Previous Thread
Index
Next Thread
Print Thread
Go To
Woodshedding - Learning to Play!
Joined: Feb 2006
Posts: 1,129
J
Joe V Offline OP
Expert
OP Offline
Expert
J
Joined: Feb 2006
Posts: 1,129
Hi all,

I'm finally working on my ear (something Mac has been telling me to do for many years now - and Mac, I've just started using the BB Ear Trainer, so no need to remind me again : ), because I have a little more free time in the summer.

I've found a program that I really like using for the Android. It's called Perfect Scales, and it's free with a request for donation.

https://play.google.com/store/apps/details?id=ru.exaybachay.scales&hl=en

As I walk my dog each morning, I've been playing back different scales and modes, and trying to sing along with them, in the same key, starting with "C" of course.

It is actually quite challenging, and I've noticed getting beyond the major scale - the one everyone learns in grade school, is pretty darn tough if you haven't worked on it (or been born with an uncommon musical gift - and I'm sure some of you are out there).

I'm trying to hear the differences between Natural Major (Ionian) and Natural Minor (Aelolian), and SING them both back accurately WHILE the scale is playing, and then without, and then play again checking my accuracy. Then, I look for a another scale or mode with only one different note, and again try to hear the difference in that note and sing back the scale.

One thing is, I've never had any 'formal, schooled' music training, though I've taken many private guitar lessons throughout my life. The only instrument I've ever studied is guitar. However, there are HUGE gaps in my music background - weak reading, and of course, a weak ear (hence this latest exercise).

So I wanted to:

1.) share my enthusiasm for this program and the convenience of using it during your times when the phone is more handy than an instrument - say a dog walk : ) for you animal lovers.

2.) To ask if anyone out there has developed their ear by actually trying to SING the different scales rather than just RECOGNIZE correct intervals
- and what words do you use during your singing ?
- I've used Do Re Mi Fa So La Ti Do
--> placing and "E" on the end for flats and an "I" on the end for sharps (as shared by my friend's daughter who is in a formal program.

3.) Lastly - ask if any of you can share additional approaches in how you may have mastered this skill (if you indeed even find the SINGING part (in addition to the LISTENING identification part) important - as I think it is

Last edited by Joe V; 07/19/13 06:48 AM.
Woodshedding - Learning to Play!
Joined: Dec 2002
Posts: 11,407
Veteran
Offline
Veteran
Joined: Dec 2002
Posts: 11,407
Reminds be of a bumper sticker:

"Caution, Driver is Singing"

Woodshedding - Learning to Play!
Joined: Jul 2002
Posts: 3,574
P
Veteran
Offline
Veteran
P
Joined: Jul 2002
Posts: 3,574

Last edited by pghboemike; 07/20/13 10:08 AM.

Lenovo YOGA 900 Window s 10 Home 64bit 16GB RAM\2018 13” MacBook Air casio wk7500 presonus audiobox i2 usb interface
casio wk-7500
biab & realband 2023 everything pk both with Current builds
Woodshedding - Learning to Play!
Joined: May 2000
Posts: 38,502
M
Mac Offline
Veteran
Offline
Veteran
M
Joined: May 2000
Posts: 38,502
I was taught to sing through my instrument and to voice everything I play when practicing.

What that means is that each new scale should not only be practiced on the instrument, but at the same session, don't play the instrument and sing the scale in any way you can, paying attention to intonation, proper intervals, in other words using what you just played on the instrument as the guide to sing the same.

This is a very efficient approach, as it not only trains the ears, it will really help you to internalize the scales, exercises, characteristic studies, etudes, whatever is in your practice regimen, while at the same time impressing the use of the diatonic relationships, dynamics (because dynamics happen rather naturally when singing), culminating in the ability to actually sing through your chosen instrument while performing.

The voice was first. Then came the various melodic instruments, and every one of them is an attempt to emulate the human voice.

The other factor is more rhythmic in nature, and that is the DANCE. Again the same things apply, endeavor to dance your way through those scale studies, which always involves keeping steady time no matter what you are actually attempting to play.

And don't try to do too much at once. It is far more important to practice one thing correctly and nail it than it is to try to practice a whole lot of things in an effort to "get there faster". The reality is that the proper learning of that one thing, always striving towards performance, will have an impact on the next thing, making that happen faster and this becomes cumulative as you progess.

Never let your practicing sound like some sort of rote repetition.

Instead, always strive to "make music" of whatever it is that you must practice, even the lowliest of linear scales. Practice Crescendo when going upscale, Decrescendo when going downscale. Then reverse it. Decrescendo going up, Crescendo going down. And don't just practice even eighths or the like, mix it up, dotted eights for a few runs, counting the whole time, then triplets, then every other note in ascension and descending, 1-3, 2-4, 3-5, etc. all the while trying to play these as musically sounding as you possibly can. If you can't, slow down until you can, but always keep the tempo count appropriate as you play, for that is the internal clock that makes music happen.

And never overpractice these kind of drills. Short sessions are going to get you there faster than long endurance runs will. Ten minutes, then go do something else, then come back to it and do another serious ten minutes. Like that. Because if its not fun, it is not going to sound musical.


--Mac

Woodshedding - Learning to Play!
Joined: Jul 2000
Posts: 1,151
Expert
Offline
Expert
Joined: Jul 2000
Posts: 1,151
As always, excellent advice, Mac. Been working hard on the arps and I gotta tell you, it's really opened up my ears. Sheryl Bailey has a great lesson on the use of arps along with the dom bebop scale. It's a winner.

Woodshedding - Learning to Play!
Joined: May 2000
Posts: 38,502
M
Mac Offline
Veteran
Offline
Veteran
M
Joined: May 2000
Posts: 38,502
BTW - The very first scale you should practice singing all the time, Joe, is the Chromatic Scale.

All Half Steps, up and down.


--Mac

Woodshedding - Learning to Play!
Joined: Feb 2006
Posts: 1,129
J
Joe V Offline OP
Expert
OP Offline
Expert
J
Joined: Feb 2006
Posts: 1,129
Yes Mac, after doing them for a while in a different order, I can see why you would say that : )

Also - found another GREAT program for memorizing the Interval Sounds - it's donation-based and free, for Android.

It is called Interval Recognition - Ear Train:

https://play.google.com/store/apps/details?id=uk.co.marchantpeter.intervalrecognition&hl=en

Very simple, very effective. I've put it into "Listen Mode"at first and set all to begin with middle C - for each interval you tap, it will play the first few notes of the respective song to help you remember that interval, and also place the name of the song it is using on top.

Woodshedding - Learning to Play!
Joined: Jan 2002
Posts: 7,913
R
Veteran
Offline
Veteran
R
Joined: Jan 2002
Posts: 7,913
Resurrecting a somewhat dead thread:

I'm 46 and just now trying to learn this - not singing, just the recognition and keyboard skills of the 'chordal scales'. Not because I thought I should do it on my own, it's the main part of the week 2 lesson in the Gary Burton Jazz Improvisation class that I'm in right now.

I have to say that the only scales that really feel natural to me are Ionian, Dorian and Aeolian. I can groove in those with the dance, the music, etc.

I can almost identify some of the others by ear, like Mixolydian. But the other modes are harder for me to hear the subtleties. In this class, we are learning 10 different chordal scales.

Woodshedding - Learning to Play!
Joined: Jul 2008
Posts: 216
Apprentice
Offline
Apprentice
Joined: Jul 2008
Posts: 216
I remember in ear training class in college part of our test would be singing scales. These were one on one tests with the teacher.

The teacher would play a note and say, "sing a mixolydian scale starting from that note".

Then, "sing a harmonic minor scale starting from this note".

Etc.

This included Ionian, dorian, phyrgian, lydian, mixolyian, aeolian, locrian, harmonic minor and melodic minor.


Last edited by Frankp; 10/27/13 06:38 AM.

Frank

Some tunes from me and my collaborator: https://www.youtube.com/channel/UCvGqM6ktMW5ltTnyit1KWPg/videos


Band-in-a-Box Ultrapak 2019, Windows 11, Reaper, Behringer u-phoria UMC404HD, Kali LP-8
Woodshedding - Learning to Play!
Joined: Jul 2007
Posts: 1,739
Expert
Offline
Expert
Joined: Jul 2007
Posts: 1,739
Ear Master Pro is the best for this, its got a free trial too - check it out, I have been using it a couple of years and with wwork it really pays off. Its very customisable too


Win 11 64, Asus Rog Strix z390 mobo, 64 gig RAM, 8700k
Previous Thread
Next Thread
Go To

Link Copied to Clipboard
ChatPG

Ask sales and support questions about Band-in-a-Box using natural language.

ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.

PG Music News
User Video: Next-Level AI Music Editing with ACE Studio and Band-in-a-Box®

The Bob Doyle Media YouTube channel is known for demonstrating how you can creatively incorporate AI into your projects - from your song projects to avatar building to face swapping, and more!

His latest video, Next-Level AI Music Editing with ACE Studio and Band-in-a-Box, he explains in detail how you can use the Melodist feature in Band-in-a-Box with ACE Studio. Follow along as he goes from "nothing" to "something" with his Band-in-a-Box MIDI Melodist track, using ACE Studio to turn it into a vocal track (or tracks, you'll see) by adding lyrics for those notes that will trigger some amazing AI vocals!

Watch: Next-Level AI Music Editing with ACE Studio and Band-in-a-Box


Band-in-a-Box® 2024 German for Windows is Here!

Band-in-a-Box® 2024 für Windows Deutsch ist verfügbar!

Wir waren fleißig und haben über 50 neue Funktionen und eine erstaunliche Sammlung neuer Inhalte hinzugefügt, darunter 222 RealTracks, neue RealStyles, MIDI SuperTracks, Instrumental Studies, "Songs with Vocals" Artist Performance Sets, abspielbare RealTracks Set 3, abspielbare RealDrums Set 2, zwei neue Sets von "RealDrums Stems", XPro Styles PAK 6, Xtra Styles PAK 17 und mehr!

Paket | Was ist Neu

Update Your PowerTracks Pro Audio 2024 Today!

Add updated printing options, enhanced tracks settings, smoother use of MGU and SGU (BB files) within PowerTracks, and more with the latest PowerTracks Pro Audio 2024 update!

Learn more about this free update for PowerTracks Pro Audio & download it at www.pgmusic.com/support_windows_pt.htm#2024_5

The Newest RealBand 2024 Update is Here!

The newest RealBand 2024 Build 5 update is now available!

Download and install this to your RealBand 2024 for updated print options, streamlined loading and saving of .SGU & MGU (BB) files, and to add a number of program adjustments that address user-reported bugs and concerns.

This free update is available to all RealBand 2024 users. To learn more about this update and download it, head to www.pgmusic.com/support.realband.htm#20245

The Band-in-a-Box® Flash Drive Backup Option

Today (April 5) is National Flash Drive Day!

Did you know... not only can you download your Band-in-a-Box® Pro, MegaPAK, or PlusPAK purchase - you can also choose to add a flash drive backup copy with the installation files for only $15? It even comes with a Band-in-a-Box® keychain!

For the larger Band-in-a-Box® packages (UltraPAK, UltraPAK+, Audiophile Edition), the hard drive backup copy is available for only $25. This will include a preinstalled and ready to use program, along with your installation files.

Backup copies are offered during the checkout process on our website.

Already purchased your e-delivery version, and now you wish you had a backup copy? It's not too late! If your purchase was for the current version of Band-in-a-Box®, you can still reach out to our team directly to place your backup copy order!

Note: the Band-in-a-Box® keychain is only included with flash drive backup copies, and cannot be purchased separately.

Handy flash drive tip: Always try plugging in a USB device the wrong way first? If your flash drive (or other USB plug) doesn't have a symbol to indicate which way is up, look for the side with a seam on the metal connector (it only has a line across one side) - that's the side that either faces down or to the left, depending on your port placement.

Update your Band-in-a-Box® 2024 for Windows® Today!

Update your Band-in-a-Box® 2024 for Windows for free with build 1111!

With this update, there's more control when saving images from the Print Preview window, we've added defaults to the MultiPicker for sorting and font size, updated printing options, updated RealTracks and other content, and addressed user-reported issues with the StylePicker, MIDI Soloists, key signature changes, and more!

Learn more about this free update for Band-in-a-Box® 2024 for Windows at www.pgmusic.com/support_windowsupdates.htm#1111

Band-in-a-Box® 2024 Review: 4.75 out of 5 Stars!

If you're looking for a in-depth review of the newest Band-in-a-Box® 2024 for Windows version, you'll definitely find it with Sound-Guy's latest review, Band-in-a-Box® 2024 for Windows Review: Incredible new capabilities to experiment, compose, arrange and mix songs.

A few excerpts:
"The Tracks view is possibly the single most powerful addition in 2024 and opens up a new way to edit and generate accompaniments. Combined with the new MultiPicker Library Window, it makes BIAB nearly perfect as an 'intelligent' composer/arranger program."

"MIDI SuperTracks partial generation showing six variations – each time the section is generated it can be instantly auditioned, re-generated or backed out to a previous generation – and you can do this with any track type. This is MAJOR! This takes musical experimentation and honing an arrangement to a new level, and faster than ever."

"Band in a Box continues to be an expansive musical tool-set for both novice and experienced musicians to experiment, compose, arrange and mix songs, as well as an extensive educational resource. It is huge, with hundreds of functions, more than any one person is likely to ever use. Yet, so is any DAW that I have used. BIAB can do some things that no DAW does, and this year BIAB has more DAW-like functions than ever."

Forum Statistics
Forums66
Topics81,643
Posts735,393
Members38,525
Most Online2,537
Jan 19th, 2020
Newest Members
theyearofjess, OlvaJownDay, Tranner Track, Ely Bass, Barking
38,525 Registered Users
Top Posters(30 Days)
MarioD 183
DC Ron 101
dcuny 89
rsdean 71
Today's Birthdays
There are no members with birthdays on this day.
Powered by UBB.threads™ PHP Forum Software 7.7.5