Oh, one more thing...I like Ozone and wouldn't live without Ozone 5 (I also have 6), but I am beginning to find that if I master each track well, and keep a sharp eye on those meters the entire time, I really end up with a full, rich sound mix that only needs the slightest tweaks from Ozone. It is easy to squash everything with Ozone and end up with a mix that is really brittle and thin and way over compressed if you are not careful.

I guess what I am saying is I have found you really have to spend a lot of time making each track sound really rich in isolation before you move in for the final polish.

This seems like it would be another good tool to have in selection for track polishing.