals and guitars are especially nice, and I really love the stacked guitars in the main riff. Like the dynamics of the tune as well and your use of vocal FX for a boost on the chorus. Super stuff.

Thank you Ron! You're very kind. You noticed all the things I hoped listeners would catch, so I know it wasn't a superficial listen.
I like the fact that your review speaks to what I was trying to accomplish.

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Hi Pat.

It's great to see you again after so long smile I love this production. Your musicianship and your musical abilities shine brightly. The guitars in the intro set the pace and the tone of the song perfectly. Your vocals were the proverbial icing on an excellent cake. To my ears, the sound was warm and friendly, and it sat very comfortably in my headphones. The three minutes passed really quickly for me. In fact, I had to double-check that I read the song-length correctly because I was really enjoying listening and it seemed to end too soon.

I hope things are going well for you.
--Noel


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Hi Pat!
Thanks for the song! I’m a chord progression man, and I loved the chord movement in this song. I really appreciate the chords shown in amongst your lyrics also.

My lyrics interest piqued with the line ending in ‘buoy’. I was reading just ahead of the singing and thinking ‘How is this going to go’ when I realised I was reading with my Aussie brain - buoy is pronounced ‘boy’ here (at least that’s how I say it), so it all made sense when I remembered the US pronunciation. Some of the lyrics are confronting (e.g. brat) but very honest, which is what a friendship should be.

The guitar lines add wonderfully. My only thing I’m unsure of, but this is from a theoretical perspective, is the minor key of this song - it sounds sad. However, musically, I really enjoyed it!
Andrew

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Originally Posted by Noel96
Hi Pat.

It's great to see you again after so long smile I love this production. Your musicianship and your musical abilities shine brightly. The guitars in the intro set the pace and the tone of the song perfectly. Your vocals were the proverbial icing on an excellent cake. To my ears, the sound was warm and friendly, and it sat very comfortably in my headphones. The three minutes passed really quickly for me. In fact, I had to double-check that I read the song-length correctly because I was really enjoying listening and it seemed to end too soon.

I hope things are going well for you.
--Noel
Noel! Good to hear from you again! Thanks for listening and weighing in...

The content of your review reminds me that you have always had the ability to teach without undermining the student's confidence. I appreciate your ability to point out attributes of a song in a very positive and encouraging way. You are (were?) a teacher by trade if I recall. I've often wondered how many young lives have been put on a track of success by your style of uplifting guidance.

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Originally Posted by Andrew Dee
Hi Pat!
Thanks for the song! I’m a chord progression man, and I loved the chord movement in this song.
I too like this chord progression, and I would love to take credit for it... alas, Suno gets all the credit!

Originally Posted by Andrew Dee
I really appreciate the chords shown in amongst your lyrics also.
Thanks Andrew! I usually perform in online streaming sites, and I've found that method of adding chords to my lyric sheets to work out far better than the conventional approach of putting the chords above the lyrics. The main reason is that if you ever change the font, the chords won't move out of position when they are embedded with the lyrics.

Originally Posted by Andrew Dee
My lyrics interest piqued with the line ending in ‘buoy’. I was reading just ahead of the singing and thinking ‘How is this going to go’ when I realised I was reading with my Aussie brain - buoy is pronounced ‘boy’ here (at least that’s how I say it), so it all made sense when I remembered the US pronunciation.
Full disclosure: the word "buoy" is likely to be pronounced both ways here in the USA... I rhymed it the way I would pronounce it here in the American south. To those who would pronounce it differently, I'll plead artistic license (or just plain ignorance)!

EDIT: it might be worth mentioning that I used a rhyming dictionary in the creation of these lyrics, and it suggested BUOY as a rhyme for DO WE.

Originally Posted by Andrew Dee
Some of the lyrics are confronting (e.g. brat) but very honest, which is what a friendship should be.
That line was purposefully inserted to add a bit of relief at the end of a section that was becoming wayyy too serious. Truth be told, I have yet to meet a woman who doesn't feel thrilled to be called a brat. It's a term that validates her mischievous inclinations while simultaneously allowing her culpable deniability for any and all previous bratty actions. I agree that the best friendships are sometimes confrontational but honest.

I like that you chose to comment on the lyrics, since in a SUNO AI project that's the creator's primary value-add. In this case they aren't generic, they are specific to an imagined scenario... so I understand they could seem a bit odd if applied to women in general.


Originally Posted by Andrew Dee
The guitar lines add wonderfully. My only thing I’m unsure of, but this is from a theoretical perspective, is the minor key of this song - it sounds sad. However, musically, I really enjoyed it!
Andrew

Interesting observation, Andrew. You've caught me off guard with that question. You're right to notice the effect a minor key puts on the mood of the song. Now that you've forced me to consider why I went down that path, I'd have to say it was less to create sadness and more to create the feeling of discomfort that happens when two people negotiate the terms of a relationship. The obvious implication being that it's uncomfortable because one of them puts their heart on the line and the other one might say "no"

Last edited by Pat Marr; 11/07/25 06:32 AM.
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It's been way too long. I really like this. And you are exactly right about this is a forum about how we incorporate BB into our projects. Sadly some people don't realize that and show prejudice against the use of AI. Personally, I embrace it and I really enjoyed your work.


You can find my music at:
www.herbhartley.com
Add nothing that adds nothing to the music.
You can make excuses or you can make progress but not both.

The magic you are looking for is in the work you are avoiding.
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Originally Posted by Guitarhacker
It's been way too long. I really like this.
Hey Herb! Good to hear from you again... thanks for listening and taking time from your remaining moments on the planet to comment on my song!

Originally Posted by Guitarhacker
And you are exactly right about this is a forum about how we incorporate BB into our projects.
In fact, here's what the header to the forum says: "The User Showcase is an area where users of PG Music products (e.g. Band-in-a-Box or RealBand) can post links to their original song compositions, for others to listen to and comment on."... it doesn't even say that the songs must be made with PGMusic products... although, I think we'd all agree that it's reasonable to promote the company that provides the forum. (and I did use RealBand as my DAW)

Originally Posted by Guitarhacker
Sadly some people don't realize that and show prejudice against the use of AI. Personally, I embrace it
Embrace it or not, it isn't going away. I see it as one of many tools to help me find new ideas for music. At the end of the day there isn't a dramatic difference between getting a chord progression from AI, or from a circle of 5ths chart, or from a BIAB demo song. If it's new to me, and I can embellish it to make a song I like... I'll probably do it.
I appreciate your open-mindedness Herb. I've always seen you as a forward-thinking man.

Originally Posted by Guitarhacker
and I really enjoyed your work.
Thanks Herb... you're a good man and a good friend. I respect your opinion and I appreciate your kind words!

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Hi Pat, very cool sound and passionate piece. I wasn't sure where you were going with the lyrics and I love the surprise of it.

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Hi, Pat.

Love this! The melody is just great and so is your vocal. The chorus is superb. Good song. Real.


I see that you last posted about a year ago. I haven't been around here much either until just recently. Nice to see you. Take care.

Scott


My stuff:
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Hi, Pat. Cool song. I like the melody. Yeah, SUno seems to create songs that no one can sing. smile You created a good one here, and sing it perfectly. Good mix, and the vocals sits nicely.


Enjoy whatever happens!
marty

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Hey Pat so great to see you again!

I really like the song and was totally impressed by the rock jam vibe of it. I kind of reminded me a little bit of Pearl jam in a way but that's really good by me.

It has a great intensity and build to it and I really like the vocals.

Great job and good to see you around again!!

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Hi Pat,

I don't think we met before in the forum, but I'm glad to hear your song!
Although the overall sound could be improved (I heard it on Dropbox), the song itself is beautiful.
I listened a couple of times to your song and I really enjoyed it. The guitar, the vocals, the lyrics, great!
Yes, it's a very nice piece of art. Glad you skipped Suno in this!

Have a nice day,
Hans


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Good song, good vox. Interesting use of SUNO, that's a different way to use it. I liked the lyrics for the most part, but I felt as if the word 'brat' stuck out like a sore thumb. Not a big deal.


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I think it's a great song, with beautiful dynamic changes and a damn cool production.
The icing on the cake is your vocals.
I love everything about it [Linked Image - Only viewable when logged in]

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Hi, Pat.

Cool production. I really like the build and ebb of the arrangement with the guitars and percussion.

The stacked vocal on the chorus is also really nice.


-- David Cuny
My virtual singer development blog

Vocal control, you say. Never heard of it. Is that some kind of ProTools thing?
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Pat,

Great to hear your music again. Love the song, production and your excellent vocal.

Bob

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Originally Posted by BYOBand
Hi Pat, very cool sound and passionate piece.
Thanks for taking time to listen and comment! If I got to pick the adjectives used by listeners to describe one of my songs, it would be a challenge to find better words than "cool" and "passionate"

Originally Posted by BYOBand
I wasn't sure where you were going with the lyrics and I love the surprise of it.
Another great word to hear in reviews is "surprise", and I thank you for your thoughtful analysis

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Originally Posted by Scott H. Olson
Hi, Pat.
Love this! The melody is just great and so is your vocal. The chorus is superb. Good song. Real.
Well DANG! I like hearing the word REAL in a review of this song! I make no profession of being a pro.. I'm firmly in the camp of music hobbyist. I'm more of a performer than a studio engineer, so my mixes tend to sound a little too hot, muddy and live. But to me, that's the definition of "real" when it comes to music as I approach it. So, my friend.. you have made my day!

Originally Posted by Scott H. Olson
I see that you last posted about a year ago. I haven't been around here much either until just recently. Nice to see you. Take care.
Scott

Back atcha Scott! I'll be searching for your songs as I listen through the forum to see what everyone is doing

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Originally Posted by BabuMusic
Hi, Pat. Cool song. I like the melody. You created a good one here, and sing it perfectly. Good mix, and the vocals sits nicely.

Thank you for listening and then taking time to offer a thoughtful opinion! Time is the most precious resource, and you could have spent your time in many different ways; but you chose to listen and comment here. I appreciate that.


Originally Posted by BabuMusic
Yeah, SUno seems to create songs that no one can sing. smile
LOL... yes, that has been my recurring experience with Suno! But, that's OK because all I want from Suno is the same thing I want from any collaborator: a fresh perspective. We all need a way to keep from writing slight variations of the same song over and over.

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Originally Posted by David Snyder
Hey Pat so great to see you again!
David! Back atcha! (Is it time for another Herbfest yet?)

Originally Posted by David Snyder
I really like the song and was totally impressed by the rock jam vibe of it. I kind of reminded me a little bit of Pearl jam in a way but that's really good by me.
You'll get no complaints from me about being compared to Pearl Jam in any way at all!

Originally Posted by David Snyder
It has a great intensity and build to it and I really like the vocals.
you're very kind to mention the dynamics. I'd like to say that I planned it that way, but I didn't.... the song developed organically and pretty much "just happened". When I finished the song and listened as a detached and uninvested audience, what I liked most was the ebb and flow of energy. Grandma used to say that every now and then even a blind hog finds an acorn. In this case, her folk wisdom was downright prophetic.

Originally Posted by David Snyder
Great job and good to see you around again!!
Thanks... I'll be looking for your songs to review

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Originally Posted by Birchwood
Hi Pat,

I don't think we met before in the forum, but I'm glad to hear your song!
Although the overall sound could be improved (I heard it on Dropbox), the song itself is beautiful.
Hello Hans... nice to meet you! You might be surprised to hear that I agree with you about the overall sound quality. Obtaining a stellar mix is not my strength, much to my disappointment. There have been times when I allowed fear of failure to turn into unwillingness to experiment. I no longer make fear based decisions. All I can do is function at my current level of expertise and let the chips fall where they may. My experience is in live performing with somebody else managing the sound. I've grown to like saturated mixes with bass and drums wayy too loud. What works on stage doesn't work in a studio and vice versa. A studio mix sounds lame on stage. It's a work in process, and the process is a source of major satisfaction and enjoyment!

Originally Posted by Birchwood
I listened a couple of times to your song and I really enjoyed it. The guitar, the vocals, the lyrics, great!
Yes, it's a very nice piece of art. Glad you skipped Suno in this!

Have a nice day,
Hans
Thanks for listening Hans! I will look for your songs and repay your kindness. I truly appreciate your observations!
By the way.. all I want from Suno is a fresh perspective. I can take it from there.

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Originally Posted by TuneMonger
Good song, good vox. Interesting use of SUNO, that's a different way to use it.
In my opinion, SUNO is a great tool, just as Band In A Box is a great tool. I don't use either as the full solution. We are, for the most part, performers without a band. I'm OK with generating my backup band using software. To me that's not much different than a musician who tours and hires local musicians in each town to back him up.

If I let SUNO provide the whole solution, then I'm not even a performer anymore... But if I use it as a collaborator... to introduce any element I wouldn't have considered on my own... I consider that a foundation to build on with my own talent.

Every craftsman has the best set of tools he can afford. That's why we're all here.


Originally Posted by TuneMonger
I liked the lyrics for the most part, but I felt as if the word 'brat' stuck out like a sore thumb. Not a big deal.
Hey, we are on the same page about that! When I listen to the song, I cringe at that point. My voice is just a little bit too p*ssy to pull it off. (It actually sounded good with the SUNO generated voice, which wasn't p*ssy at all. LOL. ) BUT... the lyric was a necessary part of the message, and my vocals were a necessary part of the delivery. Sometimes a new idea is just cringe. This is one of those times, and I'm totally OK with that.

Sometimes song writing is like those guys who jump off cliffs in a flying squirrel suit. You stand on the edge and wonder why you feel so compelled to take the risk... but even when you fail, it's still thrilling. But in the case of song writing, you don't die when you fail. The ratio of risk to reward is favorable.

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Originally Posted by B.D.Thomas
I think it's a great song, with beautiful dynamic changes and a damn cool production.
The icing on the cake is your vocals.
I love everything about it [Linked Image - Only viewable when logged in]

Well DANG Mr. Thomas! I should send you $$$ for that exceedingly gracious review! You made my day! Thank you!
Sadly, I don't have a lot of money. What I WILL do is seek out your songs for the purpose of listening and commenting. In my opinion, using the small amount of time I have left on the planet to encourage others is a value-adding proposition, and time well spent. Hopefully now that the outside chores are done for the winter, I'll have time to get reacquainted with the BIAB forums

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Originally Posted by dcuny
Hi, Pat.

Cool production. I really like the build and ebb of the arrangement with the guitars and percussion.

The stacked vocal on the chorus is also really nice.

Thank you David! I appreciate your willingness to listen and weigh in. I've been away from the forum for a while, but your contributions have always been among my favorites. Hopefully winter will provide time to repay the kind reviews here.

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Originally Posted by rsdean
Pat,

Great to hear your music again. Love the song, production and your excellent vocal.

Bob

Thank you Bob! I'm happy to see you and many other old friends are still here. I look forward to catching up with what you are doing musically!

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It's a very good song and I really like the use of guitars.
Laurent

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Originally Posted by laurent4114
It's a very good song and I really like the use of guitars.
Laurent

Thank you Laurent! It was a fast and fun project and I'm happy to see that there are a few things about it that people have enjoyed!

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Hi Pat, long time no see!
Man I love your guitar work in this one, very tasty and professionally played. Your vocal was very good, great job on that. The groove was fantastic and the backing band was spot on. So all I can add is - loved it.

PS - I hope this is just the start of you posting songs again.


I'm no longer allowed to go caroling at the psych hospital.
I guess Do You Hear What I Hear was a bad song choice!

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Originally Posted by MarioD
Hi Pat, long time no see!
Man I love your guitar work in this one, very tasty and professionally played. Your vocal was very good, great job on that. The groove was fantastic and the backing band was spot on. So all I can add is - loved it.

PS - I hope this is just the start of you posting songs again.

Mario my friend! Good to hear from you again! Thanks for listening and replying. I recently started collaborating with an author and lyric writer from New York City. She's well-connected and there's potential for a lot of projects. If that materializes as I expect, you'll probably see my presence here increase substantially.

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Excellent song and chord structure. Great arrangement and mix. Really well done!


Some favourite Waoist Adages:
#1: Play on the Way.
#13: Ask not for whom the flower blooms, it blooms for you.
#58: Bring consciousness to it.
#63: On the road to effortlessness, effort must be made.
#92: Be Love Now, the rest will come on its own.
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Hi Pat

Really big production here, loved it. The vocals were great and the songwriting top notch. musicianship too was terrific. If this is what you produce infrequently then you’re holding back on us. We want to hear more, more, more.

Great stuff, kind regards

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What are XPro Styles and Xtra Styles PAKs?

XPro Styles PAKs are styles that work with any version (Pro, MegaPAK, UltraPAK, UltraPAK+, or Audiophile Edition) of Band-in-a-Box® 2025 (or higher). XPro Styles PAKS 1-9 includes 900 styles!

Xtra Styles PAKs are styles that work with the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box® 2025 (or higher). With over 3,500 styles (and 35 MIDI styles) included in Xtra Styles PAKs 1-20, the possibilities are endless!

Get the XPro Styles PAKs 1 - 9 for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Listen to demos and order now! For Windows or for Mac.

Note: XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.

Get Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 19 PAKs for $199 (reg $399)! Listen to demos and order now! For Windows or for Mac.

Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 19 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.

Don’t miss this chance to supercharge your Band-in-a-Box setup—at a great price!

Mac 2025 Special Upgrade Offers Extended Until August 15th!

It's not too late to upgrade to Band-in-a-Box® 2025 for Mac® and save! We've extended our special until August 15, 2025!

We've added many major new features to Band-in-a-Box® 2025 for Mac®, including advanced AI tools like the amazing BB Stem Splitter and AI Lyrics Generator, as well as VST3 plugin support, and Equalize Temp. Plus, there’s a new one-stop MIDI Patches Picker with over 1,100 MIDI patches to choose from, all neatly categorized by GM numbers. The MultiPicker Library is enhanced with tabs for the SongPicker, MIDI Patch Picker, Chord Builder, AI Lyrics Generator, and Song Titles Browser, and the tabs are organized into logical groups. The Audiophile Edition is enhanced with FLAC files , which are 60% smaller than AIFF files while maintaining identical audio quality, and now ships on a fast 1TB SSD, and much more!

Check out all the new features in Band-in-a-Box® 2025 for Mac® here:

Purchase your Band-in-a-Box® 2025 for Mac during our special to save up to 50% off your upgrade purchase and receive a FREE BONUS PAK of amazing new Add-ons. These include the 2025 RealCombos Booster PAK, Look Ma! More MIDI 13: Country & Americana, Instrumental Studies Set 22: 2-Hand Piano Soloing - Rhythm Changes, MIDI SuperTracks Set 44: Jazz Piano, Artist Performance Set 17: Songs with Vocals 7, Playable RealTracks Set 4, RealDrums Stems Set 7: Jazz with Mike Clark, and more!

Upgrade to the 2025 49-PAK for just $49 and add 20 Bonus Unreleased RealTracks and 20 RealStyles, FLAC Files for the 20 Bonus Unreleased RealTracks, Look Ma! More MIDI 14: SynthMaster, MIDI SuperTracks Set 45: More SynthMaster, Artist Performance Set 18: Songs with Vocals 8, and RealDrums Stems Set 8: Pop, Funk & More with Jerry Roe.
Learn more about the Bonus PAKs!

New RealTracks Released with Band-in-a-Box 2025!

We’ve expanded the Band-in-a-Box® RealTracks library with 202 incredible new RealTracks (in sets 449-467) across Jazz, Blues, Funk, World, Pop, Rock, Country, Americana, and Praise & Worship—featuring your most requested styles!

Jazz, Blues & World (Sets 449–455):
These RealTracks includes “Soul Jazz” with Neil Swainson (bass), Mike Clark (drums), Charles Treadway (organ), Miles Black (piano), and Brent Mason (guitar). Enjoy “Requested ’60s” jazz, classic acoustic blues with Colin Linden, and more of our popular 2-handed piano soloing. Plus, a RealTracks first—Tango with bandoneon, recorded in Argentina!

Rock & Pop (Sets 456–461):
This collection includes Disco, slap bass ‘70s/‘80s pop, modern and ‘80s metal with Andy Wood, and a unique “Songwriter Potpourri” featuring Chinese folk instruments, piano, banjo, and more. You’ll also find a muted electric guitar style (a RealTracks first!) and “Producer Layered Guitar” styles for slick "produced" sound.

Country, Americana & Praise (Sets 462–467):
We’ve added new RealTracks across bro country, Americana, praise & worship, vintage country, and songwriter piano. Highlights include Brent Mason (electric guitar), Eddie Bayers (drums), Doug Jernigan (pedal steel), John Jarvis (piano), Glen Duncan (banjo, mandolin & fiddle), Mike Harrison (electric bass) and more—offering everything from modern sounds to heartfelt Americana styles

Check out all the 202 New RealTracks (in sets 456-467)

And, if you are looking for more, the 2025 49-PAK (for $49) includes an additional 20 RealTracks with exciting new sounds and genre-spanning styles. Enjoy RealTracks firsts like Chinese instruments (guzheng & dizi), the bandoneon in an authentic Argentine tango trio, and the classic “tic-tac” baritone guitar for vintage country.

You’ll also get slick ’80s metal guitar from Andy Wood, modern metal with guitarist Nico Santora, bass player Nick Schendzielos, and drummer Aaron Stechauner, more praise & worship, indie-folk, modern/bro country with Brent Mason, and “Songwriter Americana” with Johnny Hiland.

Plus, enjoy user-requested styles like Soul Jazz RealDrums, fast Celtic Strathspey guitar, and Chill Hop piano & drums!

The 2025 49-PAK is loaded with other great new add-ons as well. Learn more about the 2025 49-PAK!

Bonus PAKs for Band-in-a-Box 2025 for Mac!

With your version 2025 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Or upgrade to the 2025 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!

These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!

This Free Bonus PAK includes:

  • The 2025 RealCombos Booster PAK: -For Pro customers, this includes 33 new RealTracks and 65+ new RealStyles. -For MegaPAK customers, this includes 29 new RealTracks and 45+ new RealStyles. -For UltraPAK customers, this includes 20 new RealStyles.
  • Look Ma! More MIDI 13: Country & Americana
  • Instrumental Studies Set 22: 2-Hand Piano Soloing - Rhythm Changes
  • MIDI SuperTracks Set 44: Jazz Piano
  • Artist Performance Set 17: Songs with Vocals 7
  • Playable RealTracks Set 4
  • RealDrums Stems Set 7: Jazz with Mike Clark
  • SynthMaster Sounds and Styles (with audio demos)
  • 128 GM MIDI Patch Audio Demos.

Looking for more great add-ons, then upgrade to the 2025 49-PAK for just $49 and you'll get:

  • 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyles,
  • FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
  • Look Ma! More MIDI 14: SynthMaster,
  • Instrumental Studies Set 23: More '80s Hard Rock Soloing,
  • MIDI SuperTracks Set 45: More SynthMaster
  • Artist Performance Set 18: Songs with Vocals 8
  • RealDrums Stems Set 8: Pop, Funk & More with Jerry Roe

Learn more about the Bonus PAKs for Band-in-a-Box® 2025 for Mac®!

New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Mac!

Xtra Styles PAK 20 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!

We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!

In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!

All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!

Learn more and listen to demos of the Xtra Styles PAK 20.

Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!

Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.

New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Mac!

We've just released XPro Styles PAK 9 for Mac & Windows Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 29 RealTracks/RealDrums!

We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!

If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!

Special Pricing! Until July 31, 2024, all the XPro Styles PAKs 1 - 9 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!

Learn more and listen to demos of XPro Styles PAKs.

Video: XPro Styles PAK 9 Overview & Styles Demos: Watch now!

XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.

New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Windows!

Xtra Styles PAK 20 for Windows & Mac Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!

We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!

In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!

All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!

Learn more and listen to demos of the Xtra Styles PAK 20.

Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!

Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.

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