We are learning new tunes, I'm making backing tracks for them, and we can rehearse in our house, but without the audience, something is missing.
It doesn't have to be missing. Set up a Zoom call, post the invite here, and you will have dozens of people watching and listening.
Good idea, but it's not the same thing.
What we do is a dialog with the audience. Immediate feedback, back and forth responses, I even choose the next song by judging how the one I'm presently playing is going over and doing my best to anticipate the wants or needs of the audience.
When I see Big John come in, after he gets settled I'll play "Fever", "Chain Of Fools" or one of his other favorites. Margot gets "What A Diff'rence" or "Moonglow". Ann gets "Jolene", "Happy" or "Cat's in the Cradle". Don gets "True Love Ways" dedicated to Shirley. Others I know by their faces and their songs. Plus we have running gags with the audience, and they all know their parts in the routine.
And yes, the live music business has been dwindling for decades.
I "blame" a few things.
1) Home media improvements(TV, Internet, etc). In my parent's generation TV was black and white, and the audio bandwidth was so narrow the frequency response was almost entirely midrange. As I hit the stage, TV was color, but the picture was grainy and the audio bandwidth in the broadcast was still narrow and midrange. Now we have 7.1 high fidelity surround sound, giant screens that look great, zillions of cable channels, and they hook up to the Internet. You don't have to go out to hear live sounding music anymore. You can have Billie Eilish, The Rolling Stones, Brad Paisley, The London Philharmonic or just about anyone else you want in your living room looking great and sounding great
2) At home diversification of entertainment: People don't rely on music as much as they once did. Smartphones, computers, and anti-social media compete.
3) Away from home diversification: Karaoke, Sports Bars, DJs, and Open Mic nights have replaced a lot of the gigs that pro musicians used to rely on.
I saw this trend coming in the 1990s, so I ceased to rely on the night-clubs for gigs and went after the biggest market in South Florida, Senior Citizens. We went for Yacht Clubs, Country Clubs, Condominiums, Retirement Developments, and the like. We can work 2 nights a week, make what we used to make 5 or 6 nights in a club, and there is always an audience, (never the Thursday night doldrums because there is a party, and people are invited).
It's been good to us. For the past 12 years before COVID, we had an afternoon gig in a restaurant one day per week in the tourist season. It was also a place where the elderly audience hangs out, and we got a lot of side gigs from that one.
The elderly audience grew up with live music being the binding identity of their generation, so they still enjoy it.
Then COVID happened, and my audience being of the vulnerable age wisely decided to stay home.
I'm hoping that when this plague has subsided, they will be as eager to hear live music as we are eager to entertain them.
I have never lost the thrill of being the entertainer and having that dialog with an appreciative audience, and hope I never do lose that thrill. I'll be like Willie Nelson or Tony Bennett and entertain until I can no longer do it.
Insights and incites by Notes