Originally Posted By: fantasyvn
Thank you so much.

Regarding the instruments in BIAB, during the mixing process, do you usually double any instruments, hoping that the sound will be fuller? For example, the bass? Or do you just keep one bass as originally done in BIAB?


A lot of producers when recording a live bass track record two feeds from the performance take. Though a DI (direct Box) into the DAW as well as they will place a mic on the bass amp. This gives them more versatility to manipulate the tone, fullness and adding effects. Many times the bass track is a mono signal so there is no advantage to doubling other than to increase the overall volume of the track without raising a slider or increasing the gain. Many RealTracks offer a direct in version of the instrument so the signal is 'dry' and available with no tonal treatments and the user can feed that signal into an VST amp modeler such as Amplitude or similar. That would provide a similar effect in BIAB/RB or any DAW to recording two feeds if you use the BIAB 'treated' track and mix that with the amp modeled DI track.

What I do more often is to use a number of different bass instruments from different styles to create a unique style from the many different instruments. This method provides a lot of additional RT audio for the BIAB generating engine to select from and I end up with a composite track that is virtually impossible to be replicated by another BIAB user. An example, and this is just an exampled because I don't know the actual amount of recorded audio a particular set of bass tracks I may select have, is assume for this example, each bass track has 1/2 hour of recorded audio. Using two bass instruments would provide the BIAB track generation and hour of audio to select from as it will access the audio of both RealTracks. Four instruments would be double that amount and so on.

It probably does not equal out to that example in a real amount of time because access is determined by the chord chart, but the percentages are accurate. In other words, the applicable recorded audio that the BIAB track generation would have access to would double by using multiple instruments.

Regardless of the actual RealTrack Audio accessed, you will be creating a unique, track.

It is sometimes useful to double a rhythm instrument and pan each wide to widen the stereo image of the recording but that is a technique that works better on some songs than other and really comes down to the mix you are trying to accomplish.


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