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Continuing down a path... Mike (pghboemike) posted a thread in the Songwriting forum about " Why All Country Music Sounds The Same". http://www.pgmusic.com/forums/ubbthreads.php?ubb=showflat&Number=400664#Post400664It has since gone WAY off the rails, but... The video talked about the drum pattern that a number of current top Country songs have in common. So... thought I'd use it. The drum pattern can be found in the new (BIAB 2017) Sannon Forrest RealDrum ModCountry16ths. I also created a beat track of the pattern. Added to that, a typical current Country chord progression (briefly talked about in the video). Then grabbed some appropriate BIAB RealTracks. Then wrote a lyric. A LITTLE BIT OF THIS she walked in, took me by surprise that little black dress, those emerald eyes those heels, those legs, that bumpty-bump, that cold hard stare that said i know you want to make a move, boy, but do you dare i know you want a little bit of this a tender touch, a warm sweet kiss just too hot or maybe not how much can you handle a runaway train can jump the track so don't lay a bet that you can't back careful, lesser men have cracked from a little bit of this i drop the blinds on the windows, cut the lights out one by one she dropped that little black dress right there, I was done those heels, those legs, that bumpty-bump, that cold hard stare my heart pounding so damn hard, could have died right then and there (she whispered) i know you want a little bit of this a tender touch, a warm sweet kiss just too hot or maybe not how much can you handle a runaway train can jump the track so don't lay a bet that you can't back careful, lesser men have cracked from a little bit of this no hope no rope i'm in deep and drowning all in tailspin she's whisperin again i know you want a little bit of this a tender touch, a warm sweet kiss just too hot or maybe not how much can you handle a runaway train can jump the track so don't lay a bet that you can't back careful, lesser men have cracked from a little bit of this The BAND: RealTracks in style: 1759:Bass, Electric, Pop16ths Ev 085 RealTracks in song: 1004:Guitar, 12-String Acoustic, Rhythm ClassicRockStrumming Ev16 065 RealTracks in song: 840:Guitar, Electric, Rhythm PopBalladClean Ev 085 (B:strum) RealTracks in song: 839:Guitar, Electric, Rhythm PopBalladClean Ev 085 (A:arp) RealTracks in song: 1169:Guitar, Electric, Soloist RockMediumBrent Ev 120 RealTracks in song: 2690:Guitar, Electric, Soloist Slow16thsPopBrentSimple Ev16 075 RealTracks in song: 623:Banjo, Background Backporch Ev 098 RealDrums in Song: ModCountry16ths^01-a:Closed hat, Sync-kick, b:Open hat, Sync-kick Beat track created in Studio One Professional - Impact multichannel drum sampler (MIDI) Background vocals: the janettes ( Janice Merritt and me) (...YOU ARE THE BOMB, girl!!!) Imagination encouraged. Comments, too. Have at it. #thisaintyourgrampascountry floyd
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Hey floyd, Wow! Actually, I'll put that in colour because it needs to shine as brightly as both your composition/presentation and Janice's vocals.  It seems that your producing and orchestrating have moved into a whole new universe these days! The clarity that you've managed to create with the percussion is amazing and the mix is every bit equal to the percussion. It's a stunning sound. (And that's after being compressed by Soundcloud!) Many times over the years, I've used the word 'professional' when I've talked about about your songs. Quite simply, that's how they sound to my ears. Then, every few songs, you come along with a creation that significantly raises the bar on what it means to sound 'professional'... I guess it's like 'professional' on steroids. This song was like that for me. The musical journey in "A Little Bit Of This" (love all those short 'i' sounds in the hook, by the way) was very inventive. It captured my imagination and didn't let go for the entire length of the song. The lyrics... well... they captured my imagination in a completely different way! One thing that stood out to me in the lyrics was how you cleverly used rhyme asymmetry to set-up the non-rhyming hook in the last line of the chorus. When you sang.... a runaway train can jump the track
so don't lay a bet that you can't back
careful, lesser men have cracked from
a little bit of this
...the three successive rapid-fire rhymes of 'track, back, cracked' prepare the ear for the line that does not rhyme. - Even though I've talked about this lyric strategy in at least one of your earlier works, your use of it in this song is so effective that I wanted to mention it again. I hope you don't mind.
This strategy of three consecutive rhymes followed by a non-rhyme is one that many lyricists have used over the years; especially in AABA songs where the hook is the last line of each A-section. Having a last line that does not rhyme, shines really bright spotlights on that line. This makes it perfect for hook placement. As I see it, and I stand to be corrected on this, the reason the aaax rhyme scheme works so well is because the ear/brain appreciates contrast when an aural rhyming pattern starts to sound too predictable. When such predictability sets in, as in a sequence of three consecutive rhymes, a subsequent unrhyming line can do the job much better than a rhyming line. But then you take it a step further... To capitalise on using lyric-rhyme asymmetry, you've strategically finished the chorus melody with the note for 'this' not on the tonic! Such an unbalanced lyric setting is excellent prosody given the guy's pounding heart... "ingenious" is a word that just sprang to mind. I'm going to have to try this technique in a song! Until I do, though, I'm heading back for another run-through. What a terrific listen! Noel
MY SONGS...Audiophile BIAB 2024
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Floyd,
That`s fun! Clever lyrics ( I`m not familiar with bumpty-bump, but will be looking out for that move now!),and as Noel says ,a rhyme scheme that really keeps the song moving.
Super vocals and harmonies.
Robert
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Hey, Floyd. I'm certainly learning some new stuff here, about Country.
First up, that kick drum nearly brought the Tannoys off the wall and was that a hand-clap where I was expecting a snare or brush? Those intro bars could have heralded a rap track! Not that that's meant to be a criticism you understand.
Once the track really kicked off, yeah, it sounded like Country and no one does it better than you do these days. And isn't Janice wonderful.
So, great track, great arrangement, excellent mix.
Well, maybe extend the solo a bit? I mean, eight bars? Volume was OK though!
Thoroughly enjoyed the whole thing.
Cheers, ROG.
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Floyd, Really cool song and use of that ModCountry drum. I am copying that one man.  Excellent song, lyrics, and delivery as always. I study you dude.
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Hi, Floyd !
Wonderful, is what came
first to my mind when
listening to this tune
of yours ! Just great music
superbly performed by you
and Janice !
Congrats to all involved !
Cheers
Dani
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Floyd, to reflect on Noel's comments, you never cease to amaze.
You certainly have proven, absolutely beyond doubt, that not all Country sounds the same.
This is excellent, has a fantastic drive throughout, and a masterful inclusion of fills.
Outstanding lyrics, delivered with a powerful vocal.
The list goes on. Thanks for another FJ contribution.
BIAB & RB2024 Win.(Audiophile), Sonar Platinum, Cakewalk by Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Kontakt, Focusrite 18i20, KetronSD2, NS40M Monitors, Pioneer Active Monitors, AKG K271 Studio H'phones
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Hi Floyd,
Now, that's what we call an answer to a post! Creative and entertaining - isn't that what songwriting is supposed to be about?
Loved the vocal fx on the bridge! That was pretty cool!!!
You're a college course in music in one post - cool!
Alan & Di
BIAB 2024 Ultra Plus-all StylePaks*Win11*16GB DDR5*Rhyzen 9745x*AT 2035 Mic*Peavey Nashville 112 Amp*Ibanez ART120* Acoustic/Electric/Washburn D200S Acoustic*Stromberg Monterey Jazz Guitar Loops: https://aldavidmusic.wixsite.com/bestmusicloops
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You're a college course in music in one post - cool! So true! By the way, that's a a powerful statement, Alan. I'm going to have to quote you somewhere, someday. I promise to give credit where credit is due! Carl Crouch is not the only wise man in your family, I see
MY SONGS...Audiophile BIAB 2024
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What an awesome song Floyd. Loved the story in the lyric. Super vocal and backtrack. Just loved this one
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Hello, floyd
Really cool song with super vocals.
The minor opening melody is unusual for you, but it is very good.
The drums at intro. are splendid.
Very enjoyable listen.
Best regards.
Shigeki Adachi
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Another step closer.....
This certainly makes the grade and hits the mark. I really like it and it does spark my imagination and Sherlock Holmes instincts as I try to listen and analyze at the same time. This will take quite a few listens to absorb the fun and genius of this latest production. Even has some effects going on...
There is so much to steal here and so little time before you post your next masterpiece.
There was a recent post that featured a BIAB artist demo that got picked up and reached #1 on a Canadian chart. We were able to listen to both the demo and the commercial release. This song is a song that could easily garner the same fate.
Technically this hits all the bases. Especially the drums/percussion and I'll add the effects and BGV's as well.
Job well done. Enjoyed my listen.
Charlie
BIAB Ultra Pak+ 2024:RB 2024, Latest builds: Dell Optiplex 7040 Desktop; Windows-10-64 bit, Intel Core i7-6700 3.4GHz CPU and 16 GB Ram Memory.
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Excellent song and performance, enjoyed very much. Big tip of the hat to the janettes
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Another five star piece Floyd, I really loved the new twists, especially that drum track, and the treated vocal in the last verse. Great work as ever! Off for a few more listens...   John
Last edited by Skyline; 04/15/17 05:09 AM.
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Simply excellent. Ditto all the comments regarding the beats. I like how you bring in the banjo and the delay on your vocal in the last section.
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Hey floyd, Wow! Actually, I'll put that in colour because it needs to shine as brightly as both your composition/presentation and Janice's vocals. It seems that your producing and orchestrating have moved into a whole new universe these days! The clarity that you've managed to create with the percussion is amazing and the mix is every bit equal to the percussion. It's a stunning sound. (And that's after being compressed by Soundcloud!) Many times over the years, I've used the word 'professional' when I've talked about about your songs. Quite simply, that's how they sound to my ears. Then, every few songs, you come along with a creation that significantly raises the bar on what it means to sound 'professional'... I guess it's like 'professional' on steroids. This song was like that for me. I appreciate that Noel... (we have been having forum conversations for a number of years now.) The addition of a beat track to the existing RealDrum track has been an interesting discovery. I have used a combination of a typical RealDrum and a bongo/congo RealDrum a number of times - that's a great sound, so this seems a natural extension (where appropriate). The musical journey in "A Little Bit Of This" (love all those short 'i' sounds in the hook, by the way) was very inventive. It captured my imagination and didn't let go for the entire length of the song. The lyrics... well... they captured my imagination in a completely different way! One thing that stood out to me in the lyrics was how you cleverly used rhyme asymmetry to set-up the non-rhyming hook in the last line of the chorus. When you sang.... a runaway train can jump the track
so don't lay a bet that you can't back
careful, lesser men have cracked from
a little bit of this
...the three successive rapid-fire rhymes of 'track, back, cracked' prepare the ear for the line that does not rhyme. - Even though I've talked about this lyric strategy in at least one of your earlier works, your use of it in this song is so effective that I wanted to mention it again. I hope you don't mind.
This strategy of three consecutive rhymes followed by a non-rhyme is one that many lyricists have used over the years; especially in AABA songs where the hook is the last line of each A-section. Having a last line that does not rhyme, shines really bright spotlights on that line. This makes it perfect for hook placement. As I see it, and I stand to be corrected on this, the reason the aaax rhyme scheme works so well is because the ear/brain appreciates contrast when an aural rhyming pattern starts to sound too predictable. When such predictability sets in, as in a sequence of three consecutive rhymes, a subsequent unrhyming line can do the job much better than a rhyming line. I always appreciate that you pick up on and can verbalize the atypical "lyrical tricks" that make songs work in different ways. There is similar "verbal gyrations" happening just prior to that, too... The quick "hot/not" rhyme allows the non-rhyming "how much can you handle" to stand on it's own (also helped by the cadence of that line...) then the track/back/cracked captures the ear enough that there is no longer a need the resolve "handle..."
But then you take it a step further...
To capitalise on using lyric-rhyme asymmetry, you've strategically finished the chorus melody with the note for 'this' not on the tonic! Such an unbalanced lyric setting is excellent prosody given the guy's pounding heart... "ingenious" is a word that just sprang to mind. I'm going to have to try this technique in a song! Until I do, though, I'm heading back for another run-through.
What a terrific listen!
Noel
Thanks for such a thoughtful (and delightful) review.
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Ditto on everything that has been said.
You are a pro for sure!
This is a keeper.
Me, it's not about how many times you fail, it's about how many times you get back up.
Cop, that's not how field sobriety tests work.
64 bit Win 10 Pro, the latest BiaB/RB, Roland Octa-Capture audio interface, a ton of software/hardware
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floyd, it's the little things that count and this one is full of them. The beat and handclap followed by the banjo coming in (paddle faster I hear a banjo) followed by the bumpty bump followed by the perfect background vocals, then the perfect guitar part with the right effects, then the fills. Nice work. It's very current. I liked it. Tom
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Floyd
Some very nice comments and given the significant detailed analysis of the song not much more I can add other than it sounded excellent - great performance - you and Janice blend brilliantly and it's a job(song ) well done. Deserves all the praise.
Peter
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Floyd,
Awesome! This one really packs a punch... Radio ready and another hit!
Bob
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Floyd,
That`s fun! Clever lyrics ( I`m not familiar with bumpty-bump, but will be looking out for that move now!),and as Noel says ,a rhyme scheme that really keeps the song moving.
Super vocals and harmonies.
Robert LOL - thanks Robert. Watch out for the bumpty-bump... it is dangerous. Hey, Floyd. I'm certainly learning some new stuff here, about Country.
First up, that kick drum nearly brought the Tannoys off the wall and was that a hand-clap where I was expecting a snare or brush? Those intro bars could have heralded a rap track! Not that that's meant to be a criticism you understand.
Once the track really kicked off, yeah, it sounded like Country and no one does it better than you do these days. And isn't Janice wonderful.
So, great track, great arrangement, excellent mix.
Well, maybe extend the solo a bit? I mean, eight bars? Volume was OK though!
Thoroughly enjoyed the whole thing.
Cheers, ROG. Thanks (as always), ROG. I have been working on a couple of songs with longer leads Most of the new Country stuff does not have much lead to them... Yes, that was a "hand clap" sample from an electronic drum kit. It is being used a lot these days in Country... Here are some samples (no pun intended) Kenny Chesney - Setting the World On Fire https://www.youtube.com/watch?v=mDBxlVLTaQA&index=46&list=PLSOwXxsAA-25bZQ75aDy8f89p1Beejoh1Jason Aldean - A Little More Summertime https://www.youtube.com/watch?v=UGU7EsjOAwk&list=PLSOwXxsAA-25bZQ75aDy8f89p1Beejoh1&index=47Luke Bryan - Fast https://www.youtube.com/watch?v=QH35AWCnugg&list=PLSOwXxsAA-25bZQ75aDy8f89p1Beejoh1&index=3
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fj,
Sounds like it's on the radio already! Great arrangement.
Regards,
Bob
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Another top-shelf, well crafted tune! The vocals really shine on this one. You and Janice really did a great job on the bgvs. Very well produced!
Up to your usual standards of excellence!
Steve
Steve Young Music"In order to compose, all you need to do is remember a tune that nobody else has thought of." - Robert Schumann
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Sounds great Floyd! That chorus is really catchy. Thanks, Torrey
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Great song guys! Can't sit still when hearing this one . Nice effects on the bridge. A hit! Anne-Marie
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Floyd, Really cool song and use of that ModCountry drum. I am copying that one man. Excellent song, lyrics, and delivery as always. I study you dude. Lift whatever sounds good... it's all been recycled anyway, eh? You would, no doubt, surround it with "Davidness" and take it to a new place... Hi, Floyd !
Wonderful, is what came
first to my mind when
listening to this tune
of yours ! Just great music
superbly performed by you
and Janice !
Congrats to all involved !
Cheers
Dani . Thanks, Dani...
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I always love Noel96's comments, he knows
his sh** about lyrics and songwriting and is
always enthusiastic and kind with his words,
enough about him, love ya'lls(you alls) vocals
are you using a different setting on your lead
vocals? To be honest I don't relate much to this
genre or type of song, guess I'm stuck in the older
days, i wouldn't trade Vince Gill for a dozen modern
country/pop stars. That said, I do admire the skills at work
You write and perform (with Janice) very good songs.
You've made yer point about those comments
maybe get back to some Springsteen, Isbell, Hank Williams
inspiration (just my hope)
As always, love your music
Kenny
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Floyd, to reflect on Noel's comments, you never cease to amaze.
You certainly have proven, absolutely beyond doubt, that not all Country sounds the same.
This is excellent, has a fantastic drive throughout, and a masterful inclusion of fills.
Outstanding lyrics, delivered with a powerful vocal.
The list goes on. Thanks for another FJ contribution.
Trev - Always appreciate you dropping in. Thanks for the nice words...
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Thanks to everybody who mentioned my small contribution to this big production. And more thanks to floyd for continuing to challenge me with harmonies! And I have to mention the fun? Bud has hearing me practice walking around the house with my earpiece Janice
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Excellent production, very cool listening.
Sergio
Sergio
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Hi Floyd,
Now, that's what we call an answer to a post! Creative and entertaining - isn't that what songwriting is supposed to be about?
Loved the vocal fx on the bridge! That was pretty cool!!!
You're a college course in music in one post - cool!
Alan & Di Thanks, Alan... You're a college course in music in one post - cool! So true! By the way, that's a a powerful statement, Alan. I'm going to have to quote you somewhere, someday. I promise to give credit where credit is due! Carl Crouch is not the only wise man in your family, I see
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Hi Floyd Jane, Nice job on this! Love the progression and vocals. Especially the chorus section. Very fun tune. Well done!
Cheers,
Joe
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Very well written. Every word moves the narrative forward. Nice change up at the bridge with the reverb accent.
As to the debate (if there is one) about style or genre, well I'm not the one to comment as I don't quite know how to stay in one sandbox or another.
Well done!
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What an awesome song Floyd. Loved the story in the lyric. Super vocal and backtrack. Just loved this one Appreciate that, Scott... and thanks for mentioning the storyline... that seems to get "lost" in the overall "sound" thing... Hello, floyd
Really cool song with super vocals.
The minor opening melody is unusual for you, but it is very good.
The drums at intro. are splendid.
Very enjoyable listen.
Best regards.
Shigeki Adachi Shigeki Adachi - thank you - glad you enjoyed this one...
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Another step closer.....
This certainly makes the grade and hits the mark. I really like it and it does spark my imagination and Sherlock Holmes instincts as I try to listen and analyze at the same time. This will take quite a few listens to absorb the fun and genius of this latest production. Even has some effects going on...
There is so much to steal here and so little time before you post your next masterpiece.
There was a recent post that featured a BIAB artist demo that got picked up and reached #1 on a Canadian chart. We were able to listen to both the demo and the commercial release. This song is a song that could easily garner the same fate.
Technically this hits all the bases. Especially the drums/percussion and I'll add the effects and BGV's as well.
Job well done. Enjoyed my listen.
Charlie
Charlie - I appreciate your perspective on these. You "keep up" more than most, it seems (while holding on to what has come before) - and think about "how it's done". Thanks...
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Excellent song and performance, enjoyed very much. Big tip of the hat to the janettes Appreciate that, Dave... Another five star piece Floyd, I really loved the new twists, especially that drum track, and the treated vocal in the last verse. Great work as ever! Off for a few more listens... John Always appreciate you stopping in for a listen, John... Thanks... Ditto on everything that has been said.
You are a pro for sure!
This is a keeper. Thanks for that, Mario...
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FJ you are single handedly dragging the showcase into this decade! I feel many times comments about "this sounds current" have me wondering what people think "current" is. This song, IMO, could be deemed "current." The progression and groove are obviously of someone who has been listening to what's going on  A big thing for me too is the structure you are using. Again, it fits right in with what is on the radio. The lyrics having a good number of syllables and also syncopation where needed. The BIGGEST ingredient it has, I feel, is the relatability factor. From lyric content, to structure, groove, arrangement, production...it sounds like something current! It relates to other songs on the charts! I get this sound isn't for everyone; but not everyone could get this sound either. You did! It's easy to lump similar things together and say "they are all the same." When it comes to music, it surprises me when people say that. Typically the music they listen to usually suffers from the same aspects they feel others are exclusive to This song, to me, is an example from someone that can write whatever you put your mind to. Anyway, I think the writing you have been doing is important to the forum if we have any hopes of bringing in new people. Great job on a great song my friend! Now for another listen...
Chad (Hope that makes it easier)
TEMPO TANTRUM: What a lead singer has when they can't stay in time.
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floyd, it's the little things that count and this one is full of them. The beat and handclap followed by the banjo coming in (paddle faster I hear a banjo) followed by the bumpty bump followed by the perfect background vocals, then the perfect guitar part with the right effects, then the fills. Nice work. It's very current. I liked it. Tom Thanks, Tom... Floyd
Some very nice comments and given the significant detailed analysis of the song not much more I can add other than it sounded excellent - great performance - you and Janice blend brilliantly and it's a job(song ) well done. Deserves all the praise.
Peter Appreciate that, Peter... Floyd,
Awesome! This one really packs a punch... Radio ready and another hit!
Bob Thanks, Bob...
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fj,
Sounds like it's on the radio already! Great arrangement.
Regards,
Bob Thanks for that, Bob... Another top-shelf, well crafted tune! The vocals really shine on this one. You and Janice really did a great job on the bgvs. Very well produced!
Up to your usual standards of excellence!
Steve
Appreciate it, Steve... hope we will continue to see you around more (and hear more of your wonderful music!)... Sounds great Floyd! That chorus is really catchy. Thanks, Torrey Thanks, Torrey...
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Great song guys! Can't sit still when hearing this one . Nice effects on the bridge. A hit! Anne-Marie Thanks, Anne-Marie... I appreciate that... I always love Noel96's comments, he knows
his sh** about lyrics and songwriting and is
always enthusiastic and kind with his words,
enough about him, love ya'lls(you alls) vocals
are you using a different setting on your lead
vocals? To be honest I don't relate much to this
genre or type of song, guess I'm stuck in the older
days, i wouldn't trade Vince Gill for a dozen modern
country/pop stars. That said, I do admire the skills at work
You write and perform (with Janice) very good songs.
You've made yer point about those comments
maybe get back to some Springsteen, Isbell, Hank Williams
inspiration (just my hope)
As always, love your music
Kenny Hi, Kenny.... The "Vince Gill era" and all that came with it is my all-time favorite music. And I still listen to it (and still love it) and will continue to write in that era's styles... and the others you mentioned, as well. I write all the time, so there is bound to be some excursions into other areas once in a while. Otherwise, you get stale (I think) - and many end up not writing... I have learned to appreciate much of the "new Country thing" for what it is (it took my a while). I doubt that I will do too many more like this - but every new thing we do influences our future work - and can spark some "growing"... You have been knocking them outta the park, lately...
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Thanks to everybody who mentioned my small contribution to this big production. And more thanks to floyd for continuing to challenge me with harmonies! And I have to mention the fun? Bud has hearing me practice walking around the house with my earpiece Janice Superb.
Excellent production, very cool listening.
Sergio
Thanks, Sergio...
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Great FJ! Sorry, I didn't read all the other comments. I'm just so happy to feel like listening. And what an enjoyable listen it is with so many cool touches! Josie
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I just read all of the comments and I'm proud to be a janette and only 20 feet from stardom!
Janice
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Alright FJ, this song and the previous one really got me thinking...I know a rare and potentially dangerous thing! I think if we include your 2 songs in the list of "modern country songs" on the forum we would have a grand total of 2 so far. The good news is the number seems to be rising! I'm guessing you aren't looking at sticking solely to this genre, and don't know your plans over all, but my idea was this... Would you be ok with us starting a discussion about this type of writing in the "song writing" section of the forum? I would like to reference your songs, and if possible have you comment for those of us who would like to learn. I'm not sure it would be a large group, but you never know Insights directly from the artist/writer would be such an advantage! I was going to PM you this, but I thought others may be interested and want to comment. Either way is ok by me. It's only an idea.
Chad (Hope that makes it easier)
TEMPO TANTRUM: What a lead singer has when they can't stay in time.
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Hi Floyd Jane, Nice job on this! Love the progression and vocals. Especially the chorus section. Very fun tune. Well done! Thanks for stopping by, Joe... Very well written. Every word moves the narrative forward. Nice change up at the bridge with the reverb accent.
As to the debate (if there is one) about style or genre, well I'm not the one to comment as I don't quite know how to stay in one sandbox or another.
Well done! Thanks, Lawrence... appreciate that...
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HTL - I'll get back to you... soon... Great FJ! Sorry, I didn't read all the other comments. I'm just so happy to feel like listening. And what an enjoyable listen it is with so many cool touches! Josie Josie - It is nice to see you back around. You've been missed. Look forward to you gettin' the music flowin' again... I just read all of the comments and I'm proud to be a janette and only 20 feet from stardom!
Janice Funny... I feel the same way...
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FJ you are single handedly dragging the showcase into this decade! I feel many times comments about "this sounds current" have me wondering what people think "current" is. This song, IMO, could be deemed "current." The progression and groove are obviously of someone who has been listening to what's going on A big thing for me too is the structure you are using. Again, it fits right in with what is on the radio. The lyrics having a good number of syllables and also syncopation where needed. Caaron - I appreciate that you take note of all of those elements (take make up "the current sound" of Country). We have talked before about the fact that BIAB has what is needed for that sound if you pick and chose the right RTs - not a hard thing to do if you know what you should be looking for. From the general responses of the forum to any discussion of current Country, I can't imagine that many (current) forum participants would ever care to even try... And, as you note, writing this style of song takes more than just a "change of instruments"...the write itself is essential. Charlie is one of the few that I can think of who might give it a whirl... (you go without saying)
The BIGGEST ingredient it has, I feel, is the relatability factor. From lyric content, to structure, groove, arrangement, production...it sounds like something current! It relates to other songs on the charts!
An interesting observation. Generally, I think of today's Country as far less "relatable" than Country of the past - even 5 years ago - but certainly 10 years ago. I do think it is much harder to put "a little meat" into these type songs - as opposed to writing "old Country"... I get this sound isn't for everyone; but not everyone could get this sound either. You did! It's easy to lump similar things together and say "they are all the same." When it comes to music, it surprises me when people say that. Typically the music they listen to usually suffers from the same aspects they feel others are exclusive to This song, to me, is an example from someone that can write whatever you put your mind to. Anyway, I think the writing you have been doing is important to the forum if we have any hopes of bringing in new people. Great job on a great song my friend! Now for another listen... It took me a while to "settle in" to the newer stuff. I think it is getting better now that the Bro Country is dying out. I will continue to listen to new stuff - and mingle it in with the old...
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Alright FJ, this song and the previous one really got me thinking...I know a rare and potentially dangerous thing! I think if we include your 2 songs in the list of "modern country songs" on the forum we would have a grand total of 2 so far. The good news is the number seems to be rising! I'm guessing you aren't looking at sticking solely to this genre, and don't know your plans over all, but my idea was this... Would you be ok with us starting a discussion about this type of writing in the "song writing" section of the forum? I would like to reference your songs, and if possible have you comment for those of us who would like to learn. I'm not sure it would be a large group, but you never know Insights directly from the artist/writer would be such an advantage! I was going to PM you this, but I thought others may be interested and want to comment. Either way is ok by me. It's only an idea. LOL. (It also occurred to me that Bob (rsdean) has done a couple of things that use elements of a current sound - wrapped around his signature style...) I wonder how many would participate in a true discussion of "writing to a modern Country sound"... I would imagine it will quickly veer off into any number of far-flung tangents... but, by all means, fire it up...I'll join in... you will likely need to reign it in often to keep it on track... should be interesting...
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she walked in, took me by surprise
that little black dress, those emerald eyes
those heels, those legs, that bumpty-bump, that cold hard stare
that said i know you want to make a move, boy, but do you dare
If I was teaching a class in lyric writing, this would be used as an example (as well as the rest of the song). Great writing is maximizing the impact per word. Like John Hiatt "She's got the wind as a witness, She's got feelings that fly by night". Few words-big impact. That's what the great ones can do: Hiatt, Webb, J. Browne, J. Taylor, and F. Jane. The music is cool too! Love the vocal effect and how it matches the lyric in that part. Very cool song-great writing, great production!! Another keeper!!! Take care. Greg
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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Update Your PowerTracks Pro Audio 2024 Today!
The Newest RealBand 2024 Update is Here!
The newest RealBand 2024 Build 5 update is now available!
Download and install this to your RealBand 2024 for updated print options, streamlined loading and saving of .SGU & MGU (BB) files, and to add a number of program adjustments that address user-reported bugs and concerns.
This free update is available to all RealBand 2024 users. To learn more about this update and download it, head to www.pgmusic.com/support.realband.htm#20245
The Band-in-a-Box® Flash Drive Backup Option
Today (April 5) is National Flash Drive Day!
Did you know... not only can you download your Band-in-a-Box® Pro, MegaPAK, or PlusPAK purchase - you can also choose to add a flash drive backup copy with the installation files for only $15? It even comes with a Band-in-a-Box® keychain!
For the larger Band-in-a-Box® packages (UltraPAK, UltraPAK+, Audiophile Edition), the hard drive backup copy is available for only $25. This will include a preinstalled and ready to use program, along with your installation files.
Backup copies are offered during the checkout process on our website.
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Update your Band-in-a-Box® 2024 for Windows® Today!
Update your Band-in-a-Box® 2024 for Windows for free with build 1111!
With this update, there's more control when saving images from the Print Preview window, we've added defaults to the MultiPicker for sorting and font size, updated printing options, updated RealTracks and other content, and addressed user-reported issues with the StylePicker, MIDI Soloists, key signature changes, and more!
Learn more about this free update for Band-in-a-Box® 2024 for Windows at www.pgmusic.com/support_windowsupdates.htm#1111
Band-in-a-Box® 2024 Review: 4.75 out of 5 Stars!
If you're looking for a in-depth review of the newest Band-in-a-Box® 2024 for Windows version, you'll definitely find it with Sound-Guy's latest review, Band-in-a-Box® 2024 for Windows Review: Incredible new capabilities to experiment, compose, arrange and mix songs.
A few excerpts:
"The Tracks view is possibly the single most powerful addition in 2024 and opens up a new way to edit and generate accompaniments. Combined with the new MultiPicker Library Window, it makes BIAB nearly perfect as an 'intelligent' composer/arranger program."
"MIDI SuperTracks partial generation showing six variations – each time the section is generated it can be instantly auditioned, re-generated or backed out to a previous generation – and you can do this with any track type. This is MAJOR! This takes musical experimentation and honing an arrangement to a new level, and faster than ever."
"Band in a Box continues to be an expansive musical tool-set for both novice and experienced musicians to experiment, compose, arrange and mix songs, as well as an extensive educational resource. It is huge, with hundreds of functions, more than any one person is likely to ever use. Yet, so is any DAW that I have used. BIAB can do some things that no DAW does, and this year BIAB has more DAW-like functions than ever."
Convenient Ways to Listen to Band-in-a-Box® Songs Created by Program Users!
The User Showcase Forum is an excellent place to share your Band-in-a-Box® songs and listen to songs other program users are creating!
There are other places you can listen to these songs too! Visit our User Showcase page to sort by genre, artist (forum name), song title, and date - each listing will direct you to the forum post for that song.
If you'd rather listen to these songs in one place, head to our Band-in-a-Box® Radio, where you'll have the option to select the genre playlist for your listening pleasure. This page has SoundCloud built in, so it won't redirect you. We've also added the link to the Artists SoundCloud page here, and a link to their forum post.
We hope you find some inspiration from this amazing collection of User Showcase Songs!
Congratulations to the 2023 User Showcase Award Winners!
We've just announced the 2023 User Showcase Award Winners!
There are 45 winners, each receiving a Band-in-a-Box 2024 UltraPAK! Read the official announcement to see if you've won.
Our User Showcase Forum receives more than 50 posts per day, with people sharing their Band-in-a-Box songs and providing feedback for other songs posted.
Thank you to everyone who has contributed!
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