Matt, Scott mentioned using the "Guitar capo" visual transpose in his original post. I'm guessing that that's the option found under "Chord Display". When I set that option to having a capo on the second fret, I get what Scott posted. Unlike Scott's post, though, I also get the correct chord on the lead sheet. I suspect that the incorrect chord that Scott sees is a bug (as you've already mentioned) with the Mac version of the program. --Noel ★ my latest song: Till The End Of Time
Noel, This is an absolutely beautiful love song... One of the best ballads I have heard in years. Your vocal is superb and the production is perfect. Love these backing tracks, especially what you have done with the MIDI here. Awesome all around - great to hear you with a new song! Bob
Hi Bob. Thanks for taking the time to have a listen and to comment I'm relieved to read that everything works for you as I've spent the last couple of weeks tweaking things and trying different approaches. Honestly, the mixing was becoming a nightmare for me. In the end, I just took a deep breath and said to myself, "It's now or never!" and posted. All the very best. --Noel
I know I had to take the same approach with Reaper calling on BBW using AutoHotkey scripts that I ran from a Lua script in Reaper to access Biab functions then I could write the data to clipboard to send to Biab and copy to send back to Reaper.
that was all a lot of messing around so I just put it all in one script to read the current frozen SGU and transfer instantly. Why have a hidden Biab running in the background when you can run the main Biab app and instantly transfer giving a lot more control ? But eventually I can't see any other way than a self-contained crossplatform JUCE plugin that does it all, and works the same instantly in all DAWs. It just takes way too many years getting there, I'm gettin' old
Well....howdy Daley Knightly. Very cool video and I dig the name. Well done....I enjoyed it.. Hey BT.... Those are some very kind comments and much appreciate you taking the time to chime in and comment favorably. ....Know this weed hopper....I'm a secret junkie for the cool jams you refer to so I have to use discretion and restraint in that arena. I could easily find a way to add what you refer to. However, Ken puts up with my 16 bar lead sections and sneaky, simple bridge additions so I give him some slack on occasion. I'm glad it had a grab factor and it was worthy of the listen. Thanks again to everyone.
Good day all.... Well.... I've never written (2) songs back to back before so I'll throw this one against the wall too. A song about life and how we sometimes fail to grasp it and it's unknown adventures or opportunities. You know, the "without some risk there's no reward" thing. I'm an idiot! I forgot to post a direct link. I'm old. https://soundcloud.com/chulaivet1966/time-waiits-for-no-one-ken-lasaine-on-guitars My sincere thanks to Ken (klasaine) for his time and musicianship on this new one. He's the best and easy to work with. Thanks also to any that give it a spin and hope you find it worthy of your time. ***I stumbled upon this salsa track and knew it could drag something out of me eventually. 60s and 70s Pop-Brazilian. 5 insts. (piano, bass, guitar, in drums, perc. & strings. 'b' is more intense w/ Timbale figure. T=102 (M-Finger Electric Bass, M-Ac.Piano, M-NylonGuitar, M-Strings, Drums=Salsa^5-HiHatOpen 60s and 70s Pop-Brazilian. 5 insts. (piano, bass, guitar, in drums, perc. & strings. 'b' is more intense w/ Timbale figure. T=102 (M-Finger Electric Bass, M-Ac.Piano, M-NylonGuitar, M-Strings, Drums=Salsa^5-HiHatOpen BIAB: drums, bass, piano Ken: all guitars Me: All the vox and I also added a conga track. Time Waits For No One (100 bpm Key: Bm 3:21) Intro:Verse 1 Born alone, eyes tightly closed awaiting your first cry. When you strike out on your own, so begins your life. Every path will ebb and flow to swells of ocean waves. You’ve done your time says every line etched deeply on your face. Chorus Time waits for no one, there’s choices to be made. Time waits for no one, so board that ship before it sails. Bm7 (4 bars) interludeVerse 2 Looking back at old regrets and possibilities So easy to get lost in thought and dreamy reveries. Younger voices calling you for choices never made. Life’s a stormy marathon, can’t always play it safe Chorus Time waits for no one, there’s choices to be made. Time waits for no one, so board that ship before it sails. Bridge:Lead break: verse + chorus. Verse: Bm7 (41-56) Chorus: (57-60) Bridge:Verse 3 Someone told me long ago wisdom comes with age. Get used to all the highs and lows accept what can’t be changed. Without some risk there’s no reward. The nature of the game. Young or old, keep pushin’ on. Forward is the way. Chorus Time waits for no one. There’s choices to be made. Time waits for no one so board that ship before it sails. Vamp to end: Bm7 (8 bars) (81-84) Copyright: Wayne Evans – music & lyrics April 10, 2024 17:00
I downloaded your song from Dropbox but it does not resemble what you first posted. The downloaded song, Marianne, is in Bbm (five flats in the key signature) and does not have the chords you showed. The style is Old Time Bluegrass. Different song?
This is really good. Very different groove and tempo. Janice's vocal was perfect for the song. The song really grew on me as it went along. Really well done..
The lead and harmony vocals well represent the quick progress you are making with this technology. The whole thought of programming that and creating all the nuances makes our heads spin! The acoustic sounds excellent as does the entire mix. The helds are very nice. Well done! J&B
J&B...thanks...it's time consuming for sure but fun so far...Dan
Gordon. thats the reason i suggested a freeform special section names track under timeline like one long layer a muso types directly into. eg fab take five... ..drum intro 4 bars ..piano 4 bars ..sax 8 bars ..sax freeform scat xx bars.. ..piano scat xx bars ..staccato piano xx bars ..drum solo xx bars ..return to sax theme xx bars... etc etc just an idea for a freeform adaptable special track that caters to all music genres and needs. happiness. om ps.. im watching an old you tube black n white extended version vid of t5...
I'm perfectly happy with your suggestion and method of doing things, but it doesn't cover the common jazz setup of intro, x-times through the chorus/body, outro, which is what the "choruses x N" covers. Jazz people really rather want that x N.
Hi David, Ha, the old David is back! This is you, man! I don't mean the 5 minutes to make this song, but the way you performed in it. I like that! And what's so funny; I read Marty wrote his favorite line. Well it is mine to. what a creative idea to come up with that sentence! It's great and cool at the same time! Hans
Izzy, I am not an expert on this genre but I really liked this song. Super vocal and lyrics! Loved the dynamics! I would consider this a winner. Great work.
Chris, you really captured the gypsy jazz artist perfectly. Django could do more with 2 fingers then most of us 4 fingered guitarist could. Great job on this song.
Hi George, A good old countrysong sung with a marvelous voice for that kind of songs. You have done great on it, love those vocals the most. But maybe because it's impossible for a Dutch person to imitate. Something about your song was intriguing: are you sure the bar isn't yours? It was the bar stool, the jukebox too, just like the friends... Good day, Hans
Yep, you have proved that you only need 2 chords to write a good song, and this is a good song! Adding G6 and D9 makes it a 4 chord song Regardless I really liked this one.
Hi Ray, Vicarn and Firesong, It was very nice reading your posts about the song. Thanks for that. The topic is sad, but the making of it, was a nice process. Not only the vocals from Anne-Marie and me, but also the choice of instruments and builds of the song. After we mixed our vocals, AM came with a suggestion to make another 'break' like the one after the first chorus. She likes one after the solo, but I did it after her marvellous bg-vocals in the middle, for the last part of the song. I was happy she also liked that more. But now about you:
Originally Posted by rayc
The change of texture with the heavier guitars was welcome but very brief...a tease? Two voices that work well together...I'd have liked a little more of Anne-Marie. We're certainly constructed with a obsolescence integrated. Fab stuff.
Hi Ray, as I wrote, we added another break with the heavy guitar. If I had done more of that, the character of the song would be changed too much. In my opinion. And about the mixing of our vocals, or more AM, well... there was something why we didn't do that. But I was glad I asked her to remove all excisting BG's and do whatever she want on that. And that worked out perfectlly. I'm glad you agreed with that too. And I also agree with your last line. Though that doesn't mean you have to be happy with that.
Originally Posted by vicarn
Well done you two. I would bring Anne-Marie's voice up a little though and eq it to match your tone if you can. Vic
Hi Vic, I understand you liker her voice more than mine, but as I wrote to Ray, we had our reasons to do what we did. Maybe in another song... And my vocals are what they are. And I still like them, although they are getting older as well!
Originally Posted by firesong
Hans and Anne-Marie...very nice duet work here...certainly an interesting track...rock guitars and banjos...an interesting mix of instruments that compose a great band..."aging"...ahh...fun...well done Hans...I always adore Anne-Marie's voice...you can't go wrong there!
Hi firesong, thanks for your comment, but I feel something special in the words you choose, especially about aging. I can't put my finger on what exactly you mean, maybe you would name it differently? Tell me! Have a nice day and lots of inspiration, Hans
I have to +1 for PowerTracks and MIDI editing and manipulation. I don't use it as my primary DAW but it is my primary MIDI editor, ever since Cakewalk went off the rails. When I need more than the 48 tracks (Medleys, Orchestrals), I'll use it in conjunction with Reaper---but for GM and pop tracks, Power Tracks is still my MIDI guy. If I need to non-critical bulk renderings to MP3 or WAV, I use Switch Sound File Converter. Paj 8^)
Ooo, I caught this walk of hers a couple times now [it's good getting those YT notifications]. I really really enjoy your videos, and the music you put them to. Brilliinat packages. You make the change in time signatures seamless. Love it all, Chay.
It's such a shame that we're in different countries and not local to each other as I'd love jam with you and compose new songs. But I'm also frustrated living where I am in a way too small retirement flat - it's even freaking haunted, which is a pain! - with only plasterboard walls separating me from an older lady neighbour, which makes doing anything live impossible. I recently bought a new Fender acoustic as I thought it would get me back into playing again, but I've not played it since it arrived as just tuning it up and discovering that I'm really out of practice I had my neighbour and her forever guests scrambling to the walls to listen, which being so audible is a real put-off as it's a distraction. The only song with my vocals on YT is this, which not being BiaB I won't post as a main post, even though others do, so as you can't read the YT blurb from here this is an edit of how it came about: Back in 1969, aged 18, I wrote some songs for the second local band I was in as a drummer, one of which was a simple two-chorder called "Still On My Mind" which was about losing my first true love. Many years later in 1988 when playing it solo on acoustic guitar I felt it was too negatively self-indulgent and so I decided to reverse the theme and make it about my leaving a lady and then growing from it. For example "Still On My Mind" began with the lyrics, "You know you gave up all our hopes / But do you realise what you've done to me?", which I changed in the new 1988 version, retitled "Will Or My Mind", to "I know I gave up all your hopes / I didn't realise what I did to you", then I made similar changes throughout, plus I added new and positive 'chorus' lyrics. … / … [This is] an impromptu recording … which unrehearsed I played to test a new microphone. [Right at the end you can hear the whine of my previous PC's fans]. [video:youtube-small] [/video]
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I'm relieved to read that everything works for you as I've spent the last couple of weeks tweaking things and trying different approaches. Honestly, the mixing was becoming a nightmare for me. In the end, I just took a deep breath and said to myself, "It's now or never!" and posted. All the very best. --Noel
![[Linked Image]](https://www.pgmusic.com/forums/images/icons/default_dark/lightbulb.gif){kind=icon}
But eventually I can't see any other way than a self-contained crossplatform JUCE plugin that does it all, and works the same instantly in all DAWs. It just takes way too many years getting there, I'm gettin' old 
![[Linked Image]](https://www.pgmusic.com/forums/ubbthreads.php?ubb=download&Number=27754&filename=BB24-Transfer-Track-Reaper.gif)
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