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Recording, Mixing, Performance and Production
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Joined: Jan 2013
Posts: 1,300
Expert
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Expert
Joined: Jan 2013
Posts: 1,300 |
PaulH....
Ha...I understand....but...
IMO... I'll throw out the following. Monitor choice is subjective and one can get good mixes on average gear. It's a matter of knowing your monitors and your room environment and recording good tracks initially. If a track sucks (for any number of reasons) don't think you'll just 'fix it in the mix'. Do the the track over until it's performed well and accurately. I think the front ported is preferable.
When doing your first mix listen through the monitors at a very low volume. If you can barely hear the bass line then run with that for the first mix. Burn that to a CD/mp3 (whatever) and listen to that mix in your car, on your generic stereo system and on PC speakers, and on anyone else's different system. Take notes/compare how all systems have translated your mix. (IE: bass too loud, axe sound too thin, etc.) Revisit the song and then decide what needs to be adjusted as you enter the 're-mix' stage.
I've never used headphones as a mixing medium. I use headphones for tracking and then I'll solo the track and listen for any audio artifacts, bad notes/technique, etc. I've used the process I describe above since the 70's there's no issue when I listen to my songs on headphones.
Everyone has their process and preferences so one size does not fit all. I would just emphasize....mix at very low volume first, get to know your room/monitors.
I'll stop here and I hope I helped rather than confuse.
Carry on....
Last edited by chulaivet1966; 12/16/13 08:39 AM.
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Handy flash drive tip: Always try plugging in a USB device the wrong way first? If your flash drive (or other USB plug) doesn't have a symbol to indicate which way is up, look for the side with a seam on the metal connector (it only has a line across one side) - that's the side that either faces down or to the left, depending on your port placement.
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