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No joking, I overheard a discussion that got me thinking. What is the title given to the person who decides in a song to, as an example, add tambourine on 2 and 4 in the second verse, and shaker in the bridge kind of thing. Please don't say a "percussionist" or something like that  Arranger, orchestrator, etc... Just curious your thoughts. Thanks! 
Chad (Hope that makes it easier)
TEMPO TANTRUM: What a lead singer has when they can't stay in time.
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The Boss.
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The producer
Thats how we got more cow bell
Last edited by jazzmandan; 12/02/15 02:23 AM.
Dan, BIAB2024, SoundCloud Win11, i7(12thGen), 32GB, 1TB SSD(M.2 NVMe SSD), 2TB Libraries, 1 TB(WD-Black), 2TB SSD(M.2 NVMe SSD)Data, Motu Audio Express, Keystation 61, SL88 Studio, Reaper
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Good answers so far. Even if I'm one or both of the above, I leave that to the individual musician. But I'm playing jazz, where the spontaneity is valued.
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The producer is the one who normally decides what kind of production chops go into a song project. This normally entails decisions on instrumentation as well as dynamics where a song may drop back from a full band to a simple vocal with an acoustic guitar and then back to the band for the ending, vocals/harmonies, any effects that are used, and even structure of the song.
Bands often make this a corporate process. Solo artists, or their labels, often hire well known, skilled and expericnced producers to make the magic happen for them. Often, we, in the home recording business, don't have either option available to us, so we are left to our own devices, imagination, and skills.
Last edited by Guitarhacker; 12/01/15 05:28 AM.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
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Thanks for the replies. I know what I have called them, but in hearing the conversation there is some overlap of definitions and job expectations.
There also seems to be some things that apply to one term but not the others.
I summed it up to them by saying, "it would seem the producer wears many hats. That's actually not the case. They wear one hat. And it's a crown."
Chad (Hope that makes it easier)
TEMPO TANTRUM: What a lead singer has when they can't stay in time.
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Depends on what else they play.
If a person who can play vibes, drums, and other assorted percussion instruments decides to play the tambourine and/or shaker I call him/her a percussionist.
If the sax player picks up the tambourine and plays it when there is no sax part, I still call him/her a sax player.
If the sax player also plays many percussion instruments like marimba, trap kit, etc., I'll call him/her a multi-instrumentalist.
If the producer decides to put cowbell in there, I'll still call him/her a producer and might add one who makes some creative suggestions.
I started out as a drummer but quickly switched and became a sax player. But being in a rock band required me to wear many hats. So I'd pick up the tambourine, shaker, etc. Probably the first 'other' instrument was bass. The bass player in an early band was also a guitarist, so on those non-sax songs he'd show me the bass line and he'd play second guitar. Then came keys, guitar and toys (shaker, cowbell, etc.)
It wasn't until I got good at the bass, guitar, and keyboard that I considered myself a multi-instrumentalist. But while playing the toys, I never considered myself a percussionist, even though I can actually play drums.
In music, it's so hard to label a lot of things and people.
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The rare musician in the room who still has some semblance of high frequency hearing.
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The rare musician in the room who still has some semblance of high frequency hearing. Young beginner...
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