"Vocal Cadence" in Songwriting - 05/28/19 10:54 AM
Just thought I'd throw this out for something to think about.
An aspect that some developing songwriters may not have thought much about before...
A number of comments in my most recent song in the Showcase (Where Do You Start), have been about the "beat" of the vocal - as Tangmo referred to it - which I think is a good way to think of it. Others mention the vocal "phrasing"...
I often refer to it as Vocal Cadence or Vocal Rhythm. The vocal - or the voice, itself, actually - becomes part of "what makes a song work"... a main instrument in the sound of the song....
...which is an important aspect of Songwriting. Much of Pop music is more about this aspect of a song than any other part. Rock, too (Folk is seldom about this. Singer-songwriter, depends on the singer/songwriter).
Typically those who are best at it are, in fact, also singers and/or musician. It is a rare (talented) "lyricist only" who can get that across (in a lyric alone).
There are many good examples in Pop radio. Here is one of the all-time best... Pay attention how the "singing of the words" falls on your ear. When done right, little else is needed...
An aspect that some developing songwriters may not have thought much about before...
A number of comments in my most recent song in the Showcase (Where Do You Start), have been about the "beat" of the vocal - as Tangmo referred to it - which I think is a good way to think of it. Others mention the vocal "phrasing"...
I often refer to it as Vocal Cadence or Vocal Rhythm. The vocal - or the voice, itself, actually - becomes part of "what makes a song work"... a main instrument in the sound of the song....
...which is an important aspect of Songwriting. Much of Pop music is more about this aspect of a song than any other part. Rock, too (Folk is seldom about this. Singer-songwriter, depends on the singer/songwriter).
Typically those who are best at it are, in fact, also singers and/or musician. It is a rare (talented) "lyricist only" who can get that across (in a lyric alone).
There are many good examples in Pop radio. Here is one of the all-time best... Pay attention how the "singing of the words" falls on your ear. When done right, little else is needed...