<<< But when I saw some mixing tutorials on the web, especially for the professional songs, apparently a song may have 60, 70 tracks.

How can you have so many tracks? Could you pls explain what tracks you should or can add after generating the song in BIAB? >>>

Originally Posted By: Janice & Bud
For us excluding vocals it is typically 4-6. But that's because we favor open "airy" mixes that sound like something a small band could play live in a club, etc. I've mixed projects with many more tracks but, perhaps counter-intuitively, I find it more of a challenge to get a "big" sound with a "small" number of tracks.

No value judgements here....just our preferences. And I should mentioned that often one RT track in our mixes will be comped from many regenerations of that same track...but I count it as one smile

Bud


Bud, you actually get to the heart of the OP's original question. Your final mix plays what appears to be 4-6 instrument tracks but the total tracks used to get to that final count may actually be 30-40 tracks. Because of the unlimited track count of many DAW's, these producers he watches on YouTube rarely, if ever discard or erase a track. They save everything and their entire mix is a comp of dozens of tracks.

I recall one tutorial I watched on YouTube where the intro played a single guitar for 8 bars but the intro was comped from three different takes.

There is also a wonderful tutorial in the PGMusic videos and available on YouTube of the artist making a series of videos writing, recording and completing his project from start to finish. At one point, he creates a unique fiddle riff as a focal point of the song by cutting and pasting from 8 different tracks of a fiddle. He saved the riff and places the comp recording throughout his song.

I like to say it's best to have more tracks than you need in case you need more tracks than you've got....





Last edited by Charlie Fogle; 12/23/17 03:34 AM.
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