In addition to the BIAB tracks above, I added the following:
Midi drum track in Superior Drummer Midi bass track in Trilian Keys (ethereal) track using Ethereal Earth in Kontakt Keys (carnival) track using Kinetic Toys Carnival in Kontakt Acoustic gypsy jazz guitar strumming track Adjustments to the BIAB guitar track (and played over the top of it to make it sound more authentic)
=========================== VIDEO:
Me in my closet with a video overlay of a carousel near the Eiffel Tower. =========================== LYRICS:
Draft 6
Send me a lover, send her tonight-- restless deeds, candy bowl full of lies Take my hands, fold them hard so they pray I won’t go down to a darkened grave
Won’t you take me to paradise Soil in my heart but there’s fuel in my veins I want to burn with you tonight I want to burn in your paradise
Grim marginalia--all these letters I write Shaky time capsules--words frozen in flight These worn yellow pages with their torn paper smiles Caramelized wishes and crushed china dolls.
Won’t you take me to paradise Soil in my heart but there’s fuel in my veins I want to burn with you tonight I want to burn in your paradise
Lime and gin, now we’re both dining thin, eat that slaughtered meat of Christ’s broken limbs See that b*tch of a sun, she’s sliding forward to greet a new day of sins played out in the street
Won’t you take me to paradise Soil in my heart but there’s fuel in my veins I want to burn with you tonight I want to burn in your paradise
Won’t you take me to paradise Soil in my heart but there’s fuel in my veins I want to burn with you tonight I want to burn in your paradise
I'm probably corny, I know but, I did want to hear a little fairground/merry go round twinkling with the melody a little more clearly just here n there. Part Tom Waites, Part Richard Hawley all very good. There's the occasional phrasing spot that I'd tweak but that's me. I'd also like a solo with a little aggression or bite just for a moment so that the ignition and the extinguishing were represented. VERY cool.
Cheers rayc "What's so funny about peace, love & understanding?" - N.Lowe
Very nice, Todd. I'm sure the echos of Tom Waits are no accident (love that bit of growl in your vocal) and personally I think the song would be even better with a hint of discord, as per much of his later work. But if smooth is what you were going for, you nailed it. Much enjoyed. Regards, Leon
Very nice song! The video is a bit quirky, but it fitted with song in a strange and unexpected way.
I love this part of your lyrics:
I want to burn with you tonight I want to burn in your paradise
Well written! Will
Hey, Will. I'm glad you like those parts of the lyric. Yeah, the video is pretty quirky. I had an hour deadline before my video/song was due for my songwriting group, and this was my quick 30 min attempt at something to turn in. I ended up liking it though in all its weirdness. I imagine if I actually released this song, I'd have a better, more thought-out video. Thanks so much for listening and for your comments.
Good song and performance, with fascinating lyrics. Love the Tom Waits influence. The best comment so far: "Reminds me of Tom Waits meets Cirque du Solei in a French cafe" (from Guitarhacker). Cheers, Mike
I'm probably corny, I know but, I did want to hear a little fairground/merry go round twinkling with the melody a little more clearly just here n there. Part Tom Waites, Part Richard Hawley all very good. There's the occasional phrasing spot that I'd tweak but that's me. I'd also like a solo with a little aggression or bite just for a moment so that the ignition and the extinguishing were represented. VERY cool.
Thanks so much, Ray, for your kind words. I've definitely thought about putting more of the fairground/merry go round music in there. I'll give that a try and see how it turns out.
Tom Waits came to mind when I was writing this--and obviously there is something of him in this particular voice I'm using. I hadn't heard of Richard Hawley though, and I'm thankful for you putting me onto him. I've been listening to him throughout the day and really enjoy his music.
I also felt like some of the phrasing needs to be tweaked. Some places my Tom Waitsy voice breaks into a different voice.
I also like your suggestion of a solo. I'll see what I come up with.
Thanks again for listening and for all your wonderful suggestions.
Your lyric "process" produces vivid, interesting phrases and lines. I like it.
The music is well put together and nicely balanced. I thought the accordion could have been slightly louder.
Good vocal. Beefy and warm.
As Ray says, there is a (early) Tom Waits-ness to this (a good thing) - though a much better vocal
Cool stuff.
fj
Hey, FJ. Thanks for giving my song a listen and for your kind words.
Yes, the translitic process can yield some interesting images and phrases. Sometimes they are jarring, but often they are nice and fresh and interesting. The trick is to smooth them out a bit with the revisions while not losing the immediacy and discovery they contribute to the song.
I'll give that a try--making the accordion louder--and see how it sounds. Thanks for that suggestion.
I'm happy you heard an early Tom Waits in my song. I really like him--his early stuff especially.
A wonderful song, and so well sung. I like the carousel feel and sound, and agree it could be a bit louder in the mix. Still, subtle works well, too.
Thanks, Marty, for your kind words. When I re-record and remix, I'll up the levels on the carousel music and see how that sounds. Thanks again! Cheers, Todd
Very nice, Todd. I'm sure the echos of Tom Waits are no accident (love that bit of growl in your vocal) and personally I think the song would be even better with a hint of discord, as per much of his later work. But if smooth is what you were going for, you nailed it. Much enjoyed. Regards, Leon
Thanks so much, Leon. I appreciate it. Yeah, as I put the music together, it reminded me of Tom Waits, so naturally that came out in my voice and words. I'll definitely give Waits's later work a new listen and think about discord and adding some. Thanks again! Cheers, Todd
Excellent waltz, such a beautiful atmosphere created with vivid story and those simple instruments, circus gypsy feeling. I hear Tom Waits too, but also Chris Rea (with steroids) in your amazing voice and the chord progression, nice European melancholy in the melody.
Todd - This is outstanding. You've really created a unique (and compelling!) atmosphere and sound with this track, and that is no easy task. I agree with the comparisons with Tom Waits - there's definitely some influence there. I've been listening to your songs for a while now, and I must say this is one of your best yet.
As for any critical feedback I think it has all been covered.
Keep up the great work!
Ed Z
Soundcloud profile https://soundcloud.com/user-415064494 BIAB user since 2019 iPad Mini, Garageband for iOS, BIAB for Windows 2020 UltraPAK, Xtra Styles packs 6-9, Windows 10 Lenovo PC, Kontakt Player, SpitFire LABS, SampleTank 4 CS, some Soundfonts
What a great song! Your vocal comes across to me as somewhere between Tom Waites and Tom Jones. Love the soundscape very much. The acoustic guitar passes were perfect, in my opinion.
As Floyd mentioned, I would like to have heard the accordion a bit more forward in the mix. It's an unexpected but really nice piece of icing for a great cake.
Good song and performance, with fascinating lyrics. Love the Tom Waits influence. The best comment so far: "Reminds me of Tom Waits meets Cirque du Solei in a French cafe" (from Guitarhacker). Cheers, Mike
Thanks so much, Mike. I appreciate you giving my song a listen. And thank you for the kind comments. Yes, I really dig that comment about "Tom Waits meets Cirque du Solei". That totally describes the song.
Epicurean and philosopher are words implied in these lyrics. The accordion in the background goes well and gives an unexpected charm to this pleasant composition.
Excellent waltz, such a beautiful atmosphere created with vivid story and those simple instruments, circus gypsy feeling. I hear Tom Waits too, but also Chris Rea (with steroids) in your amazing voice and the chord progression, nice European melancholy in the melody.
Janne
Sorry to take so long to respond. Thanks so much for listening and for your kind comments. I hadn't thought about Chris Rea in a long time. I think the last Chris Rea song I listened to before your comment was "Fool If You Think It's Over". But I went to Amazon music and streamed a bunch of his songs, and I really dig them. So thanks for that. And I'm happy you hear Tom Waits too. Thanks again. Cheers, Todd
Todd - This is outstanding. You've really created a unique (and compelling!) atmosphere and sound with this track, and that is no easy task. I agree with the comparisons with Tom Waits - there's definitely some influence there. I've been listening to your songs for a while now, and I must say this is one of your best yet.
As for any critical feedback I think it has all been covered.
Keep up the great work!
Thanks so much, Ed. I'm glad you like this one. I had a lot of fun with it for sure. I'll definitely post a revision when I get time to re-record and re-mix. Thanks again! Cheers, Todd
What a great song! Your vocal comes across to me as somewhere between Tom Waites and Tom Jones. Love the soundscape very much. The acoustic guitar passes were perfect, in my opinion.
As Floyd mentioned, I would like to have heard the accordion a bit more forward in the mix. It's an unexpected but really nice piece of icing for a great cake.
Totally loved it!
Take care and be safe ...
Alan
Hey, Alan. Thanks so much for listening. I hadn't thought about Tom Jones, but I can hear it now. I'll go back through his recordings and see if I can borrow something more of his vibe for future songs. I'll definitely give it a go with more accordion and see how that turns out. Thanks again. Hope you and yours are safe and well. Cheers, Todd
Very well done!! The feel reminds me of Chris Rea, and the vocal too!! Really excellent job with everything!! Take care. Greg
Thanks so much, Greg. I've definitely been listening to more Chris Rea as his name has come up several times. I dig his stuff. Thanks so much for your kind comments. Cheers, Todd
Epicurean and philosopher are words implied in these lyrics. The accordion in the background goes well and gives an unexpected charm to this pleasant composition.
Best regard
Dero13 alias JaniJackFalsh
Thanks, Dero. I appreciate your kind words. I do tend toward the philosophical in a lot of my songs. I'm happy you liked the accordion. I was happily surprised by the carnival feel it gave the song. Thanks so much for listening. Best, Todd
I'd never heard of translitics before - seems a really interesting way to write, wonderful imagery.
And a great video! All the best, David
Thanks, David. I appreciate it. Yes, some interesting images and words can come out of the translitic process. I've enjoyed using that process. Thanks again for your kind and encouraging words. Best, Todd
User Video: Next-Level AI Music Editing with ACE Studio and Band-in-a-Box®
The Bob Doyle Media YouTube channel is known for demonstrating how you can creatively incorporate AI into your projects - from your song projects to avatar building to face swapping, and more!
His latest video, Next-Level AI Music Editing with ACE Studio and Band-in-a-Box, he explains in detail how you can use the Melodist feature in Band-in-a-Box with ACE Studio. Follow along as he goes from "nothing" to "something" with his Band-in-a-Box MIDI Melodist track, using ACE Studio to turn it into a vocal track (or tracks, you'll see) by adding lyrics for those notes that will trigger some amazing AI vocals!
Wir waren fleißig und haben über 50 neue Funktionen und eine erstaunliche Sammlung neuer Inhalte hinzugefügt, darunter 222 RealTracks, neue RealStyles, MIDI SuperTracks, Instrumental Studies, "Songs with Vocals" Artist Performance Sets, abspielbare RealTracks Set 3, abspielbare RealDrums Set 2, zwei neue Sets von "RealDrums Stems", XPro Styles PAK 6, Xtra Styles PAK 17 und mehr!
Add updated printing options, enhanced tracks settings, smoother use of MGU and SGU (BB files) within PowerTracks, and more with the latest PowerTracks Pro Audio 2024 update!
Download and install this to your RealBand 2024 for updated print options, streamlined loading and saving of .SGU & MGU (BB) files, and to add a number of program adjustments that address user-reported bugs and concerns.
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For the larger Band-in-a-Box® packages (UltraPAK, UltraPAK+, Audiophile Edition), the hard drive backup copy is available for only $25. This will include a preinstalled and ready to use program, along with your installation files.
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Handy flash drive tip: Always try plugging in a USB device the wrong way first? If your flash drive (or other USB plug) doesn't have a symbol to indicate which way is up, look for the side with a seam on the metal connector (it only has a line across one side) - that's the side that either faces down or to the left, depending on your port placement.
Update your Band-in-a-Box® 2024 for Windows® Today!
Update your Band-in-a-Box® 2024 for Windows for free with build 1111!
With this update, there's more control when saving images from the Print Preview window, we've added defaults to the MultiPicker for sorting and font size, updated printing options, updated RealTracks and other content, and addressed user-reported issues with the StylePicker, MIDI Soloists, key signature changes, and more!
A few excerpts:
"The Tracks view is possibly the single most powerful addition in 2024 and opens up a new way to edit and generate accompaniments. Combined with the new MultiPicker Library Window, it makes BIAB nearly perfect as an 'intelligent' composer/arranger program."
"MIDI SuperTracks partial generation showing six variations – each time the section is generated it can be instantly auditioned, re-generated or backed out to a previous generation – and you can do this with any track type. This is MAJOR! This takes musical experimentation and honing an arrangement to a new level, and faster than ever."
"Band in a Box continues to be an expansive musical tool-set for both novice and experienced musicians to experiment, compose, arrange and mix songs, as well as an extensive educational resource. It is huge, with hundreds of functions, more than any one person is likely to ever use. Yet, so is any DAW that I have used. BIAB can do some things that no DAW does, and this year BIAB has more DAW-like functions than ever."
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