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I've used BiaB for years, and absolutely love it. I know my way around it pretty well for my purposes (practicing improvising over jazz standards and generating the occasional piano or bass part for an original song).

What I'm looking for is an interview, or video, or something else that gets into the more technical nuts and bolts of the program. Does it try to intelligently piece together a guitar part over a strange chord progression, or is it completely random? Do the musicians record the same parts at different tempos and in different keys, or is it all pitch adjusted / time stretched? are midi parts clicked in, or are they basing those parts off real performances?

Any help would be appreciated.

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Welcome to the forums
Groove 3 has many online tutorials

PG Music have many online tutorials

Henry Clarke has excellent tutorials, well worth checking out

The internal functions of exactly how BiaB delivers its functionality are probably the proprietary features of the program and are not widely publicized.



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Originally Posted By: AudioTrack


The internal functions of exactly how BiaB delivers its functionality are probably the proprietary features of the program and are not widely publicized.



That's a shame, but understandable. I was just hoping for a peak under the hood. It's an endlessly fascinating program.

Thanks for your reply and links.

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BIAB uses some amazing but propriety algorithms to adapt each instrument to the chord progression and rhythmic directions. I would call that artificial intelligence and it’s definitely not random (although we could discuss further what random means).

There is some pitch and time stretching when needed, now using the Elastique algorithm. If you go more than a few half steps from the recorded pitches, you begin to hear artifacts. Same for tempo, especially going much slower than designed.

If you are asking about Real Notation, the MIDI that accompanies some Real Tracks, the answer depends. The piano notation was recorded directly by a digital piano. Some instruments were manually transcribed in the early days of RealTracks (I did some of that work). Now, I think they have automated that process though I do not know this for certain. The software to do that has improved since 2008. Real Notation is for educational purposes only; it looks OK but often lacks the nuances of a real player’s performance.

Does that help? I use BIAB as you do, to compose and practice, plus arranging and transcribing.




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Very helpful. Thanks for your insight.

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Quote:
Do the musicians record the same parts at different tempos and in different keys, or is it all pitch adjusted / time stretched?


I'd suggest checking out the UserTracks feature to get some insight.
https://www.pgmusic.com/forums/ubbthreads.php?ubb=showflat&Number=243569#Post243569

It helps you 'guess' how it works. smile


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Originally Posted By: rharv
Quote:
Do the musicians record the same parts at different tempos and in different keys, or is it all pitch adjusted / time stretched?


I'd suggest checking out the UserTracks feature to get some insight.
https://www.pgmusic.com/forums/ubbthreads.php?ubb=showflat&Number=243569#Post243569

It helps you 'guess' how it works. smile


Wow. Neat. I never really looked into this feature. Very helpful.

Thank you.

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+++ HERE +++ is a link to the online manual where UserTracks are described. There are also directions about how to create them.

You may find the screen shot below of the F5 UserTracks Development button window useful. The screen shot displays the commands a creator can use to "direct" Band-in-a-Box how-to-use specific portions of an audio file. Some command descriptions are below.

UserTracks Development Button Settings

The [UserTracks Development] button in the F5 Edit Settings for Current Bar dialog opens a dialog with advanced setting for making UserTracks. The dialog allows you to determine how the bars of music you recorded for your UserTracks will be applied by Band-in-a-Box in the song. For example, you can completely exclude a particular bar or make it only play in a particular place like an ending or a fill.

Bar # and Chorus # indicate the current song location. This is the bar where the settings will be applied, but you can apply them to a range of bars if you enter a list (3,5,7) and/or range (10-20, 25-28) of bars, separated by commas, in the field under Enter a Range of Bars.

Don’t include this bar in the UserTracks excludes the current bar (or range of bars, if set) from the UserTracks and will never be used.

Ending starts on this bar (4 bar ending) sets the current bar as the first bar of the 4-bar ending.

Don’t start a new Riff on this bar prevents the current bar from being used as the start of a new riff. This is useful if the bar has sustained notes carried over from the previous bar and no new attack of a note.

Don’t End a Riff at the start of this bar means that the current bar (or list of bars in the edit control) will not be used to end a riff at the start of the bar. This is useful if the previous bar doesn’t have a defined ending for a riff.

Only choose this bar if the key matches allows the bar to be used only if the user’s song key matches the key of this song. So, if this is the IV chord, it would only get chosen if it will be the IV chord in the user’s song.

This bar is simple sets the bar to use simple riffs.

Only Play this for a fill sets the current bar as a fill, which will only be played where the user’s song is also a fill.

Only play this for a post fill (after a fill) sets the current bar (or list of bars in the edit control) to only play after a fill in the user’s song.

Odd/Even must match sets the current bar to play in the user’s song only if the odd/even status (bars after a part marker) matches the user’s song.

Always play this bar if it matches means that the current bar (or list of bars) will always get played, as long as its chord and other settings are compatible. It overrides any other riffs that match.

Once is enough (don’t repeat this) sets the bar to only be played once in a song. Use for an unusual riff that you don’t want repeated.

Bar/Beat Markers: You can set the location of the bar or beat markers if the riff doesn’t start on the bar or beat. You can set the location in ms offset, and also set the riff marker type, begin and/or end. The offsets can be set visually in the Audio Edit window.

The general assumption within the forum appears to be that Band-in-a-Box uses RealTracks similar to the way the program uses UserTracks.

Attached Files (Click to download or enlarge) (Only available when you are logged in)
Clipboard01.jpg (127.8 KB, 45 downloads)
F5 UserTracks Development button window
Last edited by Jim Fogle; 08/26/22 08:41 AM. Reason: Added last comment.

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The above is probably the best public knowledge we have about the inside workings of the magical 'voodoo' concerning how RTs work.
Thanks for expanding this Jim.


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