"I'd say Yes, we can truly be unique.
If I tell the rhythm guitar player I want a funk style, and the drummer I want a smooth side stick for verse and hard snare for chorus, and the bass player I want a busy/funky bass line and keyboard player to give me some jazzy EP chords (all using this chord progression and time signature and Tempo map) .. if you choose the exact same styles I did using that 'same band', I doubt you'd end up with something like this -
http://masteringmatters.com/stuff/Count_Me_Out.mp3The only tracks not generated were the horns and the lead guitar.. the rest were the 'same musicians you have'. Even the funky rhythm guitar you hardly notice until the fade at the end was generated.
If you use the program in its simplest form (simply enter chords/style and generate) then you probably won't get as much variety, but the software does allow for some pretty amazing stuff if you push the possibilities a little.
I don't care that "your musicians are my musicians"; have you ever read the credits on commercial recordings?
This is quite a common occurrence. They're called Studio Musicians.
There are a lot of styles/realtracks actually done by these same studio musicians who have played on a ton of recordings for various artists."
I concede my position after considering your argument. It makes sense. And I don't feel bad, on the contrary I feel exhilarated. I feel I can do away with any guilt I have previously harbored. Thanks, Buddy