I would agree that getting the "backing" in the right key (and tempo) is crucial in song-writing for others.

I think you can accomplish your work-flow simply. You can either:

1. Audition and select a midi (or super-midi) style that has a piano in it. Mute everything but piano and listen. Save as midi. When saving as audio, BIAB will render only tracks not "muted". I'm not sure if the same applies to saving as midi, but it's no hill for a climber if it doesn't. It's no real problem to send a single track of a multi-track midi to synth or soft-synth.

2. Choose a single piano midi "soloist" or "melodist" track and listen. Save as midi.

IF you choose to use any real tracks (or other midi tracks) in the production, it's also fast work to get the correct key and tempo from the demo studio and enter it into the BIAB project to render to audio (or midi). Open file, change key and/or tempo (using the actual transpose option), generate and render.

Most of "us" record at home. So if you have access to a demo studio that is better set-up for recording AND you want to be there...I'd carry my laptop with BIAB installed, doing all possible work before you arrive.





Edited by Tangmo (06/13/19 08:00 AM)
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BIAB 2020 Audiophile. Windows 10 64bit. Songwriter, lyricist, composer(?) loving all styles. Some pre-BIAB music from Farfetched Tangmo Band's first CD. https://alonetone.com/tangmo/playlists/close-to-the-ground