This is a helpful article which I've read multiple times and referenced before, myself:
https://ledgernote.com/columns/mixing-mastering/mixing-with-reverb/It's bit longish read, here's my summary from own mixing experience.
If something should be taken out it's the point of using sends, as that's pretty much what "kids these days" with their multicore i7-s don't get -- they slap tons of effects on every track -- because they can. You can and usually should get by with two reverbs, one short and with prominent ER for percussive and shorter elements, and a long lush one for ambiance (vocals, pads, keys, some guitar parts etc.) The neat thing is that you can use the ratio of sending to these two to control the "depth" in 3D space of some sound.
The second point is that subsonics and bass have no place in the reverb signal path.
The third point that you should take out is that you should use compression to "duck" reverb out of the way of rhythmically prominent elements such as kick, snare, bass and vocals while still being able to immerse some of them into more reverb than you typically could if you weren't using ducking.
The rest of it you'll figure out yourself through practice.
Of course I'm just a hobbyist so - use your own discretion, and have fun with it!