Since these two are music related, I'll share them here:
They are pictures of my MacSax tenor sax. It was a custom job - the "Notes Norton" signature model. As far as I know there are two of them out there. Somebody wanted one just like mine. MacSax is no longer in the sax business, but is where the real profits reside for sax players, mouthpieces.
When photographing instruments (or any inanimate object) think very carefully about the background. The viewer will see that, as much as they see the instrument (although you may not). How well the background fits with the instrument will determine if your image sells. See my 2 examples below...
When photographing instruments (or any inanimate object) think very carefully about the background. The viewer will see that, as much as they see the instrument (although you may not). How well the background fits with the instrument will determine if your image sells. See my 2 examples below...
snip ... My Alamy images (I license maybe 3 or a 4 a week) often fetch upwards of €50. The one below was licensed last week for $425. Several pots of Skinny latte Mocha!
And we get to see it for free!
This is an interesting conversation, beautiful photographs and very informative tips. Loving every minute I read.
I used to do manual focus with my Pentax K1000. The K1000 was all manual, and it forced me to think about f-stop and aperture, which was great but with a target like wildlife that can move unexpectedly, the extra seconds it took could be the reason I didn't get the shot I wanted.
I upgraded to a Canon EOS and started to use auto-focus in the manner than StephenP explains in his video.
It's a much quicker way of getting the shot.
But the way I see it, there is an advantage to both methods.
Notes, I think you hit on a critical point here. And that is the importance of understanding aperture size, shutter speed and how it affects depth of field, foregrounds, and backgrounds.
No issues with using auto-focus at all, but understanding the theory and technology behind the technique basics always works in your favor. I'm sure that both you and Stephen would agree.
BIAB & RB2024 Win.(Audiophile), Sonar Platinum, Cakewalk by Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Kontakt, Focusrite 18i20, KetronSD2, NS40M Monitors, Pioneer Active Monitors, AKG K271 Studio H'phones
My humble advice comes from a lifetime spent in photography, as both an amateur and a professional. My father was a professional, and he taught me to shoot. He also taught me darkroom skills, developing and printing, dodging and burning, etc. That was over 60 years ago now. Back then it was all manual, and one had to learn the essentials of photography to apply them successfully.
That experience equipped me to actually work in the field, running a photography department for 16 years at the third largest teaching hospital in the U.S. - Jackson Memorial.
I would also advise against 'digitizing' negatives with a camera mounted on a copy stand. For $229, you can get a decent scanner that will digitize photos, negatives or slides, and give a better result.
One (Everglades Sunset) is a Kodachrome slide I scanned with a dedicated film/slide scanner.
The slide had been stored too long and had some small spots that wouldn't blow off with the rocket, so I used editing software to get rid of them. It was time-consuming but pleasant to see it get better.
This was a very old slide, I think from back in my K1000 days. That's when I was living in Ft.Lauderdale and this shot was from the levee behind Ft.L before they expanded the city even more and ate up more of my beloved Everglades.
I'm not spending much time at this, only when I have a few spare moments, but I'm enjoying it.
I'm not spending much time at this, only when I have a few spare moments, but I'm enjoying it.Notes
And that's the main thing to bear in mind, make it something you do for pleasure. Unfortunately, since the advent of digital cameras, half the population of the world seems to be into stock photography.
This makes it more about 'numbers' than quality images. With 15 images, you've got more chance of making money from the lottery than photography.
I've got nearly 9000 images with the stock library I use, and probably only sell 5 images a month, even though my photos get looked at a lot - because there is so much competition these days.
That said, a friend just sent me an image she sold with Stockimo (the library for camera-phone images) to ask if I would re-size for a print, as someone else want to buy it. She's probably only got 10 images with Stockimo, so you never know!
I'm definitely enjoying myself, and don't expect to make enough to buy a second home in the south of France, but I'd like to sell at least one so I can go on record as a professional
I just edit and upload when I have a few spare moments.
I need to convert my slides because I've got thousands of them. I'm not sure my slide projector works anymore, it's been in storage way too long. Plus I live in a tiny 900 square foot house and storage space is always at a premium.
The main problem with the slides is that I don't live with air conditioning, and there are some dust specks that the rocket will not blow off or the microfiber cloth will not gently remove.
I've scoured the 'net and there doesn't seem to be a very good way of removing the stubborn ones without unmounting the slide, cleaning, and remounting the slide, and I don't have that much free time.
Depending on where the spots are, I can edit them out. If not I'll keep scans that are good memories.
I now have 17 images on AdobeStock. I am the proverbial needle in the haystack. I don't think I'll hit 9,000 any time soon so you don't have to worry about competition from me
Add updated printing options, enhanced tracks settings, smoother use of MGU and SGU (BB files) within PowerTracks, and more with the latest PowerTracks Pro Audio 2024 update!
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Update your Band-in-a-Box® 2024 for Windows® Today!
Update your Band-in-a-Box® 2024 for Windows for free with build 1111!
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A few excerpts:
"The Tracks view is possibly the single most powerful addition in 2024 and opens up a new way to edit and generate accompaniments. Combined with the new MultiPicker Library Window, it makes BIAB nearly perfect as an 'intelligent' composer/arranger program."
"MIDI SuperTracks partial generation showing six variations – each time the section is generated it can be instantly auditioned, re-generated or backed out to a previous generation – and you can do this with any track type. This is MAJOR! This takes musical experimentation and honing an arrangement to a new level, and faster than ever."
"Band in a Box continues to be an expansive musical tool-set for both novice and experienced musicians to experiment, compose, arrange and mix songs, as well as an extensive educational resource. It is huge, with hundreds of functions, more than any one person is likely to ever use. Yet, so is any DAW that I have used. BIAB can do some things that no DAW does, and this year BIAB has more DAW-like functions than ever."
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