Okay, okay, okay, I took everybody's feedback on Oh God Please No Help Me No, and did another film score, humbly titled:
The Darkest Warrior God of the Seventh Seal_Part Two
https://soundcloud.com/davidsfilmmusic/the-darkest-warrior-god-of-the-seventh-sealWhy Darkest Warrior God of the Seventh Seal?
Isn't that what you are supposed to call these things?
I think I will turn this in and I am done for now.
Well, now, that was an interesting listen.
This occurs to me: I listen to this track and get a
kind of eerie feeling in the pit of my stomach. Now,
then, let's say pictures are added and the track
becomes more subconscious. where does that
place the original feeling?
Onstage at the Academy Awards getting a statue.
Coming ... This summer...
A Regular man, in an irregular situation, on a even less regular day...
Seriously though, I dig it. I've always been a fan of music scores. Atmosphere can sometimes be hard to conceptualize in music. Something you do not struggle with.
Good Job!
Mikke,
That is it! I am calling Coppola right now!
The Regular Man
Starring Matt Damon, as
The Regular Man.
Holy Cow, Mikke, we are going to the Oscars! You and me buddy!!!!!
David,
You in da mix for "Trailer of the Year"! It builds and builds tension and drama. That loop(?) sounding like a heartbeat in the background really sells this. It outs the listener right there, as though he were witnessing the iminent carnage.
Sounding terrific, my friend!
Alan
Raaaaaaaaaaaaaahhhhh!!!!!
The Eternal Torment of the Night of the Living Damned!!!!!!:
Son of the Bride of Satan of the Seventh Seal
Part 5:
The Final Bloodbath
Screenplay by Alan David
Music by David "Psycho" Snyder
Onstage at the Academy Awards getting a statue.
Bwahahahahahahahaha!
Our dog ran into a closet...that's a good sign. Really!
JB
J & B:
Ok I have the opening scene of
The Eternal Torment of the Night of the Living Damned!!!!!!:
Son of the Bride of Satan of the Seventh Seal
Part 5:
The Final Bloodbath
SHOT: Music starts. Dog runs into a closet (thunder)
Shot: You see Janice in front of a mic, singing like a possessed demon
She turns around, her eyes are on fire like Linda Blair and she is possessed.
Cut to: Bud walks in and sees his wife is possessed:
Bud: Nooooooooooooooooooooo!!!!
CUT TO: Door of Kitchen.
Floyd Walks in. He has horns on his head and is the Devil.
FLOYD: Bwwwaaahhhhhaaahhhhahhahhahha!!!!!!!!!!!
Bud: No!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
CUT TO: Alan David walks up behind Floyd
ALAN (to Floyd): Watcha want me to do boss?
Bud: Noooooooooooooooooooo!!!
(sound of dog whining in closet. Kettle drum crash)
CUT TO:
a Cemetery, in the rain....
Are we getting there????
My closet turned into a dog!!! The he stopped in front of a mirror and turned into a god.
Janice asked if her head could turn around?
You are a funny man Mr Snyder. Love that script.
J&B
J&B,
If you take the video and post it here, I will write the music!!!!
Bawuahhahhhhahhhhahhahhah!!
Gruv,
Whooaaaaaaaaaaaah!
Man. I am seriously trippin' hard now.
Talk me down man. Talk me down.
I laugh at funerals but you're starting to scare me.
Cheers.
David,
I can most definitely hear this in a movie... Another excellent creative venture!
Bob
Wow David - this is unreal! You absolutely nailed the cinematic atmosphere here. I loved all the horn stabs throughout it. It helped give it a jagged edge among the pretty pianos and gentle pulse of the background noise. This would sound perfectly in place in a movie, and also in a video game I was thinking.
Great work, and thanks so much for sharing
I get horns! All Right! Cool.
I think you may have found your calling, son.
Really.
Sooner or later T. Bone Burnett and Danny Elfman will retire...
Great work David! I think you are on to something with this one! Professional work to my ears! Thanks, Torrey
That has to be the coolest title for a song/movie. I loved this. Loved your script. Buds lines were the best ...
Dear Maestro David:
ANGLE DOWN ON:
A scorched, hellish desert landscape under a broiling sun. Our hero and heroine's frantic escape from the "Valley of the Stone Swordsmen" in their battered Hummer follows a dust-trailed, zig-zagging path around massive boulders, twisted eight-limbed wooden "octopus" trees that reach and grab and snatch at them as they streak towards the oddly clear, unobstructed high-noon horizon.
CAL
(breathlessly, in the bouncing, bucking passenger's
seat, looking over his shoulder in a near
panic)
We're doomed! The stone swordsmen can't be far behind us! What're we going to do, Sal???
SAL
(working the driving wheel, looking way-too-cool
behind her dust-caked sunglasses to be disturbed by
CAL'S wimpiness)
Clamp it, Cal! I need your eyes, man. Look at that horizon. Seem strange to you?
FROM CAL'S P.O.V.
His vision blurred and jangling from the bouncing, banging Hummer ride as SAL weaves around the groaning, grasping "octopus" trees. The view is ahead is plainly...unreal. No curve, or slope to the landscape, no incline, no distant objects in sight, as though --
ANGLE ON CAL
As he realizes what they’re streaking toward.
CAL
(at the top of his lungs,
terrified)
Sal! There’s nothing there! Brake! Brake, now!
ANGLE ON SAL
Jamming her foot hard into the brake as the Hummer approaches –-
ANGLE ON HUMMER – MOVING P.O.V.
Zooming into the Hummer from in front of it as it screeches to dust-clouded halt barely inches from the edge of a rugged and vastly wide cliff.
ON CAL AND SAL
They jump the doors of the Hummer and race toward the cliff edge.
ANGLE DOWN ON CLIFF EDGE – CAL AND SAL IN FOREGROUND
At a stunning depth below the edge, the bottom of the cliff is shrouded in belching, roiling clouds of smoke and walls of writhing flames.
ON CAL
Looking away from the burning, smoky vista and turning to SAL, his face withering into sheer, mute terror.
CAL
It’s…it’s –
ON SAL
Staring down into howling, roaring maelstrom, struggling for composure at the sight.
SAL
-- I know, Cal. It’s the pit of the Darkest Warrior God of the Seventh Seal!
ANGLE ON CAL AND SAL
As we pull up, up, and away from cliff’s edge until CAL and SAL and the Hummer recede like specks against the red sundown distance, and:
CUE END TITLE MUSIC:
The dirge-like, tormented, cataclysmic orchestral stylings of composer David "Psycho" Snyder rise in volume on the soundtrack as we FADE OUT and:
CREDITS ROLL
_____________________________________________________________________________________________________________
All right, maestro, that's a wrap! Great music, tensely orchestrated and grandly presented. Can't wait for Part 3!
LOREN
Hi, David !
That was really brilliant !
Geniously good music in
every aspect !
Cheers
Dani
Bluage,
Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha!!!!!!
OK, I will send you a piece of paper to sign and we will start on this script right now for Ridley Scott.
I want a clause in there though that says Bud still gets to make a cameo and say:
"Nooooooooooooooooooooooooooooooooo!!!!!!!!!!!!!!!!!!!!!!!!"
Well done man!
I expect a voice over actor with a lot of echo to say
IN A WORLD....
David, see a doctor. See a doctor TODAY!
Actually, this is a good piece of music to play on Halloween!
David,
I've said it before, but your creativity seems as boundless as the universe! This piece is light-years away from the usual songwriting planets you inhabit.
You continue to show me that composing music with BIAB is only as limited as the imagination of the pilot who's flying the program. IN the words of Gene Roddenberry, you seem "to boldly go where no-one has gone before"!
Regards,
Noel