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I know this not really a concern for most users but I'm just looking down the track at a sustainable way. Looking at a multiple platform version on Windows, macOS, Linux, iOS and Android, as well as VST, VST3, AU, AUv3, AAX and LV2 plug-ins rather than in 2040 still seeing a Win version released then 6 months later a Mac version. Maybe with AI now code will soon be able to be translated easily ? Delphi code to C++ to JUCE Port Delphi to C++ gradually: I have a large application written in Delphi. I want to renew it, starting with the user interface. That was 14 years ago, wonder how he went ? This was 9 years ago when I suggested: programming language upgrade delphi to c++ I'm waiting to see the BBPlugin 2024 that should give an idea of the way things will go depending on what state that is at now. Hopefully it should have all the generate code contained within the JUCE and to play the wma files direct like sforzando will give much hope, but playing the wma files direct from the bbw4 wav instructions, or with not much change how it is now will not be very encouraging. This will be a good indicator of the future of BIab, let's hope it's all good.
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I think BIAB should create more realistic tracks for more modern electronic music. House, Dance, Trap, making everyone feel like they are using modern electronic music, will be great. In fact, WINDWOS is very good, and buying a computer to try various real tracks is not a big problem. The biggest problem with BIAB now is that there is a lot of traditional music inside, which feels too much. Although it is also very pleasant to listen to, it can give people a lack of modernity in the first place.
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The biggest problem with BIAB now is that there is a lot of traditional music inside, which feels too much. Although it is also very pleasant to listen to, it can give people a lack of modernity in the first place. "Modernity" or not doesn't really matter to me, and I don't think it's too much traditional music in general - but way too much (North) American traditional music! That's certainly really nice for people from the US and from Canada, but does the rest of the world really need that much Country and that much Bossa and that much Blues and that much (American) Jazz...? I'd love to see them hiring some European guys for more/real European music!
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[...but does the rest of the world really need that much Country and that much Bossa and that much Blues and that much (American) Jazz...?
I'd love to see them hiring some European guys for more/real European music! I fully agree with that. BIAB is very North America-centric, though I guess that's fairly understandable given that PGM are a company on the North American continent. As a Brit I virtually do not use Country, virtually do not use Pop, am more likely to use Blues in a jazz context than in a Blues context, and personally much more likely to use African styles than American styles. In PGM's context, we're in small minorities. I notice that difference particularly when people write in the fora about some famous musician passing and I think "who's he?". Even many regulars say there's "too much Brent Mason" and I'm afraid I have a similar reaction ... who? I expect some will gasp that I don't know, but that, for me, is the disconnect between us.
Jazz relative beginner, starting at a much older age than was helpful. Kawai MP6, Korg M50, Ui24R, Saffire Pro 40. AVL:MXE Linux; Windows 11; Win8.1: Scarletts BIAB2022 UltraPAK, Reaper, a bunch of stuff.
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My prediction, AI will help to re-write/translate at one point. With 2024, most of my frustrations with BIAB are gone. Extremely fast track regeneration, Non modal MTP (Multipicker) Library where all content is available in one place, and other new items that help to compose more efficiently. My main wish for PGM is to fix most of known issues that are within the scope of reality handling real audio (RT's / RD's) and strongly consider a better UI and more intuitive menus. -------- thoughts on Modern music....
BIAB features hundreds of artists of wide specter of genres / cross genres. Instead of saying "gimme modern", I think a more productive approach would be to request something inline that was introduced in the past decades. For example, you find RT, RD, Style, etc. that you do like and request material similar to that. If you don't like any available material in BIAB, maybe you should start asking yourself uncomfortable question(s).
I do agree, that there should be a better genre balance, leaning center, and several genre/instruments that are very thinly represented. I find useful, RT's/Midi recorded by Mike Durham, Sandy Williams, Miles Black, Jeff Lorber, Charlie Gannon (Peter, you need to convince your boy to do more!). Or something very particular, like a couple of baritone guitars by Brent Mason or Irish whistle by Geoffrey Kelly and many others. Personally I would like to have more of these type of tracks...
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I'd love to see them hiring some European guys for more/real European music! I agree. I think so too.
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My prediction, AI will help to re-write/translate at one point. At one point, yes, but I personally think AI is presently over-hyped and people have over-high expectations of it. Systems like ChatGPT are impressive, but use massive processing power, really to just glue together existing works that match a pattern. Of course I could also be wrong! If you don't like any available material in BIAB, maybe you should start asking yourself uncomfortable question(s). Indeed. That's probably a significant factor why many of us choose the bigger packages with huge bundles of stuff "we'll probably never use". Occasionally we'll find something that is off-the-wall, but works brilliantly.
Jazz relative beginner, starting at a much older age than was helpful. Kawai MP6, Korg M50, Ui24R, Saffire Pro 40. AVL:MXE Linux; Windows 11; Win8.1: Scarletts BIAB2022 UltraPAK, Reaper, a bunch of stuff.
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Occasionally we'll find something that is off-the-wall, but works brilliantly. For me personally, this is one of the worst things about the software. I think it possibly contains realtracks for every occasion that I would use, but can't find easily. I don't have time to search through thousands of badly organised styles and realtracks, one at a time, which is what needs to be done. The filtering and categorisation is beyond diabolical. Most other annoyances I can work around, although I'm finding that a bit of a challenge in 2024 if I'm honest. I guess I must use the software differently from everyone else because I seem to be the only one finding it all too unbearable.
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I don't have time to search through thousands of badly organised styles and realtracks, one at a time, which is what needs to be done. The filtering and categorisation is beyond diabolical. I agree so far that it's sometimes frustrating to find the exact thing that's on your mind; then again I really must say that it happened more than only a few times that I found something better just by chance; just by trying out styles with funny names! ^^ And that's something I love BIAB for; it has broadened my, let's say, "producer horizon" immensely. Yet I'd love to see more European stuff. As a Brit I virtually do not use Country Who in Europe (or Asia, or Africa...) does? Nothing against Country, but it's just too much. How about voting for a "Eupoean Edition" in 2025? ^^
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Just wonder, any BIAB user use the style maker in BIAB to create one's style?
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Personally, I'd like to see more of the traditional folk and bluegrass tracks if they're going to do country. Modern country is well-represented. It's been ages since there has been a significant upgrade in folk and bluegrass RTs and styles. Much of the bluegrass that's there is traditional and comes from the first group of RTs that were created. 3/4 and 6/8 time is under-represented in the genre, particularly with soloists.
I find jazz styles to be the most over-represented.
A style that is woefully under-represented is 80s pop and New Wave styles. Artists like Prince, Duran Duran, Talking Heads, The Romantics, etc.
And finally, many of you are correct that modern styles aren't well-represented either. The K-Pop, Hip-Hop, and even the modern pop genres that are represented aren't done very well. They feel more like an old guy like me who doesn't know the genres really well listened to a few recordings and said, "We can do that" and threw some stuff together. :-)
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I work (play?) a lot with creative AI. There is some excellent stuff being done with musical applications right now, but you have little to no control over the final product. For example, several sites will allow you to do prompt to music. A few of them provide good, clean tracks that are done well. However, your options are limited if you dislike something about the final render. But just a year ago, writing a text prompt to music yielded garbage.
My point is that AI technology sometimes increases by the day. The text-to-image creators a year ago yielded some laughable results: six fingers, limbs that bent the wrong way, warped faces, etc..It was impressive what it COULD do, but still the limitations rendered it useless for most applications of the technology in the real world. People like me might ooh and ah over it because we looked past what wasn't there and saw the possibilities. Fast forward a year, and now you can text-to-prompt, and if you don't like it, you can in-paint sections of the image, reroll the entire prompt, expand the canvas, set aspect ratios, etc. We even have text-to-video now that's imperceptible from actual video (in some cases), but the technology evolves rapidly. I think we'll see the same thing with music applications of the technology.
I would encourage PG to explore AI as well. Can you imagine how cool it would be if instead of searching for real tracks and them maybe fitting or maybe not, we could just type something like, "I'm looking for a guitar part in the style of 1960's R&B in the style of the Temptations, the Supremes, and Sam and Dave" and it will render several options for you in those exact styles. There would be no need to dedicate so much space to Real Tracks. Then, you could store them yourself and make personalized styles.
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I would encourage PG to explore AI as well. Can you imagine how cool it would be if instead of searching for real tracks and them maybe fitting or maybe not, we could just type something like, "I'm looking for a guitar part in the style of 1960's R&B in the style of the Temptations, the Supremes, and Sam and Dave" and it will render several options for you in those exact styles. There would be no need to dedicate so much space to Real Tracks. Then, you could store them yourself and make personalized styles. +1 And I hope PGMusic gets there before any of their competitors.
https://soundcloud.com/user-646279677BiaB 2024 Windows For me there’s no better place in the band than to have one leg in the harmony world and the other in the percussive. Thank you Paul Tutmarc and Leo Fender.
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A style that is woefully under-represented is 80s pop and New Wave styles. Artists like Prince, Duran Duran, Talking Heads, The Romantics, etc. YES!!! And what about Krautrock? Glam Rock? Psychedelic Rock? Dirty early 80's Punk Rock? And finally, many of you are correct that modern styles aren't well-represented either. The K-Pop, Hip-Hop, and even the modern pop genres that are represented aren't done very well. They feel more like an old guy like me who doesn't know the genres really well listened to a few recordings and said, "We can do that" and threw some stuff together. :-) Haha, that's right. ^^ Anything modern & with synths almost always sound cheesy and cheap to me. Like I said: They should hire some European musicians for once.
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"Hot funk, cool punk, even if it's old junk It's still rock and roll to me"
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One thought for those looking for more electronic, or other similar genres is hopefully the looping tools get the love they need to be finished and then you can access literally tens of thousands of loop-based music material.
Lenovo Win 10 16 gig ram, Mac mini with 16 gig of ram, BiaB 2022, Realband, Harrison Mixbus 32c version 9.1324, Melodyne 5 editor, Presonus Audiobox 1818VSL, Presonus control app, Komplete 49 key controller.
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Like I said: They should hire some European musicians for once. +1 I agree with you
WIN10 20H2, AMD R4800H ,16G , 2T ,FOCUSRITE 2i4 MKII,Studio One,FL STUDIO
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"Hot funk, cool punk, even if it's old junk It's still rock and roll to me" Thanks Billy
BIAB & RB2024 Win.(Audiophile), Sonar Platinum, Cakewalk by Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Kontakt, Focusrite 18i20, KetronSD2, NS40M Monitors, Pioneer Active Monitors, AKG K271 Studio H'phones
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"Hot funk, cool punk, even if it's old junk It's still rock and roll to me" Thanks Billy
Last edited by bloc-head; 12/18/23 06:19 PM. Reason: no added text
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Rather than dwell on what BIAB may have that you don’t use (even when others do), or how it got that way, take an active role to improve the offerings. Make a post in the Styles Wishlist. Give sample audio recordings. Include the names of artists who play it. Provide background or historical information to make your case.
BIAB 2024 Win Audiophile. Software: Studio One 6.5 Pro, Swam horns, Acoustica-7, Notion 6; Win 11 Home. Hardware: Intel i9, 32 Gb; Roland Integra-7, Presonus Studio 192, Presonus Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors
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One thought for those looking for more electronic, or other similar genres is hopefully the looping tools get the love they need to be finished and then you can access literally tens of thousands of loop-based music material. For loop-based stuff I still use "Acid" - outdated in every other aspect, but still great for putting together, combining, and editing loops (of which I already have tons) in no time.
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Interesting that the OP started this thread talking about a possible multi platform version, and nearly every reply is about different styles and genres. I've recently made the switch to Linux (Ubuntu Studio), and also do a lot on an Android tablet. Different styles and genres are meaningless if I can't even install and run the program.
-Randy
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all.
haveing been involved in some pretty big systems implementations in the past i would politely suggest its important to understand that even though developers on the surface have cross platform tools available...the devils in the details for a developer.... one dirty little aspect is everyone wants standards as long as its theirs....lol.
another aspect is maintaining the code for many different platforms/OS's. imho not trivial.
then there is the aspect of a big OS revision whereby developers have to play catch up....its even not trivial sometimes for large teams of coders when this happens. lots of tearing out of hair and why the hey did they do that. lots of stress also in keeping a user base happy which is difficult when tech changes as it always does. one reason i got out of tech was i wanted my life back and less stress. i hardly saw my family often.
i invite anyone to take a programing course or two...if they feel they can do better. is any tech company perfect ? like pg ? nope...and at times as a user i have my criticisms etc...but then i step back and remind myself of the various challenges a tech company like pg faces. been there done that.
finally lets remind ourselves any tech company is just a bunch of people trying to do their best under often trying conditions. its no walk in the park.
haveing said the above...a dream i have now the humble cheap raspberry pi is getting more processing muscle ...is bb and rb running on the pi.lol.
happy new year to all.
om
Last edited by justanoldmuso; 12/30/23 09:58 AM.
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Amen to all that JOM. On a plus side for Linux, the people do tend to do a pretty good job getting non-Linux stuff to run OK on Linux, but BIAB doesn't just plug in and go. At present, though, BIAB on Linux is not a painless journey. IIRC, it took the Reaper guys a few years to get Reaper running natively on Linux, though it ran pretty well for a long time prior to that in Wine on Linux. FWIW, I use AVLinux, which for a very long time has been probably the best AV-oriented Linux out there. Whether it's still "the best" I know not. UbuntuStudio has been around a few years, so may have leapfrogged.
Jazz relative beginner, starting at a much older age than was helpful. Kawai MP6, Korg M50, Ui24R, Saffire Pro 40. AVL:MXE Linux; Windows 11; Win8.1: Scarletts BIAB2022 UltraPAK, Reaper, a bunch of stuff.
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The main issue with BIAB and BIAB VST was it needs Windows Media Player to decompress the wma files and play the wma demos, if you are using wav files BIAB will generate and play ok. This may work on Linux even if BIAB can't play the wma it should generate up the track data and freeze the tracks then save to SGU then use the Reaper Lua script to open in Reaper though you still may need to convert wma files to a format for Reaper Linux if it don't support wma like the Win Reaper. Open SGU in Reaper You also have Wubuntu (Windows 11 for Linux). Oldmuso uses this method to get Biab files into Reaper in FLAC format Don't know if Gordon has tried this on Linux yet ?
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Getting back on track rather than music styles, I mentioned JUCE for a crossplatform programming rather than PG having to spend 6 months on Win then 6 months on Mac. Is there a better crossplatform solution ?? What do you guys see as the best way forward ? just keep doing the same thing for another 10, 20 years ? Remember when we all wanted 64bit Biab with massive big threads on the subject, and PG said no it's fine with JBridge, BUT, when apple banned 32bit apps Biab instantly became 64bit then RealBand that hardly crashes now it's 64bit If the code was in the JUCE BiabVST this would work on Linux rather than calling on a Delphi app in the background. So do we wait for something to happen to force PG's hand ? should they be working on something now in the background ?
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Don't know if Gordon has tried this on Linux yet ? No, after a new PC with new installs I failed to the BIAB 64 to run and became rather demoralised. I'm sure this is the effect of my CoolLED-induced depression. Sometimes I just get stressed and downhearted and I just walk away. Before their vile treatment of me I used to be pretty much unstoppable. Now I sometimes have panic attacks over trivia.
Jazz relative beginner, starting at a much older age than was helpful. Kawai MP6, Korg M50, Ui24R, Saffire Pro 40. AVL:MXE Linux; Windows 11; Win8.1: Scarletts BIAB2022 UltraPAK, Reaper, a bunch of stuff.
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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If you're looking for a in-depth review of the newest Band-in-a-Box® 2024 for Windows version, you'll definitely find it with Sound-Guy's latest review, Band-in-a-Box® 2024 for Windows Review: Incredible new capabilities to experiment, compose, arrange and mix songs.
A few excerpts:
"The Tracks view is possibly the single most powerful addition in 2024 and opens up a new way to edit and generate accompaniments. Combined with the new MultiPicker Library Window, it makes BIAB nearly perfect as an 'intelligent' composer/arranger program."
"MIDI SuperTracks partial generation showing six variations – each time the section is generated it can be instantly auditioned, re-generated or backed out to a previous generation – and you can do this with any track type. This is MAJOR! This takes musical experimentation and honing an arrangement to a new level, and faster than ever."
"Band in a Box continues to be an expansive musical tool-set for both novice and experienced musicians to experiment, compose, arrange and mix songs, as well as an extensive educational resource. It is huge, with hundreds of functions, more than any one person is likely to ever use. Yet, so is any DAW that I have used. BIAB can do some things that no DAW does, and this year BIAB has more DAW-like functions than ever."
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