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#451351 - 01/15/18 04:52 PM [Recording, Mixing, Performance and Production] Re: Turn UP those DRUMS!!! [Re: dcuny]
rharv Offline
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Registered: 05/30/00
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That's funny right there.
smile
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#451356 - 01/15/18 05:24 PM [Recording, Mixing, Performance and Production] Re: Turn UP those DRUMS!!! [Re: dcuny]
David Snyder Offline
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Registered: 08/29/14
Posts: 3169
Loc: North Carolina
David Cuny!

That is the site I use for stuff I don't want anyone to hear yo!

Be patient, Job, be patient.

smile

(You will need it on this site.)

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#451358 - 01/15/18 05:26 PM [Recording, Mixing, Performance and Production] Re: Turn UP those DRUMS!!! [Re: rharv]
David Snyder Offline
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Registered: 08/29/14
Posts: 3169
Loc: North Carolina
rharv,

I didn't really do any mixing at all. I just turned some stuff on for grins. That was like 20 secs.

I think my point is if you spend more than 20 secs you can get something going on with RDs...
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#451359 - 01/15/18 05:31 PM [Recording, Mixing, Performance and Production] Re: Turn UP those DRUMS!!! [Re: rharv]
David Snyder Offline
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Registered: 08/29/14
Posts: 3169
Loc: North Carolina

David Laughs a Million Cuny and rharv Laughs along with Dave,

I'm gonna get you guys.

It may take 10 years but I will get even on this one.

So go ahead and sleep well you two.

Sleep well my friends.

Ha ha ha.

Don't forget to lock the door though.
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#451364 - 01/15/18 06:02 PM [Recording, Mixing, Performance and Production] Re: Turn UP those DRUMS!!! [Re: floyd jane]
HearToLearn Offline
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Registered: 08/04/10
Posts: 1301
Loc: -
Interesting topic. Can I share it? lol

A drummer


Edited by HearToLearn (01/15/18 06:03 PM)
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#451404 - 01/15/18 10:44 PM [Recording, Mixing, Performance and Production] Re: Turn UP those DRUMS!!! [Re: floyd jane]
lambada Offline
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Registered: 12/18/06
Posts: 1085
Loc: Hong Kong
Guilty - I guess I'm just insipid! David, that brought a smile to my face. So is this why the drums now are always in the red in BIAB? :-)
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#451611 - 01/16/18 04:15 PM [Recording, Mixing, Performance and Production] Re: Turn UP those DRUMS!!! [Re: David Snyder]
rharv Offline
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Registered: 05/30/00
Posts: 18660
Loc: Marysville, Mi. USA
Originally Posted By: David Snyder

David Laughs a Million Cuny and rharv Laughs along with Dave,

I'm gonna get you guys.
...


Quoted for future reference.
Some day my heirs (or debt collectors) might need to prove David has it in for me.
grin
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#451744 - 01/17/18 08:32 AM [Recording, Mixing, Performance and Production] Re: Turn UP those DRUMS!!! [Re: floyd jane]
Deryk - PG Music Offline
PG Music Staff

Registered: 02/15/17
Posts: 678
I've never tried producing my drums this way - I might have to try it and see the results!
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#451996 - 01/18/18 10:16 AM [Recording, Mixing, Performance and Production] Re: Turn UP those DRUMS!!! [Re: floyd jane]
The Soundsmith Offline
Apprentice

Registered: 07/11/14
Posts: 153
Loc: Monterey CA
Originally Posted By: floyd jane
(Guitar guys often mix pianos too low, too... but that is a different discussion...)

Guitar guys ALWAYS mix piano too low, because the chord voicings conflict, and guitars are REALLY LIMITED in their voicing options in comparison. (Sorry, guit-fiddlers, but if you play Rock, you are the dominant voice, if you play jazz, not so much. Mix those keys up... <big SEG...>

From an old guy that stopped listening when Coltrane passed...
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#452080 - 01/18/18 02:44 PM [Recording, Mixing, Performance and Production] Re: Turn UP those DRUMS!!! [Re: floyd jane]
JohnJohnJohn Offline
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Registered: 06/25/12
Posts: 2069
Originally Posted By: floyd jane
TURN THOSE DRUMS UP!!!!!!

Songwriters who are new to producing - and some who are not so new - often do not understand how IMPORTANT drums are to the overall sound of a song.

So...let's talk about that a little.

We grow up writing songs on our guitars (typically). So what we hear is our song with guitar. Voice and guitar. That's what matters, we think. "Yeah, that's how I wrote it!"

That's great. BUT... That is seldom how a "radio song" is produced.

Guitar players (writers) don't even HEAR drums in a song, generally. They only hear the guitars. Because that is what they know. And their guitars are, quite often, too loud in a full mix. I often tell people "the drums could be a bit louder". And "old guys" often say "I don't like loud drums".

If you stopped listening to music around 1979 (which a lot of "old guys" did), then you likely don't "get" drums. Music prior to that had pretty wimpy drums compared to today's music. A lot of people continue to listen to only the music they grew up on (if at all).

Since then, drums have been getting louder. And louder. And LOUDER.

But 1979 guys still don't hear them. They are GUITAR GUYS.

Get a current record (or any made in the last 20 years) and put it on your iPod (if you have one). Or find a new record on YouTube (or any streaming service) and listen to the whole thing - with headphones or earbuds. Anything after 1990. And PAY ATTENTION to the drums. Listen to the record ONLY listening for the drums. After a while you should finally "get it". It is ALL ABOUT THE DRUMS (and a little about the bass).

START your mix with DRUMS. Get them LOUD. Then add your bass. Get it to play nicely with your drums. Then add your vocal. You can have had all your other instruments involved earlier to track your vocals... but after that, do your FIRST FULL MIX with just DRUM, BASS and VOCAL. THAT should sound really good. Then add those other things - guitars, piano, mandolin, strings... UNDER that basic track of DRUMS-BASS-VOCAL. Add them one at a time. Let them "add some flavor", not "take over". Drums, bass and vocal should rule.

When you get everything you want in there (your mix, that is), if you are "hitting the red", mute the drums. Likely you will no longer be in the red. If that is the case, don't worry about it. I know that will cause a flurry of "rules guys" to start citing those rules they live by, but most of those rules are held over from analog tape days. If the cause is the snap of that snare, who cares? You likely will not hear any distortion from it - it's a fraction of a second. It will not distort everything else. Give it a try and see. And, that little bit of red on the snare can actually give it a small amount of "warmth" - even in the digital world.

Give it a try. Pick a song that you have mixed that might have the drums low. And TURN 'em UP! One way to accomplish that is the simple make a duplicate copy of the drum track and add it in. If that is TOO loud (unlikely), turn that one down a bit...

(Guitar guys often mix pianos too low, too... but that is a different discussion...)

Thanks for this advice Floyd! I have never tried this approach but I am definitely interested in producing more modern music. I am listening to a lot of current pop and top country/pop and finding I am really enjoying much of it. I am noticing, for lack of a better word, precision in everything they produce these days. Clarity might be another word that applies. No mud, nothing not necessary and everything timed perfectly with tons of rises and falls in the overall drama of the songs. That is what I want to write and produce!

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#452197 - 01/19/18 07:43 AM [Recording, Mixing, Performance and Production] Re: Turn UP those DRUMS!!! [Re: floyd jane]
Guitarhacker Offline
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Registered: 04/03/09
Posts: 5402
Regarding the drums or anything else being in "the red" on your meters.

In the days of tape this was actually very important. However, with digital, it's not that it's not important, it's just that it doesn't seem to matter as much.

As long as you can not hear anything bad happening. you're probably good to go. When you get some digital distortion, trust me, you'll know it. I like to have my meters out of the red as much as possible. It's kind of a sport to see if I can get some solid sounding stuff without being in the red. Yeah, it can be done.

The main thing I look at, and adjust accordingly is the final wave. I want to see good dynamic range and not a lot of digital "overs" happening. By the same token, I don't want to see anything that resembles an audio brick either.

Try to find a way to get a good sound balance without slamming the meters. If I have to turn my drums up into the red, or my vocal track into the red to have it cut through, that means I have everything else turned up too much. Rather than turning the drums or vox up and dropping a compressor and a Boost 11 into the track FX plugin box, I might go back and do one of two possible things depending on the tracks....

1. I look at the feasibility of turning the individual tracks down..... essentially zeroing all the faders and that means removing or changing the volume automation........essentially starting from scratch again....... or
2. If I'm satisfied with the mix but it's just too loud, I add a new "band" buss and direct all the instruments to that buss where I can simply use the band buss volume to bring the band down as a whole and not lose the balance I have in the mix. It in turn gets sent to the master buss. This lets me send my vocal buss to the main/master buss without having to compete in volume to be heard.

So... it's not the cardinal sin it used to be to run in the red. Feel free to be in the red if that is what it takes but keep in mind, there's a better way to do it than to default to slamming the meters just because you can.

edit: by starting your mixing with the drums and bass, it's easier to not overload and need to run in the red. The drums and bass go red because they tend to be where the most sonic energy is at. So by starting with them and setting them just below the red, you have a better chance to avoid the red zone. Even so..... give them head room so you can add guitars and still be under 0dB.


Edited by Guitarhacker (01/19/18 07:47 AM)
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PG Music News
RealBand 2018 Build 5 Update Available!

RealBand 2018 customers can download the latest free patch update here: http://www.pgmusic.com/support.realband.htm#2018_5

Summary of Changes for Build 5
Added: When generating the input file for saving as an MGU/SGU SongMode128= is saved to the input file.
Added: Localization support for 2018.
Added: flyby hints to new dialogs.
Fixed: Save As with a filename greater than 128 chars could cause an error 123 plus access violation.
Fixed: Rebooting RealBand after a filename with 128 chars was saved could cause an access violation.
Fixed: Pressing the Change button in the Event List Window could result in an access violation if an event was not a Note event.
Fixed: When running in Win 10, and using BBW or PT to generate audio harmonies, an error would occur saying that you need BB 2011 or PT 12 to generate audio harmonies.
Fixed: Midi Thru Method was not being saved to the .INI file. It always reverting to Track-Specific when booting up RealBand, even if the user manually changed the setting to Global in the Midi Thru Settings dialog.
Fixed: Delete All Notes on This Peg menu item in notation window right-click menu was missing.
Fixed: Potential crash on exit (having to do with the DLL attempting to free up a dynamic array that was passed to it).

Band-in-a-Box® 2018 Build 512 Update Available!

Band-in-a-Box® 2018 for Windows customers can download the latest free patch update here: www.pgmusic.com/support_windowsupdates.htm#512

Summary of changes for Build 512 since 510 (Feb 15 2018):
Fixed: "Load SoundTrack Song" and "Load song with RealDrums Audio" buttons in the Sound Track dialog were not working.
Fixed: After returning Band-in-a-Box to factory settings the File Open dialog would default to the bb\Data\Lib directory.
Fixed: Choosing a custom chord sheet font would ignore any color choice made in the font selection dialog.
Fixed: Drum names were sometimes truncated in the RealDrums MultiDrums and Quicklist dialogs.
Fixed: Exporting a MIDI file might cause the error, "MIDIConv.exe no found".
Fixed: Mixer changes were not undoable, and would not cause user to be prompted to save their song when exiting.
Fixed: Static in RT2438 and other various RealTracks fixes.
Fixed: StylePicker database various updates. Some styles were displaying the wrong feel (swing/even) in notation. A few styles incorrectly showed missing Drums.
Fixed: The audio latency setting would increase every time leaving the Windows Audio Devices dialog.
Fixed: The Download Manager folder name defaulted to 2016 instead of 2018.
Updated: Help file.

PowerTracks Pro Audio 2018 is Here!

PowerTracks Pro Audio 2018 is here! PowerTracks Pro Audio 2018 includes many new features and enhancements:

Windows Audio (WASAPI) driver support. This allows for low latency audio recording/playback without requiring ASIO. Note that this supports 1 stereo input plus 1 stereo output at a time. For multiple inputs/outputs, you should continue to use either MME or ASIO.

ABC Notation format support. You can save a track of notation in a popular ASCII text format to import into other programs, or you can paste this format into a user forum as a way of sending the track (usually the melody and chord symbols) to other users without having to attach a file.

The built-in Audio Chord Wizard detection in the Chords window automatically detects the chords of the song, based on the audio data from all non-muted audio tracks. This works similar to the standalone Audio Chord Wizard, except that it uses the current bar lines of the existing song.

Notation Enhancements:
-X/8 time signature support. This is a special method of displaying 6/8, 9/8, or 12/8 time signatures in the Notation window.
-The Duplicate previous chord in notation right-click menu lets you quickly duplicate the previous chord (group of notes on same peg) without having to reenter it.
-Delete highlighted notes in notation right-click menu lets you delete all highlighted notes.
-Delete all notes on this peg in notation right-click menu lets you delete all notes on the nearest peg that was clicked on.
-You can now enter Section Numbers. Previously, you could enter letters (A-Z) only, but now you can also enter numbers (1-9).

...a full list of the new features in PowerTracks Pro Audio 2018 is available at http://www.pgmusic.com/powertracks.features.htm

http://www.pgmusic.com/powertracks.htm

#TBT - The Beginning of Xtra Styles PAKs for Band-in-a-Box®

We released the much-loved Xtra Styles PAKs in August 2016! This release included 164 RealStyles for Jazz, Country, Rock-Pop, and Singer/Songwriter and worked with any Band-in-a-Box® 2016 or higher UltraPlusPAK, EverythingPAK, or Audiophile Edition!

Xtra Styles PAKs were such a hit... we couldn't stop making them! Since their introduction, we've released 3 more PAKs with a total of over 600 Xtra Styles in all!

Want to hear what other program users are doing with their Xtra Styles? Visit our Xtra STyles Contests forum to hear all the songs submitted during previous song contest we've had: http://www.pgmusic.com/forums/ubbthreads.php?ubb=postlist&Board=102&page=1

Learn more about Xtra Styles PAKs and listen to their demos at http://www.pgmusic.com/xtrastyles.php?os=win.

Band-in-a-Box® Customer Feedback - Feel The Love!

Check out some great feedback we've received on our Facebook account from program users:

"I have been using Band-in-a-Box for years. It is the anchor of my music gigs as well as my fun in my studio. I have used other software but Band-in-a-Box is my main go to."
-Jack T.

"Love Band-in-a-Box. As someone who played professionally for 20 years and retired from live performing years ago, I still love music. Band-in-a-Box allows me to create fun arrangements which I can sing over or play over. There are THOUSANDS of different variations plus you can enter any chords you like and create any chart. It's also great for creating background tracks for videos and audio content for websites, training etc. And like everything else in the world . . . it may not be right for everyone. For those who love music and don't have the time to shed five or six instruments it's way cool."
-Vinnie R.

"This program has completely changed my playing for the good. I can experiment with playing chords and leads over various scenarios that I can quickly create and change. Love this program. I use it nearly every day."
-Dave R.

"I bought my first version in 1994 and have progressed to 2018 version. I use it to create backing tracks for live music performance. I currently have over 2,000 songs performance ready. If you can and type, and use mouse it will work for you."
-Roger M.

"The premiere reason for me for buying this program; it has given me the freedom to fully complete the foundation for my songs without the confinement of limited minded musicians. After the song concept is complete, it can then be presented those musicians to play as a cover song. Also writing a song with a band gives them partial ownership of your idea... not cool... especially since they may have fought your idea every step of the way.. Every member of an organized band should own a copy of this program to compose or to even give legitimate composition alternatives to the original songwriter."
-Paul V.

Thanks everyone!

Support for ABC Notation Format in Band-in-a-Box® 2018 for Windows!

ABC notation is the simple text-based notation system used by musicians worldwide to store chords, melody, and lyrics of songs. Now with Band-in-a-Box® 2018 for Windows you can open and save songs in ABC notation format!

To save the song in ABC notation format, press the [Save As] toolbar button and choose Save as ABC notation file from the menu. Once opened, select a track that you want to save and choose your other criteria - The [Copy to clipboard] button will copy the file to the clipboard (that you can then paste it into other programs). The [Save as File] button will let you type a name and select the destination in your hard drive.

Band-in-a-Box® Song Title Browser Requests Forum

Have you stumped the Song Title Browser feature in the Band-in-a-Box® StylePicker?

If you tried to search for a popular song and this feature didn't offer you any listings, we'd love it if you'd let us know in our Wishlist forum here.

Posting your requests to this forum really does work - we used it to increase the database with the Band-in-a-Box® 2018 release!

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