DC - Hows this working out for you so far? I am watching, however, you are working in areas of BIAB that I never go, so can't exactlly tell. Be sure to let me know at the end just how practical this "reverse workflow" is for you.
Well, DrDan, this has been a journey just to get to the start of the journey I wanted to go on. Will certainly update on my technical resolution in this post, and the "reverse workflow" separately. THANKS for checking in! Ron
DC Ron BiaB Audiophile Presonus Studio One StudioCat DAW dual screen Presonus Faderport 16 Too many guitars (is that a thing?)
Ok, I figured it out. Kinda. The "base tempo" for the Audio track was incorrectly set at 120 BPM and it should have been the same as the song tempo of 118. Not sure how this happened, but I'm certain it was nothing I intentionally changed. I just don't monkey with settings that much. (Well, until the last two days anyway)
To fix: In Track View, right click on the Audio track and select Track Settings>Set Base Tempo. Enter the song tempo in the dialogue box and press ok. Easy Peasy. Now anyway.
I'll mark this as Resolved.
THANK YOU to Noel and Charlie for providing insights, testing the files and, most of all, keeping me focused on solutions and not the problem. You guys are the best of the best. Sincerely.
Back to the music now, at last...
Last edited by DC Ron; 01/06/2403:43 PM.
DC Ron BiaB Audiophile Presonus Studio One StudioCat DAW dual screen Presonus Faderport 16 Too many guitars (is that a thing?)
Charlie, the vocals do not start at bar 9. The last syllable of the first vocal phrase (the word "eyes") lands on beat 1 of bar 9. I linked a rough mix of the entire song file in the Support email above if you'd like to hear how it's supposed to sound. Understand you're not getting stretching with this audio file (neither is Noel) but I still am. So now there appears to be something about my install (which is new) or configuration (which hasn't changed in many years) or...something else?
THANK YOU for diving into this!!
No problem. Not being familiar with the song, I estimated using the lead in silence and the chord chart to guess vocals roughly started around bar 9. Knowing "eyes" lands on beat 1 of bar 9 would make it easy to precisely sync the lyrics to the music. My aim was to have the first beginning wav form to be just behind bar 9 start and I was able to accomplish that. Secondary was to see if any setting contained in your SGU was activating the time-stretch and apparently that doesn't seem to be the case. There are still many variables to weed out and find the source of the overall issue. I'll hang on the the two files and may do some further testing but my thoughts presently is PG Staff will probably be how it's ultimately solved.
Ok, I figured it out. Kinda. The "base tempo" for the Audio track was incorrectly set at 120 BPM and it should have been the same as the song tempo of 118. Not sure how this happened, but I'm certain it was nothing I intentionally changed. I just don't monkey with settings that much. (Well, until the last two days anyway)
To fix: In Track View, right click on the Audio track and select Track Settings>Set Base Tempo. Enter the song tempo in the dialogue box and press ok. Easy Peasy. Now anyway.
I'll mark this as Resolved.
THANK YOU to Noel and Charlie for providing insights, testing the files and, most of all, keeping me focused on solutions and not the problem. You guys are the best of the best. Sincerely.
Back to the music now, at last...
Thanks for updating the thread, Ron.
Setting the base tempo on an individual track basis is not something I'm familiar with. Well done on working it out!
As I wrote in the in the private message, what worked for me was to import the wav a second time while the original wav was still in place. This was my process...
1) Import wav and generate song. (The vocal tracks was misaligned.)
2) Without erasing or killing the imported wav, import it a second time. Make sure that "Overwrite existing audio" is selected.
3) Generate the song again. This time the vocals were aligned for me.
In light of your discovery, I'm guessing that the second import set the base tempo correctly to 118.
Charlie, no worries, I have what I need now. You may have missed the resolution posted a few minutes before your last post. THANKS again for all!
Noel, THANKS again for posting this and your resolution. What I DIDN'T do in testing your resolution was regenerate the song after the 2nd import. Oof!
At least I (and we) have a little more granularity on what is going on if anyone else experiences this and how to fix it. I still don't understand WHY, since I've imported audio dozens of times without issue before now. But I'm not going to worry about it. Done enough of THAT of late! Ha!
Enjoy the weekend!
DC Ron BiaB Audiophile Presonus Studio One StudioCat DAW dual screen Presonus Faderport 16 Too many guitars (is that a thing?)
User Video: Next-Level AI Music Editing with ACE Studio and Band-in-a-Box®
The Bob Doyle Media YouTube channel is known for demonstrating how you can creatively incorporate AI into your projects - from your song projects to avatar building to face swapping, and more!
His latest video, Next-Level AI Music Editing with ACE Studio and Band-in-a-Box, he explains in detail how you can use the Melodist feature in Band-in-a-Box with ACE Studio. Follow along as he goes from "nothing" to "something" with his Band-in-a-Box MIDI Melodist track, using ACE Studio to turn it into a vocal track (or tracks, you'll see) by adding lyrics for those notes that will trigger some amazing AI vocals!
Wir waren fleißig und haben über 50 neue Funktionen und eine erstaunliche Sammlung neuer Inhalte hinzugefügt, darunter 222 RealTracks, neue RealStyles, MIDI SuperTracks, Instrumental Studies, "Songs with Vocals" Artist Performance Sets, abspielbare RealTracks Set 3, abspielbare RealDrums Set 2, zwei neue Sets von "RealDrums Stems", XPro Styles PAK 6, Xtra Styles PAK 17 und mehr!
Add updated printing options, enhanced tracks settings, smoother use of MGU and SGU (BB files) within PowerTracks, and more with the latest PowerTracks Pro Audio 2024 update!
Download and install this to your RealBand 2024 for updated print options, streamlined loading and saving of .SGU & MGU (BB) files, and to add a number of program adjustments that address user-reported bugs and concerns.
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For the larger Band-in-a-Box® packages (UltraPAK, UltraPAK+, Audiophile Edition), the hard drive backup copy is available for only $25. This will include a preinstalled and ready to use program, along with your installation files.
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Handy flash drive tip: Always try plugging in a USB device the wrong way first? If your flash drive (or other USB plug) doesn't have a symbol to indicate which way is up, look for the side with a seam on the metal connector (it only has a line across one side) - that's the side that either faces down or to the left, depending on your port placement.
Update your Band-in-a-Box® 2024 for Windows® Today!
Update your Band-in-a-Box® 2024 for Windows for free with build 1111!
With this update, there's more control when saving images from the Print Preview window, we've added defaults to the MultiPicker for sorting and font size, updated printing options, updated RealTracks and other content, and addressed user-reported issues with the StylePicker, MIDI Soloists, key signature changes, and more!
A few excerpts:
"The Tracks view is possibly the single most powerful addition in 2024 and opens up a new way to edit and generate accompaniments. Combined with the new MultiPicker Library Window, it makes BIAB nearly perfect as an 'intelligent' composer/arranger program."
"MIDI SuperTracks partial generation showing six variations – each time the section is generated it can be instantly auditioned, re-generated or backed out to a previous generation – and you can do this with any track type. This is MAJOR! This takes musical experimentation and honing an arrangement to a new level, and faster than ever."
"Band in a Box continues to be an expansive musical tool-set for both novice and experienced musicians to experiment, compose, arrange and mix songs, as well as an extensive educational resource. It is huge, with hundreds of functions, more than any one person is likely to ever use. Yet, so is any DAW that I have used. BIAB can do some things that no DAW does, and this year BIAB has more DAW-like functions than ever."
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