First of all I've been out of the loop for years now. Lately I've been putting together songs in my ipad using StageTraxx which solo performers use a lot.
For convenience if I find a song on Karoke-Version that I can use, I grab one of those and call it the day. Otherwise I started using BIAB again to put together songs.
My issue is when I load the songs into my ipad the BIAB songs are about 3 to 4 db lower in volume. So switching between songs is going to be too much volume adjusting for a live situation.
My first thought for the quickest remedy would be to lower the volume in the Karoke Version songs and render but they are already compressed to high heaven and mp3's when I get them so the fidelity is going to take a hit if I do that.
Is there a way to master the BIAB songs when I render. By the way I'm still on 10.5 and it looks like the only way to render is mixdown to CD setting..which I save it as .wav
I have Audacity set up, Reaper but that just comes with your basic VST (I think) whatever you get for $60 and I have Studio One that came with interface box. It has some mastering eff but I was hoping I could do everything in BIAB.
After exporting to MP3, I use Wavelab to normalize all volumes to -4 dB (Any DAW will do this). Then I play the normalized files through the PA, making notes on which songs have to come up a dB or two, or down. I revisit those songs and get a more-or-less balanced set of volumes.
Nothing worse than having a song jump out at you 6 dB too loud!
Ok, I guess I need to use something in Studio One to master or should I say compress/turn up the BIAB files. I tried normalize but still too much between the 2.
I'm not sure what features are in your version of BiaB. If you've got the VST/DX Synths dialog, you can drop a VST compressor effect into the combo slot, or use the one that comes with BiaB.
Reaper actually comes with a nice set of VSTs which are pretty easy to use. They have a stand-alone set that can run in other DAWs, include BiaB - you can find them here. Obviously, there's the reacomp compressor plug-in. But the reajs plug-in has a number of nice tools as well. Push the Load button on the VST and look under LOSER to find some master limiters. SStillwell has some nice compressors - for example, eventhorizon and fairlychildish.
Since you've got Reaper already installed, keep in mind that the 60 days review period is non-expiring, so you won't lose any work if that period runs out - you'll just get a nag screen, but no lost functionality. I'd just load the .wav files from BiaB into Reaper and put compressors on the FX of the main buss.
Obviously there are other DAWs available - I just happen to be familiar with these, and you'd mentioned that you've got Reaper installed.
It is fairly transparent even when hitting something with 7 or 8 on the knob. You can download a demo to test it. $49 - they put it on sale at times. It could not be any simpler. Drop it on a mix file and turn the knob.
Ok, I guess I need to use something in Studio One to master or should I say compress/turn up the BIAB files. I tried normalize but still too much between the 2.
Thanks
I use WavePad... not to be confused with WaveLab.... to do final edits and such on my exported waves. It's simply a wave editor and mp3 converter. My last step is to NORMALIZE the track to whatever level I want. Normalization is NOT compression.
With normalization, you are simply increasing the volume of everything in a track in a linear fashion using the highest musical peak as the reference point. So if you have a track with good average peaks through out, and set -4dB as the point, the entire track with those peaks comes up in volume. You are amplifying the peaks as well as the noise floor gets raised which is why a fair number of people speak poorly of normalizing. If you have a song with one large spike that's pretty loud, normalization will hardly be noticeable on that track.
You want to be careful with compression. Compression does more to the music than to simply raise the level, which is what a lot of folks use it for. It reduces the peaks while at the same time bringing up the lower program material.
I don't mess around with the karaoke tracks, but it doesn't surprise me one bit that they are super compressed. Trying to match your material to them would, I imagine, be difficult, for more than a few reasons.
MY THOUGHTS: If I was trying to do what you are attempting.... I would first, lightly compress (perhaps a bit more than "lightly" but error on the side of caution) the original WAVE file with a good DAW compressor to get it looking something like this:
Notice the head room in WavePad? That's the remaining distance between the peaks and the top and bottom of the window. Also notice that the peaks are pretty much all around the same point. This file can now easily be normalized to give a nice volume bump without further compression. Normalizing it will give a noticeable volume increase.
This file is not so easy to bump smoothly in volume due to it's "spikey" appearance. Those spikes will prevent it from seeing much of an increase in volume from a normalizing process. I would need to compress it first if I wanted to get the levels up. Notice that the peaks in this wave ARE touching the top and bottom of the screen. It has already been normalized to 100% in this case. Any further increase in volume would need to be through compression which would start to alter the sonic quality of the music in subtle ways. This song is on my web site and this is the version you will hear. 100% normalized level, no further compression. http://soundclick.com/share.cfm?id=11386873
The important part of this entire equation is the file you start with should be full and well recorded with strong levels. Start with a weak wave and you will have issues.
Trying to match your original music to that of some that was recorded in some sort of "professional setting" and compressed by that studio, is going to be an interesting project. Not impossible, but it will teach you some things along the way.
Hope this info is useful and educational to you.
Last edited by Guitarhacker; 02/10/1603:12 AM.
You can find my music at: www.herbhartley.com Add nothing that adds nothing to the music. You can make excuses or you can make progress but not both.
The magic you are looking for is in the work you are avoiding.
"My first thought for the quickest remedy would be to lower the volume in the Karoke Version songs and render but they are already compressed to high heaven and mp3's when I get them so the fidelity is going to take a hit if I do that."
Not really. Just lower the Karaoke tracks volumes to match the BIAB songs.
As Guitarhacker pointed out, normalization is limited by the maximum volume of the recording. Normalization works by going raising the volume of the whole sound - but only so that none of the sound exceeds the maximum.
That means that if any of the recording is already near the maximum (typically one of those "spikes", or "transients" - often a drum beat), there's not much room to raise the volume.
A compressor works by raising the raising the volume where it's low ("low level compression"), and lowering the volume where it's high ("peak limiting"). You lose variety in volume, but generally gain in overall loudness. You'll need to know how to fiddle with settings to get the best results, or find VST with presets or simplified settings (like floyd jane pointed out).
The "transparency" of the compressor is determined by how fast it turns changes the volume, and how quickly it returns to the normal settings. Typically, you don't want to hear the knob being turned (so to speak), although sometimes that effect (called "pumping") is desirable.
A master limiter is just a more specialized compressor. It's named as such because it's typically placed on the master buss to limit the signal so it doesn't exceed the maximum volume ("peak limiter"). But you might find it an easy way to increase the volume.
There are a number of free VSTs that specialize in making a mix louder, such as this. They're typically just compressors with the settings simplified so they're easier to use.
There are a number of free VSTs that specialize in making a mix louder,.... They're typically just compressors with the settings simplified so they're easier to use.
One of my favorites is the VST BOOST 11 that comes with Cakewalk. It's not free. But it is included in the majority of the Cakewalk DAWs. When I have a track that isn't cutting through the mix, I can throw B-11 on it and waaa laaa.... I can hear it.
Of course the better option and one that I generally work on later on in the mix process is to turn the other tracks down a bit so I don't need to use B-11 because it does squash the sound of that track.... with a guitar, that's not a problem, but with a vocal, you don't want it squashed.
You can find my music at: www.herbhartley.com Add nothing that adds nothing to the music. You can make excuses or you can make progress but not both.
The magic you are looking for is in the work you are avoiding.
The OP is talking about a "live situation", i.e. - through a PA. What sort of PA? A Bose system, SOS's, or a full-blown pro system? Any given mix will sound decidedly different on each of these systems. I have three PA systems. They all sound very different.
There is no plug-in that will substitute for your ears in this situation. The best method I have found is to adjust the gain of each mix to a baseline (-4 dB in my case), play the tracks over the PA at performance levels, and adjust volumes accordingly. It's time consuming, but it works much better than the one button approach.
I'll check the Reaper vst out, Thanks! I bought reaper awhile back, I really like the feature where it slows down the track but keeps the pitch, works great. I need to take the time and learn how to set it up though, makes sense in looking at your link to the vst's
I hear you. It would be nice to have individual channels for each instrument since room acoustics change also affects levels but I guess that defeats the ipad mp3 concept of having everything compact in one place with lyrics that scroll as the song plays.
Not sure about version 10.5, but recent versions have the sliders in the image below. Not sure how they actually work , but suspect they use PGPeakLimit plugin in the output path. In older versions they may be available but located in a different place, maybe as menu item as opposed to sliders in the mixer shown.
You could also simply open the resulting file in Realband (from a BiaB song saved as either a Wav or a native .sgu format) ... and then use the PGPeakLimit plugin on the whole thing as a VST .. but that would open a whole 'nother world of PGMusic goodness.
Make your sound your own! .. I do not work here, but the benefits are still awesome
Also, you mentioned Audacity...it comes with pretty good compression and normalization tools that you can set up as a macro process and apply repeatedly to a batch of files.
I noticed you use Wavepad. I also use that for a lot of ESL language recordings. Do you feel the effects that come with it match up to eg the effects in Realtracks? Do you use any of the other NCH products. I use quite a few others like Switch for file conversion and debut for video recording and soundtap for audio recording. I'm a big fan of most of their products. I also bought Mixpad, but I've not used it for multitrack recording. Are you familiar with it and how do you rate it? Could I consider it a serious DAW product. Sorry I'm pretty new to multi-track recording and DAWs.
Thanks
Neil
Windows 10 Home 20H2 Build 19042.487 BIAB 2021 (Build 818) Intel(R) Core(TM), i3-4160, CPU @3.60 GHz RAM 16 GB, 64 Bit X64-based processor Zoom UAC-2 (USB 3 interface-built in midi) VoiceLive 3 Extreme, Sputnik Valve Condenser Mic
I noticed you use Wavepad. I also use that for a lot of ESL language recordings. Do you feel the effects that come with it match up to eg the effects in Realtracks? Do you use any of the other NCH products. I use quite a few others like Switch for file conversion and debut for video recording and soundtap for audio recording. I'm a big fan of most of their products. I also bought Mixpad, but I've not used it for multitrack recording. Are you familiar with it and how do you rate it? Could I consider it a serious DAW product. Sorry I'm pretty new to multi-track recording and DAWs.
Thanks
Neil
I use specific tools for specific jobs. So as far as WavePad is concerned..... here's what I use it to do:
1. To view the overall wave. I can see if the song is compressed and to what level.
2. To trim the starting count in and the dead air at the end.
3. To normalize the file if it's low.
4. To convert to MP3.
I do not use WavePad to add effects or compression to the file. Since I don't use FX in WavePad nor do I use the FX in Real Band or on realtracks, I really can't answer that question about how they compare. All my FX go in at the DAW level in Sonar.
I think I do have a few of their other products on some of my computers, but I don't use them so again, I can't comment on them.
Like so much of the software I use to do what I do, I use it all in very specific ways and limited ways and in many cases don't even touch the vast majority of it's capabilities. BB is a prime example. I use it to compose and write. I rarely ever use the ACW or so many of it's other features. I enter the chords, select a style and proceed to write the song. It's essentially my scratch pad replacing the old pan and paper I used to use.
This is also true of the NCH software. I don't use a function just because it's there. I use it only if I need it.
Hope that helps and answered your questions.
You can find my music at: www.herbhartley.com Add nothing that adds nothing to the music. You can make excuses or you can make progress but not both.
The magic you are looking for is in the work you are avoiding.
Thanks. It's easy to get sidetracked with all the toys. I understand exactly where you're coming from. Right now, I'm having to be very focused as I have a solo live show on Saturday and it's my first time using BIAB rather than just rendered files. Also, it's quite different going back to live after several months of internet shows.
Windows 10 Home 20H2 Build 19042.487 BIAB 2021 (Build 818) Intel(R) Core(TM), i3-4160, CPU @3.60 GHz RAM 16 GB, 64 Bit X64-based processor Zoom UAC-2 (USB 3 interface-built in midi) VoiceLive 3 Extreme, Sputnik Valve Condenser Mic
I use Audacity as a final step even after a Pro Tools mix. I snip the head and tail and adjust the level using the amplify effect, don't forget to check the box to allow clipping, you won't hear distortion.
User Video: Next-Level AI Music Editing with ACE Studio and Band-in-a-Box®
The Bob Doyle Media YouTube channel is known for demonstrating how you can creatively incorporate AI into your projects - from your song projects to avatar building to face swapping, and more!
His latest video, Next-Level AI Music Editing with ACE Studio and Band-in-a-Box, he explains in detail how you can use the Melodist feature in Band-in-a-Box with ACE Studio. Follow along as he goes from "nothing" to "something" with his Band-in-a-Box MIDI Melodist track, using ACE Studio to turn it into a vocal track (or tracks, you'll see) by adding lyrics for those notes that will trigger some amazing AI vocals!
Wir waren fleißig und haben über 50 neue Funktionen und eine erstaunliche Sammlung neuer Inhalte hinzugefügt, darunter 222 RealTracks, neue RealStyles, MIDI SuperTracks, Instrumental Studies, "Songs with Vocals" Artist Performance Sets, abspielbare RealTracks Set 3, abspielbare RealDrums Set 2, zwei neue Sets von "RealDrums Stems", XPro Styles PAK 6, Xtra Styles PAK 17 und mehr!
Add updated printing options, enhanced tracks settings, smoother use of MGU and SGU (BB files) within PowerTracks, and more with the latest PowerTracks Pro Audio 2024 update!
Download and install this to your RealBand 2024 for updated print options, streamlined loading and saving of .SGU & MGU (BB) files, and to add a number of program adjustments that address user-reported bugs and concerns.
Did you know... not only can you download your Band-in-a-Box® Pro, MegaPAK, or PlusPAK purchase - you can also choose to add a flash drive backup copy with the installation files for only $15? It even comes with a Band-in-a-Box® keychain!
For the larger Band-in-a-Box® packages (UltraPAK, UltraPAK+, Audiophile Edition), the hard drive backup copy is available for only $25. This will include a preinstalled and ready to use program, along with your installation files.
Backup copies are offered during the checkout process on our website.
Already purchased your e-delivery version, and now you wish you had a backup copy? It's not too late! If your purchase was for the current version of Band-in-a-Box®, you can still reach out to our team directly to place your backup copy order!
Note: the Band-in-a-Box® keychain is only included with flash drive backup copies, and cannot be purchased separately.
Handy flash drive tip: Always try plugging in a USB device the wrong way first? If your flash drive (or other USB plug) doesn't have a symbol to indicate which way is up, look for the side with a seam on the metal connector (it only has a line across one side) - that's the side that either faces down or to the left, depending on your port placement.
Update your Band-in-a-Box® 2024 for Windows® Today!
Update your Band-in-a-Box® 2024 for Windows for free with build 1111!
With this update, there's more control when saving images from the Print Preview window, we've added defaults to the MultiPicker for sorting and font size, updated printing options, updated RealTracks and other content, and addressed user-reported issues with the StylePicker, MIDI Soloists, key signature changes, and more!
A few excerpts:
"The Tracks view is possibly the single most powerful addition in 2024 and opens up a new way to edit and generate accompaniments. Combined with the new MultiPicker Library Window, it makes BIAB nearly perfect as an 'intelligent' composer/arranger program."
"MIDI SuperTracks partial generation showing six variations – each time the section is generated it can be instantly auditioned, re-generated or backed out to a previous generation – and you can do this with any track type. This is MAJOR! This takes musical experimentation and honing an arrangement to a new level, and faster than ever."
"Band in a Box continues to be an expansive musical tool-set for both novice and experienced musicians to experiment, compose, arrange and mix songs, as well as an extensive educational resource. It is huge, with hundreds of functions, more than any one person is likely to ever use. Yet, so is any DAW that I have used. BIAB can do some things that no DAW does, and this year BIAB has more DAW-like functions than ever."
One of our representatives will be happy to help you over the phone. Our hours of operation are from
6:00AM to 6:00PM PST (GMT -8) Monday thru Friday, and 8:00AM to 4:00PM PST Saturday. We are closed Sunday. You can also send us your questions via email.
One of our representatives will be happy to help you on our Live Chat or by email. Our hours of operation are from
6:00AM to 6:00PM PST (GMT -8) Monday thru Friday; 8:00AM to 4:00PM PST (GMT -8) Saturday; Closed Sunday.
Dansk
Deutsch - Windows
Español
Français - Windows
Italiano - Windows
Nederlands
Polski
Português
Svenskt
русский
Japanese
Simplified Chinese
Traditional Chinese
Korean