SUB Speakers.... - 02/22/15 10:26 AM
So..... since we're talking about SUBs..... (albeit a different kind in another thread) ... I thought a discussion on SPEAKERs.... SUB speakers would be in order here.
Who uses subs in their studios or in live performances?
Feel free to discuss the details.
I decided that I wanted... or needed a sub in my studio since I was mixing with a pair of Mackie MR5 reference monitors. And if you can't hear "it" you certainly can not mix it properly. Or so the saying goes.
After all, 5" cones can only move a very limited volume of air. So I searched and found a good deal on a Polk Audio 10" 100w home stereo sub speaker and ordered it. It's fed from a spare output on my 8 output Saffire interface. It took a bit of time playing with it to achieve what I felt was a good balance for it between the lows it provides and the MR5's. I think it's running set similarly to the MR5's.....about half way up. And the crossover is tweeked a bit for where it begins to work.
From day one, this sub has been like ear candy, allowing me to hear the full bottom end on my mixes. When the kick drum hits and the thud from the toms hit, you can feel it....same with the bass guitar and synths are simply awesome to behold with a sub. And when the bass and kick are in the groove, what a wonderful thing of sub-awesome beauty. Like the words to a song by Boston.... It's more than a feeling....
I do shut it off from time to time as I work on the mix to be sure I'm still in the proper range in the mix on the low end.
I think I found this one on sale for under $200 at the time..... it was quite some time back so I don't recall the exact purchase price.... but it was the lowest price I saw anywhere else on subs in the same size and power range.
Personally, I don't think it matters much that the sub was designed for home stereo/ theater system use vs studio.
So... do you sub or not?
Who uses subs in their studios or in live performances?
Feel free to discuss the details.
I decided that I wanted... or needed a sub in my studio since I was mixing with a pair of Mackie MR5 reference monitors. And if you can't hear "it" you certainly can not mix it properly. Or so the saying goes.
After all, 5" cones can only move a very limited volume of air. So I searched and found a good deal on a Polk Audio 10" 100w home stereo sub speaker and ordered it. It's fed from a spare output on my 8 output Saffire interface. It took a bit of time playing with it to achieve what I felt was a good balance for it between the lows it provides and the MR5's. I think it's running set similarly to the MR5's.....about half way up. And the crossover is tweeked a bit for where it begins to work.
From day one, this sub has been like ear candy, allowing me to hear the full bottom end on my mixes. When the kick drum hits and the thud from the toms hit, you can feel it....same with the bass guitar and synths are simply awesome to behold with a sub. And when the bass and kick are in the groove, what a wonderful thing of sub-awesome beauty. Like the words to a song by Boston.... It's more than a feeling....
I do shut it off from time to time as I work on the mix to be sure I'm still in the proper range in the mix on the low end.
I think I found this one on sale for under $200 at the time..... it was quite some time back so I don't recall the exact purchase price.... but it was the lowest price I saw anywhere else on subs in the same size and power range.
Personally, I don't think it matters much that the sub was designed for home stereo/ theater system use vs studio.
So... do you sub or not?