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#150277 - 02/11/12 08:52 AM [Off-Topic] selling the rights to your songs
Pat Marr Offline
Veteran

Registered: 10/25/08
Posts: 7479
Loc: Winston-Salem, NC
I know some here are writing songs with the specific intent of selling them to other artists. I'd like to hear more about this...

what works,
what doesn't
which services help,
which ones are a ripoff,
contact information for people who know people who buy music
and any other tips you've learned by selling (or trying to sell) your songs

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#150278 - 02/11/12 10:56 AM [Off-Topic] Re: selling the rights to your songs [Re: Pat Marr]
seeker Offline
Veteran

Registered: 12/06/05
Posts: 4047
Loc: 80 Mi North of Sacramento CA
Pat,

This is one page of one of my sites. Not selling, its free site.
I might confuse you more dont know, whole bunch of researched links.
Do not endorse any particular one, but may help you.

http://www.copyrightonline.us/other-copyright-sites.html

I own quite a few song copyrights, but never pursued the use of them.
Another site am active on, BMI was repeatedly mentioned.

Not sure of charges, costs items along that vein, but do believe if
you "register" your songs with BMI or similar site, it can give you some
amount of protection and open some doors.

Dont think you have to use Fed copyrights to protect your music. There is
public use or publishing rules/rights for your music.

I am about as far from being a lawyer as can be.

The page is simply a list of many places and ideas.

Good luck.

BTW, for anyone pursuing Fed copyrights, explore "Collective Works" path.
This allows you to copyright many songs under the "Collective" banner for same price
as one sone. Reasonable economical to split the works at a later date.
I did this for a group of about 45 songs. Also expect 6 months to a year for your work
to be completed.


Edited by seeker (02/11/12 11:00 AM)
_________________________
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Down The Street vs2015 12-03-2014
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#150279 - 02/11/12 11:58 AM [Off-Topic] Re: selling the rights to your songs [Re: Pat Marr]
Ian Fraser Offline
Expert

Registered: 07/02/00
Posts: 1696
Loc: Ottawa, Ontario, Canada
Gidday Pat.

There are so many variables, it’s like looking for that proverbial needle . . . on a record player. Ha! Gotcha . . . you thought I was going to say . . . haystack . . . right?

The music goes nowhere on your computer – you might as well do something, even if it is wrong. Sending out thousands of CDs, unless solicited by the publisher etc is going to the trash-bin if you don’t have an invite to submit.

That’s why I decided to use Taxi.com – yup it’s expensive BUT industry people are coming to Taxi for help in finding material – not only artists but all the way to music supervisors for TV and Film.

Were I interested in using Taxi.com,I’d spend a few hours reading through the Taxi.com site – there’s loads of info which needs to be read before submitting songs in order to increase the success of a forward.

I think there are other such companies as Taxi.com but one’s enough to manage and do it right – particularly as I don't live in a music Mecca like Nashville or LA. I’ve been submitted and been rejected by Taxi but most of the time I get good critiques and I can fix it and submit it again.

Yes there will be copyright issues – but then again you can get mugged on the street – probably less chance of getting a song stolen if you work within a reputable format/company. After your song gets forwarded, Taxi’s job is done, the rest is up to the company that solicited the material and you, to work the deal.

Many moons ago I registered as a publishing company and artist with a performing rights organization. Every song I write, now is registered with my publishing name – it establishes a date for copyright purposes and gives me 100% rights to the tune with which to strike usage deals.

I think the risk of copyright infringe is worth the risk to crack the business. If you’re trying to breach the wall you can’t sit back and worry about it. Better should read the Taxi listings to get an idea how to put your songs together according to the way they ask for submissions – you’ll see what I mean when you read the listings.

Let’s face it, writers need help. We can’t sit and fret. Yup – may get burned sometime on copyright – it won’t be Taxi but it could be one of Taxi’s clients – still you can’t burn bridges in this business or people stop working with you.
Stay with reputable people and you should be OK. For you Yanks - the Library of Congress.

I just re-enlisted with Taxi – they give you a 50 free song web site – that way all submissions are on-line – and cost $5 per – and a yearly membership $299.99 or $199.99 if renewing – there’s a lot of convenience in using Taxi, you just have to make sure your songs are on target when submitted. Or, no matter how good it is, it won’t get forwarded.
And I’ve had a couple of big “Not on target”.

I’d also say to anyone asking “don’t wait until your song is perfect”. Good home recordings are acceptable and can be overdone. A lot of Film and TV stuff is pretty simple.

Didn’t think I’d write this much when I decided to answer you Pat. But it is exciting waiting for Taxi.com to respond with a critique or to tell you they’ve forwarded your tune.

Cheers - Ian
_________________________
Ian
My "Original Tunes" Site
My gene pool needs more chlorine.

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#150280 - 02/11/12 06:46 PM [Off-Topic] Re: selling the rights to your songs [Re: Ian Fraser]
Oren Fisher Offline
Expert

Registered: 07/08/06
Posts: 1126
Loc: Victoria, BC Canada
Quote:


...The music goes nowhere on your computer – you might as well do something, even if it is wrong. Sending out thousands of CDs, unless solicited by the publisher etc is going to the trash-bin if you don’t have an invite to submit.
...I think there are other such companies as Taxi.com but one’s enough to manage and do it right – particularly as I don't live in a music Mecca like Nashville or LA. I’ve been submitted and been rejected by Taxi but most of the time I get good critiques and I can fix it and submit it again.
Yes there will be copyright issues – but then again you can get mugged on the street – probably less chance of getting a song stolen...
I think the risk of copyright infringe is worth the risk to crack the business. If you’re trying to breach the wall you can’t sit back and worry about it...
I’d also say to anyone asking “don’t wait until your song is perfect”. Good home recordings are acceptable and can be overdone. A lot of Film and TV stuff is pretty simple...






What Ian said.
_________________________
just looking for clues...
Oren.
http://www.masteringmatters.com

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#150281 - 02/11/12 06:50 PM [Off-Topic] Re: selling the rights to your songs [Re: Pat Marr]
bobcflatpicker Offline
Veteran

Registered: 10/27/07
Posts: 3350
Loc: WV, USA
Pat,

I haven't read it, but maybe this is worth checking out:

http://www.amazon.com/Songwriters-Survival-Guide-Success-Pitch/dp/1423488857
_________________________
Bob
................................
http://soundcloud.com/bobcflatpicke/music-in-the-mountains

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#150282 - 02/11/12 07:21 PM [Off-Topic] Re: selling the rights to your songs [Re: bobcflatpicker]
ROG Offline
Veteran

Registered: 12/12/11
Posts: 2469
Loc: York, England
Hi Pat.

Personally, I always avoid anyone who's asking me for money!

If it's specifically songs which you want to sell, I suggest you find a target - an artist who doesn't write their own material. Write something in their style and make sure it's in their key. Put two copies, one with vocals and one just backing, on a CD and send it direct to their agent. The agent will listen to the first ten seconds of the track, so make sure it doesn't have a long intro. If he likes the first bit he'll let it play.

I used to think this was stupid until I found myself in a position where I was doing it myself. It's surprising how fast you can weed out the no-hopers and when you've got fifty or so to get through ...

Your chances will be about as good as the song is. If you get it picked up, get a good music lawyer who'll be able to explain the points system and radio plays etc. You're unlikely to get your copyright ripped off because if it's good stuff, they'll want more of it.

If you want to get into music for media, it's a different thing altogether. Just ask.

Hope you find this helpful.

ROG.

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#150283 - 02/11/12 07:34 PM [Off-Topic] Re: selling the rights to your songs [Re: bobcflatpicker]
Pat Marr Offline
Veteran

Registered: 10/25/08
Posts: 7479
Loc: Winston-Salem, NC
Quote:

Pat,

I haven't read it, but maybe this is worth checking out:

http://www.amazon.com/Songwriters-Survival-Guide-Success-Pitch/dp/1423488857




thanks Bob!

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#150284 - 02/11/12 07:37 PM [Off-Topic] Re: selling the rights to your songs [Re: Pat Marr]
bobcflatpicker Offline
Veteran

Registered: 10/27/07
Posts: 3350
Loc: WV, USA
You're welcome my friend. Good luck.
_________________________
Bob
................................
http://soundcloud.com/bobcflatpicke/music-in-the-mountains

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#TechTipTuesday - Band-in-a-Box® Patch Updates

If you're ever experiencing an issue with your Band-in-a-Box program, make sure you have the most recent patch update for your version - this can be done at http://www.pgmusic.com/support.updates.win.htm.

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To find out which version of the program you have, visit Help | About Band-in-a-Box within the program. You will see the full version number listing as:
Band-in-a-Box® for Windows
Version 2018 (512)

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A Little Bit Of Me Music Video!

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RealBand 2018 Build 5 Update Available!

RealBand 2018 customers can download the latest free patch update here: http://www.pgmusic.com/support.realband.htm#2018_5

Summary of Changes for Build 5
Added: When generating the input file for saving as an MGU/SGU SongMode128= is saved to the input file.
Added: Localization support for 2018.
Added: flyby hints to new dialogs.
Fixed: Save As with a filename greater than 128 chars could cause an error 123 plus access violation.
Fixed: Rebooting RealBand after a filename with 128 chars was saved could cause an access violation.
Fixed: Pressing the Change button in the Event List Window could result in an access violation if an event was not a Note event.
Fixed: When running in Win 10, and using BBW or PT to generate audio harmonies, an error would occur saying that you need BB 2011 or PT 12 to generate audio harmonies.
Fixed: Midi Thru Method was not being saved to the .INI file. It always reverting to Track-Specific when booting up RealBand, even if the user manually changed the setting to Global in the Midi Thru Settings dialog.
Fixed: Delete All Notes on This Peg menu item in notation window right-click menu was missing.
Fixed: Potential crash on exit (having to do with the DLL attempting to free up a dynamic array that was passed to it).

Band-in-a-Box® 2018 Build 512 Update Available!

Band-in-a-Box® 2018 for Windows customers can download the latest free patch update here: www.pgmusic.com/support_windowsupdates.htm#512

Summary of changes for Build 512 since 510 (Feb 15 2018):
Fixed: "Load SoundTrack Song" and "Load song with RealDrums Audio" buttons in the Sound Track dialog were not working.
Fixed: After returning Band-in-a-Box to factory settings the File Open dialog would default to the bb\Data\Lib directory.
Fixed: Choosing a custom chord sheet font would ignore any color choice made in the font selection dialog.
Fixed: Drum names were sometimes truncated in the RealDrums MultiDrums and Quicklist dialogs.
Fixed: Exporting a MIDI file might cause the error, "MIDIConv.exe no found".
Fixed: Mixer changes were not undoable, and would not cause user to be prompted to save their song when exiting.
Fixed: Static in RT2438 and other various RealTracks fixes.
Fixed: StylePicker database various updates. Some styles were displaying the wrong feel (swing/even) in notation. A few styles incorrectly showed missing Drums.
Fixed: The audio latency setting would increase every time leaving the Windows Audio Devices dialog.
Fixed: The Download Manager folder name defaulted to 2016 instead of 2018.
Updated: Help file.

PowerTracks Pro Audio 2018 is Here!

PowerTracks Pro Audio 2018 is here! PowerTracks Pro Audio 2018 includes many new features and enhancements:

Windows Audio (WASAPI) driver support. This allows for low latency audio recording/playback without requiring ASIO. Note that this supports 1 stereo input plus 1 stereo output at a time. For multiple inputs/outputs, you should continue to use either MME or ASIO.

ABC Notation format support. You can save a track of notation in a popular ASCII text format to import into other programs, or you can paste this format into a user forum as a way of sending the track (usually the melody and chord symbols) to other users without having to attach a file.

The built-in Audio Chord Wizard detection in the Chords window automatically detects the chords of the song, based on the audio data from all non-muted audio tracks. This works similar to the standalone Audio Chord Wizard, except that it uses the current bar lines of the existing song.

Notation Enhancements:
-X/8 time signature support. This is a special method of displaying 6/8, 9/8, or 12/8 time signatures in the Notation window.
-The Duplicate previous chord in notation right-click menu lets you quickly duplicate the previous chord (group of notes on same peg) without having to reenter it.
-Delete highlighted notes in notation right-click menu lets you delete all highlighted notes.
-Delete all notes on this peg in notation right-click menu lets you delete all notes on the nearest peg that was clicked on.
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