Originally Posted By: ricobasso
Bump.

Still haven't got an answer to this.

to recap and paraphrase: how do I get a triplet style like zzirish and c_clancy to play two triplets per bar (measure) and have two chords per bar. i.e. a chord change every triplet

Hi ricobasso,

In the 2/4 bars, if you want to get one chord on each tripet, use a comma between the chords.

e.g. entering C,F will put C on beat 1 and F on beat 2.

Alternatively, right-click on the chord sheet and open "Chord Settings", this will also allow chord entry on individual beats.

Over the years, I've found that 12/8 styles work pretty well as 6/8 styles. The main difference is that in 12/8 there are four dotted 1/4 note beats with rhythmic strengths of (S)trong (W)eak (M)edium (W)eak (i.e. it's a 4/4 time based on triplets). A 6/8 time signature, on the other hand, has (S)-(W) beats. The (M) beat of 12/8 (i/e beat 3) often doesn't sound all that different to the first (S) beat of 12/8 or 6/8.

Also, given that in a great deal of music, bars are often paired in a Strong/Medium grouping, a 12/8 feel can quite easily come across as 6/8.

Quote:
An example of this (S)-(M) bar grouping is found in the opening bars of Mozart's 40th Symphony. While this is in 2/4, the bar groupings go |(S)|M)|S)|(M)| and give a 4/4 feel.



DIRECT LINK
https://www.youtube.com/watch?v=PaUn28PUy8Y

In other words, it's worth trying 12/8 styles because it's possible that they will work for 6/8.

To get the notation in 12/8 to show as 6/8 in print-outs, there is a button in "Notation Editor" that modifies the display to do this. (See the image below.)

Hope that this, in addition to Jim's fine advice above, helps.

Regards,
Noel


Attachments
6-8 time sig.JPG


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LINKS TO MY BIAB/RB SONGS