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On some of the songs my head was imagining hard-blown saxes, strings, etc. here and there. I'd have liked more variety as it sounds almost like the songs were all recorded in one session, but as already mentioned, you have a signature sound and if they're song demos for a publisher then a can see that a no-frills approach is needed.
John



having a "signature sound" can be a mixed blessing. On the positive side, it makes you stand out in the crowd, making it easy to name the artist when your song is played. But the down side is that a signature sound also tends to give every song the same signature unless pains are taken to differentiate.

In a live band, the uniqueness usually comes from the other musicians, who lend their creative quirks to make the song unlike any other. But when using software with a limited number of riffs that get rearranged song after song, you have to introduce unexpected twists in other ways, or run the risk of having songs that sound too much alike. This is compounded if the same style is used for more than one song.

https://www.dropbox.com/sh/ey71h8ep047758h/AAC12jNM0Hz9Q8zsh5iDeqNHa?dl=0