Hola Raul,
La causa por la cuál no ves los estilos latinos reunidos en un solo grupo o carpeta en tu lista de estilos es porque no están agrupados en el archivo que usa el programa para tal fin y que rige o controla la manera como los estilos aparecen en dicha lista en Band-in-a-Box.
En la versíón 2009 todavía se utilizaba la forma antigua de organizar los grupos de estilos en carpetas con varias subdivisiones de géneros. Luego de eso y a partir de la versión 2010 y 2011 los estilos fueron organizados de manera más general y amplia, para evitar confusión debido a la mayor cantidad de estilos que paulatinamente siempre han sido añadidos en sucesivas versiones del programa.
En tu versión 2009 y algunas mas adelante hasta la 2010 aproximadamente, debes buscar las instrucciones para organizar los estilos, aprendiendo como editar dicho archivo cuyo nombre es: BBW.LST ,y que se encuentra en la raiz del directorio donde Band-in-a-Box está instalado en tu ordenador. Dichas instrucciones se encuentran al principio del texto y deberán seguirse al pie de la letra.
Lo que parece un tanto extraño es que partiendo de que tu copia de Band-in-a-Box es original, no tengas dichos estilos, ya que la versión 2009 contiene 77 estilos agrupados cada uno en su correspondiente carpeta. Por favor revisa en tu directorio cuantas carpetas de estilos aparecen allí, y enumeralos aqui en el hilo de tu consulta, para saber que tienes y que no y poder asistirte mejor.
En todo caso puedes intentar usar la función "Reconstruir lista de estilos" con el botón "RE-Const" entrando en la ventana de Selección de estilos de Band-in-a-Box, esto deberá reorganizar la lista de estilos y encontrar las nuevas adiciones realizadas luego de la instalación del programa.
Por otro lado, existen usuarios que aportan sus propios estilos como ya tu mismo lo mencionaste, ya que para la version 2009, (aunque no recuerdo bien ahora con exactitud) no estaba incluido ese estilo en la lista todavía.
Este es un ejemplo pero de UserTrack para RealBand, alli hay uno de Danzón.
http://www.sara-smith.com/uts/index.htmlVoy a dejarte aqui una copia de las carpetas #70 y #76 correspondientes a los grupos de estilos latinos Salsa Moderna y Salsa Clasica respectivamente, alli podrás apreciar que estilos se encuentran presneten en la versión 2009 en el género latino.
~Styles #76 [Salsa Moderna]
@BombFst.STY\Bomba Fast - Lively Puerto Rican^Fst Puerto Rican Bomba. Emphasizes 5-note pattern (Cuá). In Salsa, Bass & Pno play tumbao & montuno pattns, and the clave is insinuated (not heard). D, B, Pno, Gtr. T=230*Oye Papá, Coffee in Brazil
@BombMed.STY\Bomba Medium - Puerto Rican^Medium Ev16 Puerto Rican Modern Bombo style, well-suited to Salsa arrangement. Timbales player handles cuá on jamblock or cowbells. 4 insts: Drm, Bass, Pno, Gtr. T=110.*Alegría y Bomba, No More Blues
@CongMod.STY\Conga Modern - Cuban Salsa^Ev16 Cuban Style. In Salsa bands, timbales take on Bombo’s role, accenting the 2+ on low drm combined w/ variety of bell parts. 5 insts: Drms, Bass, Pno, Gtr, Strings. T=125*La Pollera Colorá, Brazil
@CumbMod.STY\Cumbia Modern - Colombian^Ev8 Modern Salsa. Mod. Cumbias strip down to the bare min., keeping the syncopated high drum ptrn but replace tambora w/ timbales playing fills. 4 insts: Drm, Bass, Pno, Accordian.*La Pollera Colorá, Corcovado
@GuagMod.STY\Guaguancó Modern - Cuban dance^Ev16 Salsa Guaguancó - Cuban Dance style. Relatively simple percussion parts (3-member ensemble with clave, palitos, congas). 4 insts: Drms, Bass, Piano, Guitar. T=102*Cuba Linda, Fools Rush In
@Guara23.STY\Guaracha with 2-3 Clave pattern ^Mod. Cuban Guaracha w/ 23 clave. Primary style played in Salsa. Derived from the Son, it accents 4th beat of each bar, but faster tmpo. Drm, Bass, Pno, Marim.*Yembe Laroco, I Remember April
@Guara32.STY\Guaracha with 3-2 Clave pattern^Ev8 Salsa Style. Bar 1 of each 2-bar pattern has 3 Clave beats, bar 2 has 2. Guaracha is the primary style in salsa music. 5 insts: D, B, Pno, Guit, Vibes. T=180*La Agarro bajando, Fly Me to the Moon
@LJ_Cha.STY\Latin Jazz Cha Cha ^Ev8 Salsa Cha Cha w/ Jazz flavor. Sim. to the Charanga-oriented Classic Cha-Cha-Chá, but more syncopated accomp. Contemporary fills, modern harmony. 4 insts: Dms, Bass, Pno, Strgs.T=135*Oye Como Va, Vanilla Extract
@MerFast.STY\Merengue Fast - Modern Dominican^Fast Dominican Merengue. Bass has on-the-beat feel, piano patterns have simpler comping than the trad. Mer. Típico style. 4 insts: Drms, Bass, Pno, Accordian. T=138*La Dueña del Swing, Cumanchero
@MerSlow.STY\Merengue Slow - Modern^Modern Merengue at a slow tmpo - quite simple, w/ a 2-drum conga pattern identical to the Puerto Rican Seis & Cuban pachanga. 4 insts: Drms, Bass, Pno, Gtr. T=115.*Suavemente, Manana
@MozCuba.STY\Mozambique Cuban - Modern Salsa ^Ev16th Cuban style. Distinct 16th push into 3rd beat of each bar. Bass & Pno emphasize Bombo pattern. Drms, Bass, Pno, Vibes. T=118*María Caracoles, All the Things
@MozNYC.STY\Mozambique NYC Modern Salsa^NY ver. of Mozambique Salsa. Simpler bombo parts; Timbales play Mambo or ChaBell & accent the ‘&’ of beat 2 of the Clave (3-side) on LowTimbal. D, B, Pno, Marim. T=118*Melao Para el Sapo, Tequila
@PlenaFst.STY\Plena Fast - Puerto Rican Salsa^Ev8 Fast Puerto Rican Salsa. This Plena shows influence of Trinidadian Calypso in constant 8th-note, 2-bell pattn alt. btwn low & high pitched bells. Drs, Bass, Pno, Gtr. T=240* Elena Elena, Tico Tico
@PlenaMed.STY\Plena Medium - Puerto Rican ^Med Puerto Rican Salsa style. Simple rhythm; pno emphasizes 2-bar phrase w/ anticipation into 3-side of clave (implied in the arrangement). 4 insts: D, B, Pno, Accordian. T=200*A La Buena Si, Sweet Georgia
@Songo4.STY\Songo 4 - Fast Modern Cuban Salsa^Ev8 Mod. Cuban Salsa. Busier, faster, more syncopated than Guaracha; Songo style has > var. on congas and timbales. Infl. from Amer. Rock. 4 insts: D, B, Pno, Str. T=210*Se Le Ve, Just the Way You Look
@SonMn32.STY\Son Montuno with 3-2 Clave pattern^Fast Ev8 feel Salsa. Cuban SonMontuno of the 40s featured the add'n. of 1 conga drum into the rhythm sect. of bongos/bell, maracas & claves. 4 insts. D, B, Pno, Atmos. T=170*Chicharronero , Desafinado
@Timba.STY\Timba - Modern Cuban Salsa^Ev8 feel Cuban Timba. Roots in the Son, but much busier. Rare to hear > 2 bars of same pattern as most insts are continuously ad-libbing! 4 insts: D, B, Pno, Marim. T=200*Te Pone La Cabeza Mala, Tequila
@-BomFst+.STY\Bomba Fast - Lively Puerto Rican^Fst Puerto Rican Bomba. Emphasizes 5-note pattern (Cuá). In Salsa, Bass & Pno play tumbao & montuno pattns, and the clave is insinuated (not heard). D, B, Pno, Gtr. T=230*Oye Papá
@-BomMed+.STY\Bomba Medium - Puerto Rican^Medium Ev16 Puerto Rican Modern Bombo style, well-suited to Salsa arrangement. Timbales player handles cuá on jamblock or cowbells. 4 insts: Drm, Bass, Pno, Gtr. T=110.*Alegría y Bomba, Bomba Voulez
@-CongMod.STY\Conga Modern - Cuban Salsa^Ev16 Cuban Style. In Salsa bands, timbales take on Bombo’s role, accenting the 2+ on low drm combined w/ variety of bell parts. 5 insts: Drms, Bass, Pno, Gtr, Strings. T=125*La Pollera Colorá, Suave Bruta
@-CumMod+.STY\Cumbia Modern - Colombian^Ev8 Modern Salsa. Mod. Cumbias strip down to the bare min., keeping the syncopated high drum ptrn but replace tambora w/ timbales playing fills. 4 insts: Drm, Bass, Pno, Accordian.*La Pollera Colorá, Suave Bruta
@-GuagMod.STY\Guaguancó Modern - Cuban dance^Ev16 Salsa Guaguancó - Cuban Dance style. Relatively simple percussion parts (3-member ensemble with clave, palitos, congas). 4 insts: Drms, Bass, Piano, Guitar. T=102*Cuba Linda, Reina Rumba
@-Guar23+.STY\Guaracha with 2-3 Clave pattern ^Mod. Cuban Guaracha w/ 23 clave. Primary style played in Salsa. Derived from the Son, it accents 4th beat of each bar, but faster tmpo. Drm, Bass, Pno, Marim.*Yembe Laroco, En Barranquilla me Quedo
@-Guar32+.STY\Guaracha with 3-2 Clave pattern^Ev8 Salsa Style. Bar 1 of each 2-bar pattern has 3 Clave beats, bar 2 has 2. Guaracha is the primary style in salsa music. 5 insts: D, B, Pno, Guit, Vibes. T=180*La Agarro bajando, Mi Bajo y Yo
@-LJ_Cha.STY\Latin Jazz Cha Cha ^Ev8 Salsa Cha Cha w/ Jazz flavor. Sim. to the Charanga-oriented Classic Cha-Cha-Chá, but more syncopated accomp. Contemporary fills, modern harmony. 4 insts: Dms, Bass, Pno, Strgs.T=135*Oye Como Va, Vanilla Extract
@-MerFast.STY\Merengue Fast - Modern Dominican^Fast Dominican Merengue. Bass has on-the-beat feel, piano patterns have simpler comping than the trad. Mer. Típico style. 4 insts: Drms, Bass, Pno, Accordian. T=138*La Dueña del Swing
@-MerSlow.STY\Merengue Slow - Modern^Modern Merengue at a slow tmpo - quite simple, w/ a 2-drum conga pattern identical to the Puerto Rican Seis & Cuban pachanga. 4 insts: Drms, Bass, Pno, Gtr. T=115.*Suavemente
@-MozCuba.STY\Mozambique Cuban - Modern Salsa ^Ev16th Cuban style. Distinct 16th push into 3rd beat of each bar. Bass & Pno emphasize Bombo pattern. Drms, Bass, Pno, Vibes. T=118*María Caracoles
@-MozNYC.STY\Mozambique NYC Modern Salsa^NY ver. of Mozambique Salsa. Simpler bombo parts; Timbales play Mambo or ChaBell & accent the ‘&’ of beat 2 of the Clave (3-side) on LowTimbal. D, B, Pno, Marim. T=118*Melao Para el Sapo, Carnaval en Camaguey
@-PlenaFs.STY\Plena Fast - Puerto Rican Salsa^Ev8 Fast Puerto Rican Salsa. This Plena shows influence of Trinidadian Calypso in constant 8th-note, 2-bell pattn alt. btwn low & high pitched bells. Drs, Bass, Pno, Gtr. T=240*Señora Plena, Elena Elena
@-PlenaMd.STY\Plena Medium - Puerto Rican ^Med Puerto Rican Salsa style. Simple rhythm; pno emphasizes 2-bar phrase w/ anticipation into 3-side of clave (implied in the arrangement). 4 insts: D, B, Pno, Accordian. T=200*A La Buena Si, Déjela
@-SnMn32+.STY\Son Montuno with 3-2 Clave pattern^Fast Ev8 feel Salsa. Cuban SonMontuno of the 40s featured the add'n. of 1 conga drum into the rhythm sect. of bongos/bell, maracas & claves. 4 insts. D, B, Pno, Atmos. T=170*Chicharronero
@-Songo4+.STY\Songo 4 - Fast Modern Cuban Salsa^Ev8 Mod. Cuban Salsa. Busier, faster, more syncopated than Guaracha; Songo style has > var. on congas and timbales. Infl. from Amer. Rock. 4 insts: D, B, Pno, Str. T=210*Se Le Ve, Sandunguera
@-Timba+.STY\Timba - Modern Cuban Salsa^Ev8 feel Cuban Timba. Roots in the Son, but much busier. Rare to hear > 2 bars of same pattern as most insts are continuously ad-libbing! 4 insts: D, B, Pno, Marim. T=200*Te Pone La Cabeza Mala, La Sandunguita
~Styles #70 [Salsa Clasica]
@Af68Mod.STY\Afro Cuban 6/8 - Guiro^This 6/8 Salsa style is known as Guiro. BB treats 2 bars of 6/8 as one bar of 12/8. 4 insts: Drums, El. Bass 34, Ac. Piano & Vibes. T = 113*Footprints, Medicine Man
@AfrFk68.STY\Afro Folk 6/8 - Afro Cuban 6/8^Folkloric 6/8 Afro Cuban style. Rhythm accomp oriented to support traditional melodies. BB treats each bar as 12/8 meter. 4 insts: Drums, El.Bass, Ac.Piano, Marimba. T=114*Afro Blue, Güiro para Ogún
@AfroSal.STY\Afro Salsa - Traditional Cuban Afro^Cuban Afro often used folk melodies or trad. lullabies. LH pian.&bass accent the low drm mel., RH Pian. plays on beats 2&4. Drms, Bass, Pian, Vibes/Strings.*Besame Mucho, Bruca Maniguá
@Bachat2.STY\Bachata 2 - Traditional Dominican^Ev8 Dominican Bachata Salsa. Borrows from Bolero & Son, combining a simp. version of bongo martillo and Son clave in 3-2. Bass&Pian outline simp. Ac.Guit pattern.*Yembe Laroco, You Belong to my Heart
@Bolero3.STY\Bolero 3 - Cuban Bolero^Ev8 Modern Cuban Bolero style w/ Salsa approach. Classic style features simple on-the-beat bass line that's standard in Latin bal. tmpo songs. 4insts: Drms, Bass, Pno, Pad. T=105*More, Dos Gardenias
@ChaSals.STY\Cha Cha Salsa - Traditional Cuban ^Cha Cha w/ Salsa flavor. Trad. charanga approach to rhythm w/ chabell playing a quarter-note pulse. Pian. plays syncopated LH, w/ RH on beats 1&3. Drm, Bass, Pno, Gtr*El Bodeguero, Never on a Sunday
@CongFok.STY\Conga Folkloric - Traditional Cuban^Trad. Ev16 Salsa Conga style. Combines trad. Conga patterns w/ bell patterns & shakers. Typical of music for Carnaval in Cuba. 4 insts: Drm, Bass, Pno, Marim*Paso Franco al Carnaval, Manana
@CumbFok.STY\Cumbia Folk - Classic African-Indian ^Ev16 Salsa. African-Indian dance, very popular throughout South/Cen America. Const. syncopated open tone on conga-like drum. 4 insts: Drm, Bass, Pno, Accordian. T=190*Dos de Febrero, Just In Time
@GuagFok.STY\Guaguancó Folk - Traditional Cuban ^Ev16 Salsa. Folk interp. of Guaguancó style w/ sparse accomp. Trad Guag. start w/ Clave&Palitos, then layering of indiv. Tumbadora pts. Drm, Bass, Pno, Marim. T=102*No More Blues, Oyelos de Nuevo
@Guajir2.STY\Salsa Guarjira 2 - Folkloric Cuban^Ev8, med-tmpo Guarjira. Folkloric Cuban style, emphasizes arpeggiation on gtr. HandBells replace Bongos during improv. section (montuno). 4 insts: Drm, Bass,Pno, Gtr.*Guantanamera, Choco's Guajira
@MambSal.STY\Mambo Salsa - Classic Cuban^Classic Ev8 Cuban Mambo Salsa style like early 50s Pérez Prado mambos; fiery tmpo, frantic perc. fills. 4 insts: Drm, Bass, Pno, Gtr. T=235.*Mambo #8, Coffee Song
@MerTip.STY\Merengue Tipico - Dominican ^Ev16 Salsa. Trad. Dominican Merengue. Fast & syncopated w/ busy arpeggiated pno patterns. 4 insts: Drms, Bass, Pno, Accordian. T=130.*La Situación, Oobladi-Ooblada
@SeisFast.STY\Seis Fast - Classic Puerto Rican ^Fast Ev8 Salsa style. Classic Puerto Rican Seis . Congas play classic 2-drum pattern (also common in mod. Merengues). 4 insts: Drms, Bass, Pno, Accordian. T=225.*Fuíkiti, Manana
@SeisSlow.STY\Seis Slow - Classic Puerto Rican ^Puerto Rican Seis (Ev8). This classic style features ‘Flowery’ playing on cuatro gtr (played w/ a pick like a mandolin). 4 insts: Drms, Bass, Pno, Gtr. T=190.*Blue Bossa, Puerto Rico
@SonMed.STY\Son Medium - Classic Cuban^Ev8 Son Medium. Cuban Son is the 'grandfather of Salsa'; Syncopated bass pattern heard in Cuban dance music; all insts centered around clave beat. 4 insts: Drm, Bass, Pno, Str. T=140*Bilongo, Jamaica Farewell
@SonMn23.STY\Son-Montuno 2-3 Clave pattern^Salsa Son-Montuno with 2-3 clave. 4 insts: Drms (at B, bongos move to bell-clave), Bass (plays quarter note pushes into beat 1 of each 2-bar phrase), Pno, Gtr. T=165*Dame un Cachito, Ipenema
@SonSlow.STY\Son Slow - Classic Cuban Salsa^Ev8 Son Slow. Cuban Son is the 'grandfather of Salsa'; Syncopated bass pattern heard in Cuban dance music; all insts centered around clave beat. 4 insts: Drms, Bass, Pno, Gtr. T=125*Son de la loma, How Insensiti
@-Af68Mod.STY\Afro Cuban 6/8 - Guiro^This 6/8 Salsa style is known as Guiro. BB treats 2 bars of 6/8 as one bar of 12/8. 4 insts: Drums, El. Bass 34, Ac. Piano & Vibes. T = 113*Wolenche, Medicine Man
@-AfrFk68.STY\Afro Folk 6/8 - Afro Cuban 6/8^Folkloric 6/8 Afro Cuban style. Rhythm accomp oriented to support traditional melodies. BB treats each bar as 12/8 meter. 4 insts: Drums, El.Bass, Ac.Piano, Marimba. T=114*Afro Blue, Güiro para Ogún
@-AfSal+.STY\Afro Salsa - Traditional Cuban Afro^Cuban Afro often used folk melodies or trad. lullabies. LH pian.&bass accent the low drm mel., RH Pian. plays on beats 2&4. Drms, Bass, Pian, Vibes/Strings.*En El Tiempo de la Colonia, Bruca Maniguá
@-Bachat.STY\Bachata 2 - Traditional Dominican^Ev8 Dominican Bachata Salsa. Borrows from Bolero & Son, combining a simp. version of bongo martillo and Son clave in 3-2. Bass&Pian outline simp. Ac.Guit pattern.*Burbujas de Amor, Como Abeja al Panal
@-Bolero3.STY\Bolero 3 - Cuban Bolero^Ev8 Modern Cuban Bolero style w/ Salsa approach. Classic style features simple on-the-beat bass line that's standard in Latin bal. tmpo songs. 4insts: Drms, Bass, Pno, Pad. T=105*Como Fué, Dos Gardenias
@-ChaSal+.STY\Cha Cha Salsa - Traditional Cuban ^Cha Cha w/ Salsa flavor. Trad. charanga approach to rhythm w/ chabell playing a quarter-note pulse. Pian. plays syncopated LH, w/ RH on beats 1&3. Drm, Bass, Pno, Gtr*El Bodeguero, Rico Vacilón
@-CongFok.STY\Conga Folkloric - Traditional Cuban^Trad. Ev16 Salsa Conga style. Combines trad. Conga patterns w/ bell patterns & shakers. Typical of music for Carnaval in Cuba. 4 insts: Drm, Bass, Pno, Marim*Paso Franco al Carnaval, La Chambelona
@-CumbFok.STY\Cumbia Folk - Classic African-Indian ^Ev16 Salsa. African-Indian dance, very popular throughout South/Cen America. Const. syncopated open tone on conga-like drum. 4 insts: Drm, Bass, Pno, Accordian. T=190*Dos de Febrero
@-GuagFok.STY\Guaguancó Folk - Traditional Cuban ^Ev16 Salsa. Folk interp. of Guaguancó style w/ sparse accomp. Trad Guag. start w/ Clave&Palitos, then layering of indiv. Tumbadora pts. Drm, Bass, Pno, Marim. T=102*La Polémica, Oyelos de Nuevo
@-Guajir+.STY\Salsa Guarjira 2 - Folkloric Cuban^Ev8, med-tmpo Guarjira. Folkloric Cuban style, emphasizes arpeggiation on gtr. HandBells replace Bongos during improv. section (montuno). 4 insts: Drm, Bass,Pno, Gtr.*Guantanamera, Choco's Guajira
@-MambSa+.STY\Mambo Salsa - Classic Cuban^Classic Ev8 Cuban Mambo Salsa style like early 50s Pérez Prado mambos; fiery tmpo, frantic perc. fills. 4 insts: Drm, Bass, Pno, Gtr. T=235.*Mambo #8, Que Rico el Mambo
@-MerTip.STY\Merengue Tipico - Dominican ^Ev16 Salsa. Trad. Dominican Merengue. Fast & syncopated w/ busy arpeggiated pno patterns. 4 insts: Drms, Bass, Pno, Accordian. T=130.*La Situación, Consígueme Eso
@-SeisFs+.STY\Seis Fast - Classic Puerto Rican ^Fast Ev8 Salsa style. Classic Puerto Rican Seis . Congas play classic 2-drum pattern (also common in mod. Merengues). 4 insts: Drms, Bass, Pno, Accordian. T=225.*Fuíkiti
@-SeisSlw.STY\Seis Slow - Classic Puerto Rican ^Puerto Rican Seis (Ev8). This classic style features ‘Flowery’ playing on cuatro gtr (played w/ a pick like a mandolin). 4 insts: Drms, Bass, Pno, Gtr. T=190.*Sin Madre Estas Navidades, Puerto Rico
@-SnMn23+.STY\Son-Montuno 2-3 Clave pattern^Salsa Son-Montuno with 2-3 clave. 4 insts: Drms (at B, bongos move to bell-clave), Bass (plays quarter note pushes into beat 1 of each 2-bar phrase), Pno, Gtr. T=165*Dame un Cachito, El Reloj de Pastora
@-SonMed+.STY\Son Medium - Classic Cuban^Ev8 Son Medium. Cuban Son is the 'grandfather of Salsa'; Syncopated bass pattern heard in Cuban dance music; all insts centered around clave beat. 4 insts: Drm, Bass, Pno, Str. T=140*Bilongo
@-SonSlow.STY\Son Slow - Classic Cuban Salsa^Ev8 Son Slow. Cuban Son is the 'grandfather of Salsa'; Syncopated bass pattern heard in Cuban dance music; all insts centered around clave beat. 4 insts: Drms, Bass, Pno, Gtr. T=125*Son de la loma, Mayeya
Espero el resultado de tu directorio, ¡suerte!
Carlos
PG Music
Dansk
Deutsch - Windows
Español
Français - Windows
Italiano - Windows
Nederlands
Polski
Português
Svenskt
русский
Japanese
Simplified Chinese
Traditional Chinese
Korean