Floyd, thanks.

I didn't really set out to imitate MK. It may have turned out that way but that wasn't part of the plan. I was simply trying to create a part on the guitar that would fit and be a bit haunting in it's feel. Hence, the reverse bends in a few places.

I read an interview with MK in GP mag. A comment he made really stuck with me. Something to the effect that it's not so much what you play, although that is important, but what you don't play, that really sets your playing apart and imparts feel into the music. That has stuck with me and I try to be tasty with the licks as opposed to packing as many notes into a given limited time as is possible....although I do admire the pickers who can shred the fretboard.

I was into the twin leads thing when I recorded this.... still love a sweet twin, but have backed off a bit.

Yeah... I was just trying to tell the story as I saw it from my POV.

Thanks for the listen.

BTW: Be watching, I'm writing a new one now, lots of cool things in it (licks on tele and taylor) and some production things that you don't hear very often in this forum.... I tried a few new things and they are working pretty nicely..... Still actually in the writing stages, but I have a mock up of the song done... but I'm not releasing anything until the writing is done and it's properly recorded. It could be epic..... or not. We'll see.

Last edited by Guitarhacker; 04/23/14 05:11 AM.
You can find my music at:
www.herbhartley.com
Add nothing that adds nothing to the music.
You can make excuses or you can make progress but not both.

The magic you are looking for is in the work you are avoiding.