In terms of precision How precise is the resolution in scoring? In comparision to Finale or Sibileus how accurate is the scoring. It seems that so many variations for instruments don't have any markings that are universal. What are aspects of music that people would like to see that seem to missing from instrument markings? Biab has taught me to listen in ways I never knew how to.
My understanding is that the notation resolution is 16 notes / bar for straight, 12 / bar for swing. (Other notation products may offer more features for scoring than BiaB)
BIAB & RB2024 Win.(Audiophile), Sonar Platinum, Cakewalk by Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Kontakt, Focusrite 18i20, KetronSD2, NS40M Monitors, Pioneer Active Monitors, AKG K271 Studio H'phones
Are there easy methods to push a note and in standard notation are there marks made for that. I can kind of figure a swing rhythm if I hear it first but if you stick sheet music I seem to misinterpret that?
What are the marks for I guess you could call it kinds of expansion. Its like the anticipations and that kind of stuff that neighbor tones. But there is probably another dimension that musicians notice but never talk about. Akin That was what I was after.
Ok, I think I understand now. When a musician sees a series of eighth notes, how they are played depends on the context even though they appear the same. I look first for written instructions, for example "swing" or "straight eights". And you have to know that if you are playing a samba, it's straight just because that's the style. Swing eighth notes are played about 2/3 1/3 timing, but they aren't notated that way.
Is that what you are looking for?
BIAB 2024 Win Audiophile. Software: Studio One 6.5 Pro, Swam horns, Acoustica-7, Notion 6; Win 11 Home. Hardware: Intel i9, 32 Gb; Roland Integra-7, Presonus Studio 192, Presonus Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors
Thanks yeah that is it. there really are a wide variety of musical contexts and they don't seem to be notated. I think that is what I am saying. There are probably ways of talking about shuffling syncopations and accents that apply to rhythm but again they aren't talked about. I suppose you could bring over linguistic accents discussions inserting them into music but it would be nice if some of the memo's discovered how to add a little more feedback. Is most rhythm discussed by number throwing? I am trying to develop musical phase sense as a person with disabilities who doesn't automatically always respond smoothly with clarity of rhythm with proper stamina which is my problem my stamina is weak. But I still practice to penjulum my parts. So that the swings across rhythms leave a wake that memories can cling to. I'm working on a song so I am sharing some of my ideas.
Something like this came up in the wishlist forum recently.
Playing a musical instrument is of course an art-form and includes 'poetic-license' and individual interpretation. Another forum member described it quite perfectly when he mentioned: "When a musician plays a phrase, it's always in the context of where he is going next, and plays accordingly. You won't get that by using individual notes not played in that context."
Some notation cannot normally be written to describe every nuance. Sure, you can include symbols such as dynamics, slurs, tempos, accents and ornaments, but the actual performance delivery is based on the musicians ability, style and creativeness.
Does that explain a bit more clearly?
Trev
BIAB & RB2024 Win.(Audiophile), Sonar Platinum, Cakewalk by Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Kontakt, Focusrite 18i20, KetronSD2, NS40M Monitors, Pioneer Active Monitors, AKG K271 Studio H'phones
OK, I might add this. In music for junior high school jazz ensemble, you might see swing eighth notes notated with a dash under the first, a period under the second of a pair. This is to force the long / short (2/3 to 1/3) phrasing of swing notes. But it mucks up the score so badly that you normally would not see that in any serious music beyond junior high level.
BIAB 2024 Win Audiophile. Software: Studio One 6.5 Pro, Swam horns, Acoustica-7, Notion 6; Win 11 Home. Hardware: Intel i9, 32 Gb; Roland Integra-7, Presonus Studio 192, Presonus Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors
And one more thing (in BIAB, there is often one more thing): Play, Slide Tracks. This can really loosen up the otherwise mechanical feel of a MIDI melody.
BIAB 2024 Win Audiophile. Software: Studio One 6.5 Pro, Swam horns, Acoustica-7, Notion 6; Win 11 Home. Hardware: Intel i9, 32 Gb; Roland Integra-7, Presonus Studio 192, Presonus Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors
In the BB Opts.-Prefs-Notation options there is a tip when hovering over the Fine Resolution check box (see below). For me this option to set the resolution is only available in Editable Notation mode in BB, YMMV /I'm much more comfortable in RB but that should help with BB .. you BB gurus should know this! //Since BB only allows 120 resolution for MIDI, your actual results may vary, depending on tempo (it's math) ///best I could do on short notice
Last edited by rharv; 11/28/1511:21 AM.
Make your sound your own! .. I do not work here, but the benefits are still awesome
Well, if BB records and handles MIDI at 120, I kind of assumed the 960 was just 120 X 8 when exported .. but still 'quantized' (essentially). I haven't tested this, but it is one of the things that makes RB seem so much better for my way of working. 3840 is 960 X 4 (even greater resolution exponentially) so it is more exacting in the long run. Many users wouldn't care or notice a difference. It matters to me.
Make your sound your own! .. I do not work here, but the benefits are still awesome
I'm still learning, and some things that are second nature to me in RB take extra effort to find in BiaB (for me at least), so I'm happy to share what I've learned.
Last edited by rharv; 11/28/1503:51 PM.
Make your sound your own! .. I do not work here, but the benefits are still awesome
User Video: Next-Level AI Music Editing with ACE Studio and Band-in-a-Box®
The Bob Doyle Media YouTube channel is known for demonstrating how you can creatively incorporate AI into your projects - from your song projects to avatar building to face swapping, and more!
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Add updated printing options, enhanced tracks settings, smoother use of MGU and SGU (BB files) within PowerTracks, and more with the latest PowerTracks Pro Audio 2024 update!
Download and install this to your RealBand 2024 for updated print options, streamlined loading and saving of .SGU & MGU (BB) files, and to add a number of program adjustments that address user-reported bugs and concerns.
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For the larger Band-in-a-Box® packages (UltraPAK, UltraPAK+, Audiophile Edition), the hard drive backup copy is available for only $25. This will include a preinstalled and ready to use program, along with your installation files.
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Handy flash drive tip: Always try plugging in a USB device the wrong way first? If your flash drive (or other USB plug) doesn't have a symbol to indicate which way is up, look for the side with a seam on the metal connector (it only has a line across one side) - that's the side that either faces down or to the left, depending on your port placement.
Update your Band-in-a-Box® 2024 for Windows® Today!
Update your Band-in-a-Box® 2024 for Windows for free with build 1111!
With this update, there's more control when saving images from the Print Preview window, we've added defaults to the MultiPicker for sorting and font size, updated printing options, updated RealTracks and other content, and addressed user-reported issues with the StylePicker, MIDI Soloists, key signature changes, and more!
A few excerpts:
"The Tracks view is possibly the single most powerful addition in 2024 and opens up a new way to edit and generate accompaniments. Combined with the new MultiPicker Library Window, it makes BIAB nearly perfect as an 'intelligent' composer/arranger program."
"MIDI SuperTracks partial generation showing six variations – each time the section is generated it can be instantly auditioned, re-generated or backed out to a previous generation – and you can do this with any track type. This is MAJOR! This takes musical experimentation and honing an arrangement to a new level, and faster than ever."
"Band in a Box continues to be an expansive musical tool-set for both novice and experienced musicians to experiment, compose, arrange and mix songs, as well as an extensive educational resource. It is huge, with hundreds of functions, more than any one person is likely to ever use. Yet, so is any DAW that I have used. BIAB can do some things that no DAW does, and this year BIAB has more DAW-like functions than ever."
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