Originally Posted By: Matt Finley
In jazz, it's the reverse. A good soloist energizes the whole band and everybody gets louder. The B substyle naturally accomplishes this in the jazz styles.
Which should be easy enough to turn around for the opposite effect, say, by simply reversing the the a & b part markers wink
Also, as I've said in my own post somewhere, this is actually already integrated to some extent, but obviously having a more dedicated definable way for the user to have further control over the effect is never a bad thing.

+1 for that.


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