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Part of The Camp set. Traditional.
Style: Campfire, Hank Strum
Three tracks: BiaB Backing, Vocal, & Guitar.
Last edited by Andrew - PG Music; 08/27/20 09:14 AM.
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Always nice to hear you do these old hymns, Ed...
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So cool! This would be great as movie music in western/period era film. I bet this is exactly how it sounded back in the day! 
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Dear "edsahaw"...
Your recording of "God Be With You 'Til We Meet Again" is a stark and haunting, yet deeply comforting song. You sound as though you were ascending the stairs to the Light, but in your heart you are 'looking back' at all the souls you're leaving behind. It's like a lullaby, sweet and reassuring, with guitar accompaniment that's as soft as feathers in a pillow full of dreams.
I don't believe I've heard anything so spiritually inspiring in this User's Forum.
Truly,
LOREN
Last edited by bluage; 11/30/18 02:30 PM.
"Music is what feelings sound like."-- borrowed from a Cakewalk Music Creator forum member, "Mamabear".
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Nice rendition of this hymn... Correct me if I'm wrong, but I think this one was also covered by Gentleman Jim Reeves... Its unfortunate I don't hear these hymns more often in church... BTW I picked up the acoustic and played a country walking shuffle bass line to go along with your tune... Thanks for the fun!
Jim
†=☮&♥
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Hey there edshaw, fantastic choice of instrumentation on this. Excellent mixdown on all of this and the instruments are layered nicely. The vocals harmonize well with the other instruments. Great work!
Cheers,
Joe
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Beautiful hymn Ed. Super vocal Ed. Really nice listen
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Nice version of that PD hymn.
The public domain is a treasure chest and it's nice that you explore it!
J&B
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Thanks, folks, for the listens and comments. As you can tell, I'm moving in a direction, trying to restrict the variables to a short list. Yes, Jim Reeves did a wonderful rendition of this hymn, a rendition I listened to during the process. Wish I could'a heard that shuffle. Yeah, guys, that PD has a wealth of talent. Plus, they are automatically video licensed.
Those 1780-1880 hymn book lyrics cerainly were inspired. A lot to learn about melody as well as from those striking words. As a rule, the melodies were written in the range of one octave. That is true for this hymn, in Cmaj, except that higher part, where the line goes c-d-e. Rarely going more than four half steps above the octave. My teacher taught me to examine those ranges with an ear to expressive opportunity, as one in that talent bracket who has to squeeze every possible bit out of a song. Naturally, I'm not the first to discover the benefit of playing above the 12th fret, for the listener's benefit.
Also, gratified the guitar work was acceptible. I wasn't sure it would be. I am gradually gravitating to the guitar for accent. I find that when the singers seem to be getting cautious, that guitar can drive them to new heights, sometimes after the manner of a challenge!
Also, most gratified about how well the the Hank Camp Strum held up under the pressure. In my work, that can be something you don't verify until it is actually posted on Coundcloud. Now, if I can just remember the effects chain.
Lower the mid range EQ, compress, up the release, smoothen, convert to CD high, and hope.
Last edited by edshaw; 12/01/18 11:51 AM.
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