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Recording, Mixing, Performance and Production
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Joined: Jan 2016
Posts: 1,664
PG Music Staff
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OP
PG Music Staff
Joined: Jan 2016
Posts: 1,664 |
Hello PG Forums, I want to introduce the concept of Gain staging. In a nutshell, its the process of making sure signal has the best signal to noise ratio at every stage of the mix-down process. There is a fantastic article on SoundOnSound's website below: http://www.soundonsound.com/techniques/gain-staging-your-daw-software
Last edited by Joe -PG Music; 09/08/16 11:07 AM.
Cheers,
Joe
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Recording, Mixing, Performance and Production
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Joined: May 2000
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Nice article, thanks. Made me think of Mac (missed in recent years). He wrote one on gain-staging (below) for a website a bunch of us did many years ago .. http://audiominds.com/gain.htmlHis wisdom is still all over the interwebs..
Make your sound your own!
.. I do not work here, but the benefits are still awesome
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Recording, Mixing, Performance and Production
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Joined: Jul 2000
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Yes, Mac immediately came to my mind too. Not only for that resource, but constant tips in the forum about getting the best live or recorded sound.
BIAB 2024 Win Audiophile. Software: Studio One 6.5 Pro, Swam horns, Acoustica-7, Notion 6; Win 11 Home. Hardware: Intel i9, 32 Gb; Roland Integra-7, Presonus Studio 192, Presonus Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors
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Recording, Mixing, Performance and Production
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With the technology we have, there's no need to record and mix "as hot as possible". Getting a sensible level at every stage of the process takes a bit of time to learn how to do it right.
I can recall a time when I had meters in the red and a weak, thin, wave in the track after recording. With some experience, it was possible to keep everything out of the red and have a nice, solid wave after the fact. It comes from watching carefully the levels you have coming in and going out of every stage in the process including the FX and VST's.
You can always turn something up after the recording and mixing is done, but turning it down is the hard part. Yep.... leave lots of headroom in the tracks and in the mix.
Good points in that article.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
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Recording, Mixing, Performance and Production
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Joined: Jan 2016
Posts: 1,664
PG Music Staff
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OP
PG Music Staff
Joined: Jan 2016
Posts: 1,664 |
Nice article, thanks. Made me think of Mac (missed in recent years). He wrote one on gain-staging (below) for a website a bunch of us did many years ago .. http://audiominds.com/gain.htmlHis wisdom is still all over the interwebs.. Hi Rharv, Thanks for sharing Mac! I'll be sure to reference his content once I have some downtime. Bob Katz talks about gain staging in his book in mastering. Also a very good read!
Cheers,
Joe
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Recording, Mixing, Performance and Production
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Joined: Jul 2000
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Some great stuff in these articles, especially for anyone of the old school of all analog.
It's not the focus here, but I've always found that awareness of gain staging is most important in live sound situations. Until recently, this remained an exclusively analog environment. Unless you take care to keep a strong signal at every place in the system, it's easy to amplify the omnipresent noise from ambient noise, radio frequency interference, losses from particularly long cable runs and multiple connection points, electromagnetic interference, impedance mismatches, weak output from some mics etc.
BIAB 2024 Win Audiophile. Software: Studio One 6.5 Pro, Swam horns, Acoustica-7, Notion 6; Win 11 Home. Hardware: Intel i9, 32 Gb; Roland Integra-7, Presonus Studio 192, Presonus Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors
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