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Josie - thanks for listening...
Greg - appreciate the support...
Thanks, Tom..
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Joined: Nov 2014
Posts: 313
Journeyman
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Journeyman
Joined: Nov 2014
Posts: 313 |
Janice, Bud and Floyd, You must have some Irish blood in you These kyrics are so sad and beautiful at the same time. The melody melancholic, in an Irish spirit . I was with you all the way trough the song. Production-wise NTR (nothing to report) See you around guys! Fred
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Thanks, Charlie...
Richard - appreciate someone picking up on how we put this together...
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Joined: Dec 2011
Posts: 14,051
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OP
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J & B
Really great, fantastic lyric, pleasant laid-back pace. The strings really balance the song nicely, giving it a 'forlorn' feel.
Top job once again.
Trevor
Thanks. Glad the strings worked for you. J&B Really nice melody and lyric on this one. The production and performance were superb. Enjoyed it.
Charlie Thank you Charlie! J&B
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Like everything about this one. Love the fiddle. The nice strong vocals. The light whimsical tone of the piece and the word plays. Held, holding, hold in the bridge, leavin, believe in, movin in movin out, cracked, crumbled, resisted repair teetered, tumbled, lack of a little care. Enjoy that. Cheers.
Thank you so much for taking the time to listen and comment. It was amazing how quickly fj took my verse and chorus and turned out a complete package. And I get half the credit! Seems like cheating. And my wife certainly iced the cake with her vocal and fj's harmony. Bud Excellent listen. Radio ready production, beautiful singing. You always choose great songs so I was a little surprised this was written in house instead of a public domain song. Really strong writing. Thank you Jim. Those are kind comments. Yep our favorite writer is Trad Arr Reckon we are about 50/50 traditional arrangments and our writes or co-writes. Thanks for your time to listen and comment. J&B What a fabulous use of realtracks! So rich and beautiful!
And then you add lush vocals and harmonies and superb lyrics?
Sweet!!!
I'm happy to be a part of it as an audience! Glad you liked it Mr gruve! J&B
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Dunno how I missed this one. Great write. Excellent use of real tracks. All boxes ticked here. Loved it. Rob Thanks Rob -- glad we got all those boxes! J&B Hey guys, Very nice! A good write! Loved the production... Have I told you how much I like Janice's voice! Greg Thanks Greg. You put a smile on her face! Bud Bud - Thanks for including me in on this! I had a ton of fun! Janice - thanks for putting your spin on this!
Bob - I75 thanks ya!
Joanne - WTG (figuring that out!)
Guenter - appreciate you having a listen.. Thanks for turning it into a song!! J&B Hi Janice, Bud and Floyd, Nice WTG guys! We've just learned some new short cuts, LOL! The song: OMG! It is definitely compliant with your usual high level of song creating. A nice listen for sure. Rob and Anne-Marie FWIW, we really appreciate y'all listening and commenting J&B
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Excellent tune. Lyrics were very cool. Closed my eyes and felt like I was floating down the river on a warm summers day
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Thanks, y'all for the listens and comments... 'course listening to Janice sing... easy...
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User Showcase
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Joined: Dec 2011
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Janice, Bud and Floyd, You must have some Irish blood in you These kyrics are so sad and beautiful at the same time. The melody melancholic, in an Irish spirit . I was with you all the way trough the song. Production-wise NTR (nothing to report) See you around guys! Fred I'd be pleased with Irish ancestory! Thanks for listening and the kind remarks. J&B Excellent tune. Lyrics were very cool. Closed my eyes and felt like I was floating down the river on a warm summers day Thank you Scott. Glad it worked for you. J&B
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Posts: 8,074
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I'm late to the party because this hit while I was travelling, and I didn't have ear buds that would do justice to showcase songs. I skipped past all the other comments, so apologies if I say a lot of stuff that has already been said. Anyway, here are my thoughts:
1) The title is good use of Irony, as "Way To Go" is usually used in a positive way, but the theme of the song is anything but positive.
2) I thought the phrasing of the harmonies was innovative. Most people would have harmonized the whole phrase, but the choice to harmonize only parts of each verse gave it a fresh feel. I especially liked the harmony at "If you're hangin' around to see..."
3) I liked the alliteration: "Cracked, Crumbled" "Resisted Repair" "Teetered Tumbled" The fact that the alliteration only occurred in one verse struck me as a missed opportunity. Including it in both verses would have been a binding theme... in fact, the fact that it appeared only in the second verse makes me wonder if there was a collaborative split in the lyric writing, and the verses were not written by the same person. I think that if the same person had written both verses the alliteration would probably have been employed the same way both times.
4) I also like the interesting mutations of the same words in various places: in verse 2 there is PASSED, PASSING and PAST later in the bridge there is HELD, HOLDING and HOLD, all used in different ways. Very interesting attention to verbal detail!
In verse 1 I liked the segue between HEAVEN and HELL. I also liked the rhyme between LEAVIN' and BELIEVE IN
5) I liked the guitar intro, the way it flowed from low to high. I'd be very surprised if you said it just generated that way! I'm thinking you took pains to make that happen.
The fiddle is totally believable as a live embellishment to the song. And the backing guitar is also just perfect for the song! You couldn't have done much better at finding appropriate real tracks for the song!
I also like the sustained cello
6) I noticed that in verse one the written word was:"if you walk out that door, " but the vocals substituted "OUR door" for "THAT door".. a change I like, BTW, but it caught me off guard as I followed along with the printed lyric sheet
Like I said, I skipped past the other comments.. but I'm betting that if I end with "WTG!" it won't be the first time you've heard it! But it's exactly the right summary! Way to go! Awesome song in every way!
update: in rereading my post, I realized I omitted any comments about the most important parts of the song!
Janice, it almost doesn't need to be said any more because your singing is legendary! But I want to say it anyway because you deserve to hear it! You have the perfect voice for delivering mournful lyrics, and this song was a good write for your vocal delivery!
Bud, you should count it as flattery that your mix was so seamless and invisible that I closed without even commenting on it! A mix that gets noticed is probably not a good mix. But yours is so clean and free from anything to comment on that the cleanness speaks for itself! Someday maybe I'll know how to do that! But until then, I'm glad you and a few others here know already!
Last edited by Pat Marr; 02/21/15 11:56 AM. Reason: added comments about Janice's voice and Bud's mixing
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User Showcase
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Joined: Dec 2011
Posts: 14,051
Veteran
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OP
Veteran
Joined: Dec 2011
Posts: 14,051 |
I'm late to the party because this hit while I was travelling, and I didn't have ear buds that would do justice to showcase songs. I skipped past all the other comments, so apologies if I say a lot of stuff that has already been said. Anyway, here are my thoughts:
1) The title is good use of Irony, as "Way To Go" is usually used in a positive way, but the theme of the song is anything but positive.
2) I thought the phrasing of the harmonies was innovative. Most people would have harmonized the whole phrase, but the choice to harmonize only parts of each verse gave it a fresh feel. I especially liked the harmony at "If you're hangin' around to see..."
3) I liked the alliteration: "Cracked, Crumbled" "Resisted Repair" "Teetered Tumbled" The fact that the alliteration only occurred in one verse struck me as a missed opportunity. Including it in both verses would have been a binding theme... in fact, the fact that it appeared only in the second verse makes me wonder if there was a collaborative split in the lyric writing, and the verses were not written by the same person. I think that if the same person had written both verses the alliteration would probably have been employed the same way both times.
4) I also like the interesting mutations of the same words in various places: in verse 2 there is PASSED, PASSING and PAST later in the bridge there is HELD, HOLDING and HOLD, all used in different ways. Very interesting attention to verbal detail!
In verse 1 I liked the segue between HEAVEN and HELL. I also liked the rhyme between LEAVIN' and BELIEVE IN
5) I liked the guitar intro, the way it flowed from low to high. I'd be very surprised if you said it just generated that way! I'm thinking you took pains to make that happen.
The fiddle is totally believable as a live embellishment to the song. And the backing guitar is also just perfect for the song! You couldn't have done much better at finding appropriate real tracks for the song!
I also like the sustained cello
6) I noticed that in verse one the written word was:"if you walk out that door, " but the vocals substituted "OUR door" for "THAT door".. a change I like, BTW, but it caught me off guard as I followed along with the printed lyric sheet
Like I said, I skipped past the other comments.. but I'm betting that if I end with "WTG!" it won't be the first time you've heard it! But it's exactly the right summary! Way to go! Awesome song in every way!
update: in rereading my post, I realized I omitted any comments about the most important parts of the song!
Janice, it almost doesn't need to be said any more because your singing is legendary! But I want to say it anyway because you deserve to hear it! You have the perfect voice for delivering mournful lyrics, and this song was a good write for your vocal delivery!
Bud, you should count it as flattery that your mix was so seamless and invisible that I closed without even commenting on it! A mix that gets noticed is probably not a good mix. But yours is so clean and free from anything to comment on that the cleanness speaks for itself! Someday maybe I'll know how to do that! But until then, I'm glad you and a few others here know already!
Pat, just taking the time to write your comments is greatly appreciated. And the icing on the cake is that, as usual, they are incredibly astute. For example your observation that floyd wrote one of the verses is spot on. And that likely accounts for me not using an alliteration as I wrote mine first. You can thanks Mr jane completely for V2 and the bridge. And he came up with them in a few nanoseconds. Or so it seemed to us Glad you like the irony in the title...cause it was intended! Thanks for the comment about the opening guitar -- it is comped from several generations. I got lucky and was able to, hopefully, seamlessly paste in the first few notes also. The fiddle was comped from many generations but the cello was just one generation (got lucky). Your comments about the mix/mastering are hugely appreciated and your remarks about Janice's vocal put a large smile on her. Thanks again so much. J&B
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Ask sales and support questions about Band-in-a-Box using natural language.
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Update Your PowerTracks Pro Audio 2024 Today!
The Newest RealBand 2024 Update is Here!
The newest RealBand 2024 Build 5 update is now available!
Download and install this to your RealBand 2024 for updated print options, streamlined loading and saving of .SGU & MGU (BB) files, and to add a number of program adjustments that address user-reported bugs and concerns.
This free update is available to all RealBand 2024 users. To learn more about this update and download it, head to www.pgmusic.com/support.realband.htm#20245
The Band-in-a-Box® Flash Drive Backup Option
Today (April 5) is National Flash Drive Day!
Did you know... not only can you download your Band-in-a-Box® Pro, MegaPAK, or PlusPAK purchase - you can also choose to add a flash drive backup copy with the installation files for only $15? It even comes with a Band-in-a-Box® keychain!
For the larger Band-in-a-Box® packages (UltraPAK, UltraPAK+, Audiophile Edition), the hard drive backup copy is available for only $25. This will include a preinstalled and ready to use program, along with your installation files.
Backup copies are offered during the checkout process on our website.
Already purchased your e-delivery version, and now you wish you had a backup copy? It's not too late! If your purchase was for the current version of Band-in-a-Box®, you can still reach out to our team directly to place your backup copy order!
Note: the Band-in-a-Box® keychain is only included with flash drive backup copies, and cannot be purchased separately.
Handy flash drive tip: Always try plugging in a USB device the wrong way first? If your flash drive (or other USB plug) doesn't have a symbol to indicate which way is up, look for the side with a seam on the metal connector (it only has a line across one side) - that's the side that either faces down or to the left, depending on your port placement.
Update your Band-in-a-Box® 2024 for Windows® Today!
Update your Band-in-a-Box® 2024 for Windows for free with build 1111!
With this update, there's more control when saving images from the Print Preview window, we've added defaults to the MultiPicker for sorting and font size, updated printing options, updated RealTracks and other content, and addressed user-reported issues with the StylePicker, MIDI Soloists, key signature changes, and more!
Learn more about this free update for Band-in-a-Box® 2024 for Windows at www.pgmusic.com/support_windowsupdates.htm#1111
Band-in-a-Box® 2024 Review: 4.75 out of 5 Stars!
If you're looking for a in-depth review of the newest Band-in-a-Box® 2024 for Windows version, you'll definitely find it with Sound-Guy's latest review, Band-in-a-Box® 2024 for Windows Review: Incredible new capabilities to experiment, compose, arrange and mix songs.
A few excerpts:
"The Tracks view is possibly the single most powerful addition in 2024 and opens up a new way to edit and generate accompaniments. Combined with the new MultiPicker Library Window, it makes BIAB nearly perfect as an 'intelligent' composer/arranger program."
"MIDI SuperTracks partial generation showing six variations – each time the section is generated it can be instantly auditioned, re-generated or backed out to a previous generation – and you can do this with any track type. This is MAJOR! This takes musical experimentation and honing an arrangement to a new level, and faster than ever."
"Band in a Box continues to be an expansive musical tool-set for both novice and experienced musicians to experiment, compose, arrange and mix songs, as well as an extensive educational resource. It is huge, with hundreds of functions, more than any one person is likely to ever use. Yet, so is any DAW that I have used. BIAB can do some things that no DAW does, and this year BIAB has more DAW-like functions than ever."
Convenient Ways to Listen to Band-in-a-Box® Songs Created by Program Users!
The User Showcase Forum is an excellent place to share your Band-in-a-Box® songs and listen to songs other program users are creating!
There are other places you can listen to these songs too! Visit our User Showcase page to sort by genre, artist (forum name), song title, and date - each listing will direct you to the forum post for that song.
If you'd rather listen to these songs in one place, head to our Band-in-a-Box® Radio, where you'll have the option to select the genre playlist for your listening pleasure. This page has SoundCloud built in, so it won't redirect you. We've also added the link to the Artists SoundCloud page here, and a link to their forum post.
We hope you find some inspiration from this amazing collection of User Showcase Songs!
Congratulations to the 2023 User Showcase Award Winners!
We've just announced the 2023 User Showcase Award Winners!
There are 45 winners, each receiving a Band-in-a-Box 2024 UltraPAK! Read the official announcement to see if you've won.
Our User Showcase Forum receives more than 50 posts per day, with people sharing their Band-in-a-Box songs and providing feedback for other songs posted.
Thank you to everyone who has contributed!
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