When I am recording a vocal, I want it to be the loudest thing in the mix I hear in the cans. I need to hear what I'm doing clearly.

If there are harmonies or leads, I will mute those tracks. If I'm recording a harmony, I will have the lead audible but at a lower level so that I have a reference to work against, but it's not the loudest one. My current vocal take is always the loudest thing in the mix.


You can find my music at:
www.herbhartley.com
Add nothing that adds nothing to the music.
You can make excuses or you can make progress but not both.

The magic you are looking for is in the work you are avoiding.