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I am considering buying BIAB and am pretty sold on the syles. I do a blues solo: electric guitar, keyboard and harmonica. My question is, are there a number of variations within each syle. The Korg keyboard I had, which died, had 4 variation in each style, each one progressively more complex, syncopated, etc. Each style also had two fills, two intros and two endings. I was wondering if BIAB worked similarly within each style.

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Band in a Box works a lot differently from an Arranger Keyboard. For one thing, the Arranger Keyboard is designed to be used in Realtime. Band in a Box is designed such that the user must first enter the chords to the song on the Chord Grid. Then, when you hit the Gen/Play button, Band in a Box uses intelligent algorithms to decide which phrases or variations to play over those chord changes. Each time you hit Gen/Play can therefore generate a slightly different performance.

One can duplicate some of the things the style variations of the arranger keyboard can do within a song by assigning style changes at the differing bars, though.


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It is probably worthwhile pointing out that there are two, sometimes more, basic variances for each Style depending on the 'A' and 'B' section part markers. Certainly not the same as a Korg keyboard, but close.

Also you can create your own styles by mixing and matching the instruments. Intros and endings are infinitely variable and you can set the number of bars for the ending. Overall you get more variance with each performance.


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The variations on any BiaB song go far beyond the substyles on any arranger keyboard. There is "A and B" in which B is often a little more energetic or busy than the A. But BiaB goes far beynd that: You can have the C and the D be completely separate styles.

Your A and B might be variations on a bossa, but then C could be a guajira and D a Mambo.

This is only one of the many ways in which it would be misleading to carry out a comparison between what an arranger keyboard does and what BiaB does.

I use both, and for completely separate purposes.


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Thanks for your replies. That anwers my question. I heard many of the styles and really liked what I heard. Tghe arranger will let you step enter the information as well as record in real time. I'm sure BIAB does alot more. Thanks everyone.

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I have and really like a Korg Pa1xPro. It's the first version of the Pa Pro series, the latest one is the Pa3 and I'd love to have that but not for $3,500. The sounds of my Pa1 are pretty good but not close to the Biab Real Tracks/Drums.

I do a lot of one man band type things and gave up on using Biab live. The Conductor is decent but I just can't get it to do what I want. I even dedicated a whole weekend to it last year in one final last ditch attempt to really learn it. Some use it and have good results but I just want too much out of it I guess. My Korg just does so much in a live situation liked suddenly vamping so the singer can talk to someone and then picking it up again and the full keyboard option. With that I can play full two handed piano and it still follows my chord changes even pretty complex ones. Killer.

Biab sounds so good at home with the RT's and I love it but that's where it stays, at home.

Bob


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Both BiaB and my own styles feature some with A, B, C and D subsections. Plus you can switch styles at any point in the song.

I do a lot of style writing for BiaB and have done so since 1992. I have also owned a couple of arranger keyboards (a Yamaha, a Roland, and a Korg).

Here are the main differences as I see them (I'll try to be fair to both).
  • The arranger keyboards usually are more repetitive. Some play 2 bars over and over and over again. Some tout up to 16 but that's an exaggeration as it might be bars 1, 2, 3, 4, 3, 2, 3, 5, 3, 2, 3, 4, 3, 2, 3, 6 (I've seen plenty of styles with that pattern). A BiaB style can contain hundreds of patterns. The result is BiaB will be less boring to listen to

  • Since a BiaB song is entered before the song starts playing, specific patterns for specific musical situations can be programmed into the style. For example, if a V7 chord is being played at the end of a verse, and the first chord of the next verse is a I chord, BiaB can play appropriate patterns that lead from the V7 to the I. Arranger keyboards either always treat a V7 chord as if a I will follow, or ignore that common occurrence. The result is BiaB plays a more musically intelligent background that is more like real musicians would play.

  • Arranger keyboards usually have only 2 to 4 drum rolls per style. BiaB can have dozens. On the other hand, the drums, bass, and other instruments in each roll are tighter on the keyboard. This depends on your preference, I prefer the BiaB concept quite a bit.

  • BiaB has many more styles to choose from than any arranger keyboard. They are available from PG Music, myself, and other aftermarket vendors. So if you need a specific style for a specific song, chances are BiaB will have one. Plus say if you only have one or two cha-chas (or whatever) in your keyboard and you have 10 cha-chas in your repertoire, the keyboard is going to play the same styles over and over, BiaB has the possibility of dozens of styles in any one genre.

  • BiaB has support for more chords than the arranger keyboards do. From m7b5 chords to some extended 9ths 11ths and even 13ths. Most arranger keyboards stick to the basics.

  • Arranger keyboards have more elaborate introductions and endings than BiaB. At first this seems like a big advantage for the keyboards, and depending on your desires, it might be. On the other hand, we had a gig for an Arthur Murray dance studio (you take the gigs as they are offered). So I whipped up a few cha-chas on the keyboard to play in real-time. I did "Cherry Pink" with a fabulous intro on the Roland. Then I did "The More I See You" and it had that exact same fabulous intro. Later I did "Never On Sunday" with that same fabulous intro, but I wasn't sure what song I was playing at the end of the intro because it was exactly like the others.

  • BiaB has up to 5 different instrument sounds, some of the arranger keyboards have more (I've seen 7). This could be an advantage for the keyboards on some songs, but others don't need that many instruments

  • The interaction between the bass and all the comp parts on the arranger keyboards can be a little tighter. There are some keyboard styles I'd like to reproduce on BiaB but BiaB's brain won't handle them. But looking in the opposite direction, there are thousands of styles on BiaB that the keyboard won't handle either.

  • The arranger keyboards are played live in 'real time' so you can extend the song, change the arrangement, or vamp while you talk on the mic, BiaB cannot do that as the lengths and arrangements of the songs are set in advance. There is a loop feature in BiaB but it isn't the same.

  • The keyboards have a limited amount of styles, and new styles can be purchased or written by the user, but the total is only a fraction of what is available for BiaB

  • When the keyboard dies, or if you need new capabilities, you have to buy a new keyboard, and that will cost you thousands of dollars. The styles I wrote for BiaB on my Atari computer in the early 1990s, still work in BiaB. Plus through the years BiaB has added quite a few improvements to the program that make it work better, and make the output much more musical. A modest upgrade fee is all that is required to get the new whistles and bells - not the thousands of dollars required for the keyboard

  • Because BiaB is so dominant, it has a very active user base of users, with many people who are eager to help out the newbies on this forum and on a couple not associated with PG Music

  • PG Music service, tech support, and involvement by the owner, Peter Gannon, is topnotch and I think light-years better than any you will get with a keyboard company.


IMO the advantages for BiaB far outweigh the ones for the keyboards. But it all depends on you, and how you run your performance.

My advice is to buy BiaB and see if it suits you. If it works you save a lot of money on a new keyboard. If it doesn't work for you, you aren't out that much, and you will still find BiaB useful and quite entertaining when you are not on the job.

IMHO every electronic musician needs a few basic programs (1) a DAW or sequencer (like PTPro) and (2) Band-in-a-Box. Everything else is optional. YMMV.

Insights and incites by Notes


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Hate to open an old thread but...
I'm betting your old arranger was a Korg i3.
I had/have the same and it's on its last legs. I've had to open it a couple of times to replace buttons that stopped working over the past 20 years. I used to play it exclusively, but now I've got other musicians in my band so I use the Korg primarily for its ahead-of-its-time drum sequencer. I can easily pick a style, set a tempo, and I have 4 variations with 2 fills, 2 intros and 2 endings available.

The big reason I love it and still use it, is that the band will occasionally have "guest vocalists" that for some reason can't count. Or a guest horn player that extends his solo by 19 bars. With the Korg, I could easily get the drum style back on track.

I've gone through a dozen drum machines and can't find anything close (the Alesis SR18 only has 2 variations with 2 fills). BIAB appeared to be a great solution when I bought it in 2008. The CONDUCTOR ostensibly would handle my on-the-fly style changes, however it was broken when using RealDrums. I emailed the company and they confirmed the bug - but it hasn't been fixed over the past FIVE YEARS!!!

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Actually that was fixed some years ago and the Conductor works as advertised now. But, your point about vocalists and soloists not following the form is also correct. The Conductor is simply not good enough for those situations.

bob


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Hi

Old thread - never the less - thank you for a very informative posting !!

Not having played keyboard for 20 years, your posting confirmed me in not buying a arranger. Despite that the Yamaha PSR 775 sounds very good and have a lot of styles, it would become dull/boring in the long run.




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Great post and summary of the major differences, thanks Bob!

I realize the current architecture and design doesn't support it, but I've always wondered if there will ever be realtime mode in BIAB like on the arranger keyboards. I think it would be very cool and a major new feature and selling point for the program, appealing to a new category of players.

Originally Posted By: Notes Norton
Both BiaB and my own styles feature some with A, B, C and D subsections. Plus you can switch styles at any point in the song.

I do a lot of style writing for BiaB and have done so since 1992. I have also owned a couple of arranger keyboards (a Yamaha, a Roland, and a Korg).

Here are the main differences as I see them (I'll try to be fair to both).
  • The arranger keyboards usually are more repetitive. Some play 2 bars over and over and over again. Some tout up to 16 but that's an exaggeration as it might be bars 1, 2, 3, 4, 3, 2, 3, 5, 3, 2, 3, 4, 3, 2, 3, 6 (I've seen plenty of styles with that pattern). A BiaB style can contain hundreds of patterns. The result is BiaB will be less boring to listen to
  • Since a BiaB song is entered before the song starts playing, specific patterns for specific musical situations can be programmed into the style. For example, if a V7 chord is being played at the end of a verse, and the first chord of the next verse is a I chord, BiaB can play appropriate patterns that lead from the V7 to the I. Arranger keyboards either always treat a V7 chord as if a I will follow, or ignore that common occurrence. The result is BiaB plays a more musically intelligent background that is more like real musicians would play.
  • Arranger keyboards usually have only 2 to 4 drum rolls per style. BiaB can have dozens. On the other hand, the drums, bass, and other instruments in each roll are tighter on the keyboard. This depends on your preference, I prefer the BiaB concept quite a bit.
  • BiaB has many more styles to choose from than any arranger keyboard. They are available from PG Music, myself, and other aftermarket vendors. So if you need a specific style for a specific song, chances are BiaB will have one. Plus say if you only have one or two cha-chas (or whatever) in your keyboard and you have 10 cha-chas in your repertoire, the keyboard is going to play the same styles over and over, BiaB has the possibility of dozens of styles in any one genre.
  • BiaB has support for more chords than the arranger keyboards do. From m7b5 chords to some extended 9ths 11ths and even 13ths. Most arranger keyboards stick to the basics.
  • Arranger keyboards have more elaborate introductions and endings than BiaB. At first this seems like a big advantage for the keyboards, and depending on your desires, it might be. On the other hand, we had a gig for an Arthur Murray dance studio (you take the gigs as they are offered). So I whipped up a few cha-chas on the keyboard to play in real-time. I did "Cherry Pink" with a fabulous intro on the Roland. Then I did "The More I See You" and it had that exact same fabulous intro. Later I did "Never On Sunday" with that same fabulous intro, but I wasn't sure what song I was playing at the end of the intro because it was exactly like the others.
  • BiaB has up to 5 different instrument sounds, some of the arranger keyboards have more (I've seen 7). This could be an advantage for the keyboards on some songs, but others don't need that many instruments
  • The interaction between the bass and all the comp parts on the arranger keyboards can be a little tighter. There are some keyboard styles I'd like to reproduce on BiaB but BiaB's brain won't handle them. But looking in the opposite direction, there are thousands of styles on BiaB that the keyboard won't handle either.
  • The arranger keyboards are played live in 'real time' so you can extend the song, change the arrangement, or vamp while you talk on the mic, BiaB cannot do that as the lengths and arrangements of the songs are set in advance. There is a loop feature in BiaB but it isn't the same.
  • The keyboards have a limited amount of styles, and new styles can be purchased or written by the user, but the total is only a fraction of what is available for BiaB
  • When the keyboard dies, or if you need new capabilities, you have to buy a new keyboard, and that will cost you thousands of dollars. The styles I wrote for BiaB on my Atari computer in the early 1990s, still work in BiaB. Plus through the years BiaB has added quite a few improvements to the program that make it work better, and make the output much more musical. A modest upgrade fee is all that is required to get the new whistles and bells - not the thousands of dollars required for the keyboard
  • Because BiaB is so dominant, it has a very active user base of users, with many people who are eager to help out the newbies on this forum and on a couple not associated with PG Music
  • PG Music service, tech support, and involvement by the owner, Peter Gannon, is topnotch and I think light-years better than any you will get with a keyboard company.


IMO the advantages for BiaB far outweigh the ones for the keyboards. But it all depends on you, and how you run your performance.

My advice is to buy BiaB and see if it suits you. If it works you save a lot of money on a new keyboard. If it doesn't work for you, you aren't out that much, and you will still find BiaB useful and quite entertaining when you are not on the job.

IMHO every electronic musician needs a few basic programs (1) a DAW or sequencer (like PTPro) and (2) Band-in-a-Box. Everything else is optional. YMMV.

Insights and incites by Notes

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The nice thing about BiaB is that it knows in advance what you are going to play next. For example: if you are playing a V7 chord at the end of an A or B section and the first chord of the next section is a I chord, BiaB can choose an appropriate pattern that leads to the I instead of a generic V7 pattern.

As a style writer, I can do this for many different musical situations which makes the song more like a real musician was playing.

Real-time mode wouldn't be able to know what you are going to play next.

Notes


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Can someone explain what that means in musical terms?
"change the arrangement, or vamp while you talk on the mic"
I've never heard that term before, then again I'm not a real musician, I just play one with BIAB.

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Vamping is simply a repeating musical phrase over and over. It's often used for an accompaniment during song intro's, or between songs etc. The purpose that Notes mentioned I think is just to avoid silence between songs.


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Originally Posted By: leonard1962
Can someone explain what that means in musical terms?
"change the arrangement, or vamp while you talk on the mic"
I've never heard that term before, then again I'm not a real musician, I just play one with BIAB.


The arrangement is the order of the tune like verse, verse, chorus or bridge, verse and a tag ending which could be anything. That's the basic road map of a song but an arrangement is much more than that. If you listen to any good classic tune by anybody you'll hear the music doing a specific thing for the intro before the vocal starts, then they will be playing certain specific things behind the vocal, stuff like that. That's the musical side of an arrangement separate from the simple road map.

If you have Biab set up with those things "arranged" the way you want them then go on a gig and the vocalist gets lost and changes the order of things you're screwed. An arrangement that is preset like that only works of you're the vocalist or you've been working together for years and everybody knows exactly what each other is doing.

A vocalist may want me to vamp (basically repeat) or ad lib a simple chord thing while she's talking to the audience about anything. It could be our next gig or it could be an event the club is hosting. That's why if I'm playing an arranger keyboard live I can do anything I want with the song. Oh, changing keys is a big one. Maybe the vocalist has a cold and wants to do some songs in a lower key. If it's all preset then again you're screwed.

Notes is absolutely correct about the limited styles in arrangers and other things and Biab can sound a lot more varied. But even with the Conductor feature you're stuck with your basic arrangement you laid out earlier. I will say this lots of acts in Vegas are singing to prerecorded tracks so there's no chance of vamping or changing anything. To me that's very boring but it's also modern show biz so there's certainly room for both approaches.

All of this btw is caused by ever limited budgets so main room acts in Vegas are no longer full orchestra's they can be two keyboardists sitting in the pit triggering tracks and playing some parts live, what used to be 5 or 7 piece bands with horns turn into a trio with backing tracks or even a solo performer with tracks in other words karaoke. Sad but that's the reality of it. Others like myself hate being restricted to tracks and try to keep as much live spontaneity as possible.

Bob


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In the early 70-ies traveling in Ireland at times i was asked by fiddlers etc 'give us a vamp', meaning backing them on the piano pumping chords. Reg Hall was a well known as vamping side kick for a lot of Irish dance music players in the London pub-scene. Here present on every track: Paddy in the Smoke LP ... F

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