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Lovely work, Noel. Beautifully constructed song that works exactly as intended. The band sounds great and I'm a big fan of your vocals; always so clear in the mix. Really well done.
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Leon

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Noel, you had me hooked right from that great bluesy intro, very nice!

Nice changes and melody, good write.

Good mix too, just the right amount of processing on your vocal.

I'm the opposite of you I think, for me it is very rare to write a song in a major key wink And having heard this I hope you explore minor keys more often!

For me this is your best song to date, very good indeed!

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Cool groove on this song. Very cool vocal and lyric. Loved the chord progressions. Well done


Scott Collingwood
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Originally Posted By: F.M.M.
Excellent peace of music very engaging in all areas great mix thanks Noel for sharing Eric

Hi Eric,

I always smile when I see that you've visited one of my threads. Thank you so much for taking the time. I truly appreciate it.

I notice that you have a couple of new songs for me to listen to! I'm looking forward to it.

All the best,
Noel


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Terrific work Noel, changing keys, changing gears work well in this song. I frequently change between verse n chorus but not so often minor n major.
Good band and a terrific treatment of the bass.
Wonderful song - wonderful.


Cheers
rayc
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Great sound. The relative minor/major change works a charm. Let’s disappear our fears And build us new tomorrows like pioneers is my favorite line in a long list of candidates. The band is cool and just that little extra bit quirky...really kept the ears entertained. I like this a lot.


BIAB 2021 Audiophile. Windows 10 64bit. Songwriter, lyricist, composer(?) loving all styles. Some pre-BIAB music from Farfetched Tangmo Band's first CD. https://alonetone.com/tangmo/playlists/close-to-the-ground
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Originally Posted By: floyd jane
Noel,

Nice!

Good production. The BAND works well. Nice vocals. A solid mix.

Good write. One of your best, I think. There is a "freedom" in the lyric...natural, comfortable. That is also reflected in your vocal...

In fact, I think it is one of your best in all regards. Very much enjoyed.

fj

Hi floyd,

It's always great to see you!

I really appreciate that you had some time to spare to have a listen. You've got me thinking. I wonder what that "freedom" is? It's probably a result of throwing caution to the wind. I used to worry a lot about my vocals: nowadays, not so so much. I've also got a lot more experience now in both lyrics and singing. Maybe that's it. Whatever it is, though, I'm glad it's there smile Thank you for saying that.

All the very best,
Noel


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Hi David,

Thanks for taking so much time to pass on your thoughts. I appreciate it. If you don't mind, it's probably easiest if I address your comments one at a time...

Originally Posted By: dcuny
Melodically, this is different than other things what you've done, in that it's a bit more rhythmically driven.

This is probably because I created the backing before even considering melody and lyrics. In this sense, the creation of this song was like the "top line writing" that floyd has mentioned a couple of times. Normally when I write, lyrics, melody and harmony all come together at the same time (a bit of "this," then a bit of "that" and then that inspires a bit more of "this," etc.).

Originally Posted By: dcuny
The minor/major works seamlessly. As you said, it gives a nice lift to the song.

Thanks, I was hoping that it was smooth smile

Originally Posted By: dcuny
I didn't hear a change in feel at the transition at 3:35. There's a shift in rhythm at "So" that feels a bit like a lurch like might be handled better - a drum fill or something.

I'm glad you pointed this out. At one point in time, I clearly remember thinking similar thoughts and then following that up with the thought that I need to attend to it. I never did. I guess my brain just got used to listening to the song and stopped analysing it.

Originally Posted By: dcuny
Good and interesting lyrics, although the some language felt a bit dated, sort of of early 70's. (I say this with some irony, as I'm certainly not hip to the language them youngsters use these days).

I hear what you say, but there are too many generation gaps between me and modern language. I'd only embarrass myself if I tried to emulate today's pop world.

I'm never fussed about how my language sounds. I write entirely around note length and syllable length while trying to get my meaning across: that is, short notes need short syllables and long notes can have either short or long syllables. For example. If I said, "Sit on the floor," the first three syllables are short so can have quick'ish notes. "Floor," however, is a long sounding syllable so it needs a longer-timed note.

Originally Posted By: dcuny
I know what you were going for at the end, but it didn't work for me - it felt like it was running out of steam, especially the last cymbal hit. I'm sure that others will - rightfully - disagree.

Again, I totally understand what you are saying. I'm also in two minds about the end. Because I couldn't think of anything better, I left it as it is. If something better comes to mind sometime, I'll definitely change it.

Thanks for taking so much time. I'm honestly thankful because I sincerely value thoughts on how others hear my work.

All the best,
Noel


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Originally Posted By: rsdean
Noel,

I think every aspect of this song works so well. It's great lyrically, but the arrangement is really something special - it has it all!

Outstanding vocal - I also think this is one of your best songs. Love the lift in the chorus.

Excellent!

Bob

Hi Bob!

Thanks for passing through the thread. It's always good to see you and I'm glad you had a chance to listen. Thanks for the comments. I appreciate them

All the best,
Noel


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Originally Posted By: jannesan
Really touching lyrics, confusion in the first verse and optimism in the second verse described very beautifully. The minor key in the verses works very well, gives sort of a dreamy feeling (what just happened...what should happen next).
Nice chord to rise to the catchy chorus.
Great vocals also this time. The band and the mix are top quality, the acoustic bass is especially nice and I like how the organ is introduced.
Nice slowdown ending ("slow me down").

Janne

Hey Janne!

I'm glad you had a chance to visit. Thanks heaps for all your thoughts.

Your comment, "The minor key in the verses works very well, gives sort of a dreamy feeling (what just happened...what should happen next)", really made me think. It never occurred to me at all before but I wouldn't be surprised if this is why the lyrics became what they did. I spent a long time on these words and I found it difficult to get the right meanings. I know that my lyric writing is affected by the ambience of the music I put them to. On reflection, I think that you've hit the nail on its head.

Thank you for taking the time. I honestly appreciate it.

All the best,
Noel


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Originally Posted By: Rustyspoon#
Noel,
"I don't often write in minor keys." I think you should write more in minor (->major) smile Probably one of the best tunes I have heard by you to my taste. Excellent lyrics, super vocal twists. Overall a tasteful composition and mix. Good listen.
Thank you for sharing.

Misha.

Hi Misha,

It's good to see you. Thank you for dropping in. I'm still smiling from your comments. I'll definitely try and use minor keys more often.

For some reason, as I started replying to you, I was reminded of Ivan Rebroff. I need to listen to some Russian folk songs to get the sound of minor keys into my head, I think.

A lot of people don't know that The Seekers "Carnival Is Over" was actually based on the Russian folk song "Stenka Razin." I hope you don't mind my sharing these two clips with you. (Love the bass balalaika!)

HERE'S THE ORIGINAL RUSSIAN SONG...




HERE IS WHAT IT BECAME AFTER TOM SPRINGFIELD CHANGED IT...



Thanks again for visiting.

All the best,
Noel


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Really good song, Noel. Very well developed and produced. Intriguing title, the lyrics fully delivered, and the vocal was pot on. You instrument choice and arrangement worked very well.


Enjoy whatever happens!
marty

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'Noel96'...

You carried out your minor/major experiment in a memorable way! First of all, you got some great bluesy, funky mileage out of your well-chosen Real Tracks. To my ears, it seemed to cause you to deliver your vocal performance with just a little bit of an after-the-beat swagger that made you sound rather soulful. Also, the way you slid upward in pitch on phrases such as "open your mi-i-i-nd" and "reach for the sta-a-a-rs" was a surprisingly expressive vocal effect that added a taste of R & B to the production. Finally, your lyrics tell an interesting and truthful story about the way the nature of our relationships can change. This is quite a distinctive song.


"Music is what feelings sound like."-- borrowed from a Cakewalk Music Creator forum member, "Mamabear".
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Originally Posted By: TuneMonger
Nice story to the song sung over a comfortable melody. All the elements were there for me. Great work!

Hi Tunemonger,

Thank you for giving it a listen. I appreciate it. This song is a departure from my usual sound and it was quite a challenge for me.

All the best,
Noel


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Originally Posted By: Derochette
Hi Noel,

Nice intro, pleasant lyrics. The whole is well done.

Kindly regard
Derochette
alias JaniJackFlash


Hi Derochette,

Thank you for visiting my thread. I appreciate your having a listen.

All the best,
Noel


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Originally Posted By: PeterF
Noel

A nice big ballad that works on all levels.

The minor major change suited the song perfectly and enhanced the lyric.

Strong dynamic vocals and a clear clean mix.

Enjoyed the well written and performed song.

Peter

Hi Peter,

It's always good to see you. Thank you for taking the time to listen. I appreciate you comments, too.

All the best,
Noel


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