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I'm just adding some chord recognitions to Biab Live Chord Input Playing, this will allow you to play live in a style by dropping your BB track into Reaper or using the Biab Plugin.
I have all the BB chords I just need to add some slash chords so if you can suggest some common slash chords you use would be helpful.

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Any slash chord where you don't want the bass to play the root of the cord.


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Hi Pipeline,

I hope this helps...

My most common slash chords and where I use them are...

1. First inversion I leading to root position IV

  • e.g. Key C: C/E to F; Key A: A/C# to D; Key Dm: Dm/F Gm etc.



2. Second inversion tonic in lead-up to final perfect cadence of V to I

  • e.g. Key C: C/G to G7 to C <--- this chord marks the end of a section
  • Key Am: Am/E E7 Am



3. First inversion II as a substitute for IV

  • e.g. If the chord progression is C F G (key C major) then I often use C Dm/F G; or Am Dm E (key A minor) I substitute Am Bmb5/D E



4. To get extended chords or suspensions, I often use the top part of the chord of a slash bass. There are lots of possibilities here...

  • e.g. C9 = Gm/C; C11 = Bb/C; Csus2 = Gsus4/C



5. Chord V first inversion going to tonic

  • e.g. Key C: G/B to C; Key Em: B/D# to Em


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Most important are the “nice” ones. They were already mentioned in the Jazz Piano Book Mark Levine. And are still the most used. And the most interesting ones.

Bb/C=C7sus4
Db/C=C7sus4b9 (phrygian, really)
D/C=Lydian, #4, but contains no 7th, so it could be Cmaj9#11 or C7#11
B/C=Cdiminished or Cmaj7#9 (6th mode of harmonic minor)
E/C=Cmaj7#5 (3rd mode of melodic minor) or C harmonic major

all other slash chords are either “ordinary” inversions or “incomplete” chords, meaning they lack thirds and/or sevenths.

Have fun


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@Pipeline,

Don’t go looking for a lot of chords. Band in a Box, as I have documented several times already, can only really play the most basic chords. b9’s are ignored, b13’s also, Lydian is a chord yet to be discovered by Band in a Box and minorMajor7, extensively used by Ellington is “unbeknownst” to Band in a Box. smile

Sure, you can notate them, but check the transcription or midi file, you will notice that bass, piano and guitar and all other melodic instruments play a lot of wrong notes. That is, you notate a complex chord, but Biab “converts” it to a blander chord. This has nothing to do with “natural arrangement”, by the way. it’s just that Biab hasn’t updated the midi style maker since Biab 2012! The talk about biab being able to play all the chords is just marketing, and simply (and easy to prove) wrong information. A lot of people are fooled by this or are not literate about music, sadly, the serious amateur musician or student is duped. mad

Biab has a workaround for chord voicings, but that needs “macro notes”, which some styles use, others don’t.

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Originally Posted By: Dzjang
...and minorMajor7, extensively used by Ellington is “unbeknownst” to Band in a Box. ...

I still dispute this. Yes, it appears some styles do not support it (and especially if Natural Arrangement is on). Also, in the early years of RealTracks, some instruments did not support it. But MIDI always has, to my knowledge. I use a minorMajor7 chord all the time in my Brazilian jazz with success.


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I mostly use three approaches...

Descending bass lines like C F C/E G/D C...
Ascending bass lines like C Dm7 C/E F...
Unchanged bass lines like C F/C C Dm7 F/C G...

In jazz there are other options to get a walking bass line.

But these are the ones I use for pop music.


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Yes, I use descending bass lines. I also frequently use jazz chords like F/G or G/A etc.

But isn't the answer to this question Unlimited? What Bob said, any time you want a different root of the chord.

I guess what I don't understand is how you could add "some" slash chords.



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It's if you play the chord on the midi keyboard it has work out what chord it is and then match the chord name being played to the region/bars that has that chord name. So it's a bit difficult to get it to match every conceivable slash chord.

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I don't know if this is useful information...

In and old music notation program that I used to use, when I used a midi keyboard to enter chords, if I played the chord in root position, with all notes as close as possible, and there was another note played an octave lower than the root position chord, the program would interpret that low note as a slash bass and the upper notes as the chord.





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Thanks Noel that helps and has got me thinking...
if I match from the top and as you say you are left with the slash.
So at the moment I sort the inputted notes from low to high as some go over 2 octaves, get the lowest note as root "0", 4 up from 0, then 7 up for a Maj.
I can match it from the highest note down but then it will recognize some standard chords as slash like a CMaj7 as Em/C.
So I might be better just adding the common slash chords into another library that it will search if not found in the current root "0" chords,
so it will search for a direct 0-127 note sequence match +12 at a time,
so the reference for the slash chord if inputted notes == (7,17,21,24) then chord name = "F/G" else try with inputted notes +12 +24 + 32 etc.. and +- a semitone at a time to get G/A.
I will have to think it over more and find the best solution, a good sleep on it.

this is just a few of them:
Code:
if notenums == "0,4,7"             then chordtype = "Maj"     end
if notenums == "0,3,7"             then chordtype = "m"       end
if notenums == "0,3,6"             then chordtype = "dim"     end
if notenums == "0,4,8"             then chordtype = "aug"     end
if notenums == "0,4,6"             then chordtype = "-5"      end
if notenums == "0,2,7"             then chordtype = "sus2"    end
if notenums == "0,5,7"             then chordtype = "sus4"    end
if notenums == "0,7"               then chordtype = "5"       end
if notenums == "0,3,8"             then chordtype = "m#5"     end
if notenums == "0,7,10"            then chordtype = "5add7"   end
if notenums == "0,2,4,7"           then chordtype = "add2"    end
if notenums == "0,4,5,7"           then chordtype = "add4"    end
if notenums == "0,3,5,7"           then chordtype = "madd4"   end
if notenums == "0,4,7,9"           then chordtype = "6"       end
if notenums == "0,3,7,9"           then chordtype = "m6"      end
if notenums == "0,4,5,7,9"         then chordtype = "6add4"   end
if notenums == "0,3,5,7,9"         then chordtype = "m6add4"  end
if notenums == "0,4,7,9,14"        then chordtype = "6add9"   end
if notenums == "0,3,7,9,14"        then chordtype = "m6add9"  end
if notenums == "0,2,7,9"           then chordtype = "6sus2"   end
if notenums == "0,5,7,9"           then chordtype = "6sus4"   end
if notenums == "0,4,7,9,17"        then chordtype = "6add11"  end
if notenums == "0,3,7,9,17"        then chordtype = "m6add11" end
if notenums == "0,4,7,10"          then chordtype = "7"       end
if notenums == "0,2,4,7,10"        then chordtype = "7add2"   end
if notenums == "0,4,5,7,10"        then chordtype = "7add4"   end
if notenums == "0,3,7,10"          then chordtype = "m7"      end
if notenums == "0,3,5,7,10"        then chordtype = "m7add4"  end
if notenums == "0,4,7,11"          then chordtype = "Maj7"    end
if notenums == "0,3,6,9"           then chordtype = "dim7"    end
if notenums == "0,3,7,11"          then chordtype = "mMaj7"   end
if notenums == "0,3,7,11,17"       then chordtype = "mMaj7add11"   end
if notenums == "0,3,7,11,21"       then chordtype = "mMaj7add13"   end
if notenums == "0,2,7,10"          then chordtype = "7sus2"   end
if notenums == "0,5,7,10"          then chordtype = "7sus4"   end
if notenums == "0,5,6,10"          then chordtype = "7susb5"  end
if notenums == "0,5,6,10,13"       then chordtype = "7susb5b9"    end
if notenums == "0,5,6,10,13,20"    then chordtype = "7susb5b9b13" end
if notenums == "0,5,6,10,14,20"    then chordtype = "7susb5b13"   end
if notenums == "0,5,6,10,15"       then chordtype = "7susb5#9"    end
if notenums == "0,5,6,10,15,20"    then chordtype = "7susb5#9b13" end
if notenums == "0,5,7,10,13"       then chordtype = "7susb9"  end
if notenums == "0,5,7,10,13,20"    then chordtype = "7susb9b13"   end
if notenums == "0,5,7,10,13,18"    then chordtype = "7susb9#11"   end
if notenums == "0,5,7,10,13,18,20" then chordtype = "7susb9#11b13"  end

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Rightly or wrongly I tend to use slash chords where I want the bass to play a particular run or note. Eg a run from a C to a G might end up C , C/B , C/A , G. (In some styles that might happen but in others not). Or other ways I might want a Bass to go. I guess use the slash to control the bass.

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Originally Posted By: Teunis
Rightly or wrongly I tend to use slash chords where I want the bass to play a particular run or note. Eg a run from a C to a G might end up C , C/B , C/A , G. (In some styles that might happen but in others not). Or other ways I might want a Bass to go. I guess use the slash to control the bass.

Tony


+1


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Being a guitarist I tend to use slash chords only as a run down to the relative minor so C to Am would be C.......C/B........Am

but then I'm a fairly simple soul........

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Pipeline,

That's very impressive work and it's looking great. I'd offer to be a beta tester for you but I don't have a MIDI keyboard. There are a number of regulars on here who do, though.

Noel


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I'll upload it to try out when I get it basically all working.
I got most of the common slash, can add more later.
They should all transpose ok.

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slash chords... are very cool.

I used them extensively in IT IS WELL which was on the forum recently. It's on my website. Lots of "other than root" going on.

I've used them in a number of other songs too ...essentially anywhere I want the bass to do something interesting.


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I can't say there is a formula or any guidelines as to when to use slash chords.

It depends on the song, and where you want the bass to play anything other than the root of the chord.

Notes


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If you could try this out, it still needs a bit of work but I just need some feedback.
Right click Save Link/Target As
ReaTrak_Region_Chord_Player.ReaperConfigZip
I'll make a better guide if it's all working ok.
After you have the Chord Player installed in Reaper from the guide below,
run ReaTrak midi chord input to region chord player.lua from the Action window or from the "Chord Region Player" button.
Create a Chord Input Track when asked "Yes"

Options > Preferences > MIDI Devices > enable Input from your keyboard.
On the Chord Input Midi track select your keyboard as Midi Input.

To get a Chord Font in the display right click chords.ttf > Install
in Options > Show REAPER Resource Path in finder/explorer
Scripts\ReaTrak\chords.ttf

Set the keyswitches to the notes in the pic or to your choice (these will be saved for next time)
Set the Keyswitch Octave to 1 or your choice.
You can also click the buttons on the GUI.

The idea is to generate up the tracks you need in Biab or Biab Plugin.
You generate up say 4 or more bars of the chords you will be using.
You can have more than 1 of the same chord region to give more variety.
Same with Endings. If you want Holds also you can have a maximum of 4 bars per hold.
You can generate up solos that can be put into the other color regions.

After you have generated up you track in BB or BB Plugin drag the stereo wav into a track under the Chord Input track. If the song is a different tempo than Reaper set Reaper to the bpm first.
Edit the track name so it has the tempo in it "My Song 4 120bpm"
this will allow you to have multiple tracks with different styles an tempos, as you select UP/Down it should solo the track and change the tempo.`
You can also have all the individual instrument tracks in a track "Folder" if need be.

To get the chords from BB into Reaper you can save as MusicXML, drag that into Reaper and hit the button "MusicXML Chords".
But if you have the BB Plugin just open the My Song.SGU, Unfold down the bottom right, save the My Song - Plugin.SGU reopen it again in the BB Plugin then hit the "Biab Plugin Chords" button, try it without fill regions for now as I will try and add auto fills to it.

You can add your own chord regions, just select the section, Shift+R and right click the region to edit name or color, but the easiest way is use the "*GUI*" "*GUI 2*" or "Circle of Fifths" buttons, you can then easily enter the chords or section color.
If you have the cursor under a chord region you can change the section color by clicking the colored buttons on the main panel.
Make sure you have Snap on and hit "Snap Chords to Grid" after.



Full Screen


Full Screen




https://www.youtube.com/watch?v=hm1qcxM0Lnc

EZ Install Guide

For those new to Reaper this might be an easier way to install/update ReaTrak.
1. Reaper > Options > Preferences > General > Export Configuration
check all boxes and Save as backup configuration !!!!

2. Reaper > Options > Preferences > General > Import Configuration
ReaTrak_xxx.ReaperConfigZip

3. Reaper > Actions > Show Action List > Import >
REAPER\KeyMaps\ReaTrak Scripts.ReaperKeyMap

4. Reaper > Actions > Show Action List > Import >
REAPER\KeyMaps\ReaReaTrak Custom Actions Required (Main).ReaperKeyMap

5. Reaper > Actions > Show Action List
Section> MIDI Editor > Import >
REAPER\ReaTrak MIDI Editor.ReaperKeyMap

6. Reaper > View > Toolbar Docker add or change toolbar from
REAPER\MenuSets\

7. Make sure you have SWS Extensions installed


To Show Reaper Resource Path

Options > Show REAPER Resource Path in finder/explorer

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Here's an update it now has a change on Bar or Beat setting.
Right click Save Target/Link As
ReaTrak midi chord input to region chord player.lua

In Reaper > Option menu > Show Reaper resource path
Scripts\ReaTrack\
and replace ReaTrak midi chord input to region chord player.lua

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