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I've had guys walk up and tell me we're cheating. That's why I carry a pistol. grin

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Not everyone is looking at this right. You don't have to sell it. Keep doing what you are doing on this forum.
I had BIAB about 8 years ago, and the midi sound drove me away... rather quickly. Two weeks ago I wanted to check it out again. The newer YouTube samples, and the fact that this is an active forum is all it took for me. This software with realband is the future.
Cheating? So is cruise control and that tool has saved me a fortune in tickets.

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As far as changing the interface, I don't think PG has to be as drastic as some of the above posts suggest. Afterall, doesn't a DAW have a crazy amount of buttons? I simply don't see this software as being for a casual user, so not much point in making things overly clean.

The real change that PG needs to make is get rid of the ComicSans like font for chords. Hate it. I suspect that font alone sends so many (below age 45) away. The good news is that a guy from Germany appears to be helping resolve that.

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Yes, we look forward to that new font. But, just checking, do you know that BIAB allows you several options in the choice of fonts, particularly as of version 2016?

Comic Sans is so interesting in how polarizing it is! I've even seen it on resumes (not what I would have recommended).


BIAB 2025 Win Audiophile. Software: Studio One 7 Pro, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Roland Integra-7, Presonus 192 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
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Hi Matt, thanks for making sure; Yes I did find it eventually. But it was more than one click away. But boy was I motivated to change it.
Even I am surprised at how strongly I feel about disliking the font. I suspect that most here are used to it, but the ComicSans font is the subject of so much scorn. Google 'ComicSans Failblog'
That issue aside, it is a great product, and you guys with history add a lot to it.

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Originally Posted By: Matt Finley
A wise variation on that old saw about the unsolvable engine problem where they finally call in the expert. He makes one tap of the hammer which fixes it and presents his bill for $10,000. They complain, "All you did is one little tap of the hammer!" and he says, "Yes, but I knew where to tap".


A similar yarn about a banker who locked himself out of the vault. He called a locksmith, who, after a few moments of looking & studying the door, gave it an mighty hit with a sledge hammer, and the vault door swung open.

He presented the banker with a bill for $500.00.

"$500.00 for 5 minutes work, that's ridiculous!" sai the banker, "Give me an itiemised account."
The locksmith handed over an invoice, which read:

Hitting the vault door with sledge hammer..................... $10.00
Knowing where to hit the vault door with sledge hammer.....$490.00


Cheers,
Keith
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Dear Fellow BIAB-ers,

I usually try and employ a refined and aristocratic response when I hear jabberwocky of this ilk.

First I usually say something like "Take off you hoser! You know you're a hoser, eh? And worse than, you're nothing but a Hosehead!!"

If that doesn't work, I will ask to hear something THEY recorded all by themselves. When it is done, I will say "Who recorded THAT--your grandma or your stoned uncle?"

If they are still arguing that Real Tracks are cheating at that point, I will pass them an acoustic and ask them to play something.

Then I will take it back from them and I will play something.

The conversation usually stops right there and they crawl away.

Hope that helps.

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another facet to this question is the demographic. We automatically assume that musicians will like BIAB more than the rest of the population.. yet it's typically musicians who feel threatened by it.

I mentioned it recently on an animation forum, because they have a need for music they can use without worrying about copyright infringement. The responses were quite favorable... in fact, I saw NO negative comments whatsoever! Several people said they would look into it!

People who need music, but who aren't able to play it themselves seem to like the idea of generated music. So... a heads-up to PGMusic's marketing folks: don't limit your ads to musicians. Focus on people who produce content in other media, and who need music for their projects. Animators, Indie video producers, advertisers etc are all potential customers.

In case you want to target these groups, Here's a list of animation software that has a loyal following... all of whom need music:
----------------------------------------------
Smith Micro: Poser, Anime Studio / MOHO
Digimania: Muvizu
Reallusion: iClone, Crazy Talk Animator
ToonBoom: Harmony
Autodesk: MAYA, 3DS MAX, Sketchbook Pro, Mudbox
Adobe: Flash
GoAnimate
Blender
FlipBook
Cinema 4D



programs used by Indie film makers:
------------------------------------
Adobe : Premiere, After Effects
Hit Film



Other software used by people who also need Music
------------------------------------------------
3D-Coat
Z-Brush
Mari


Game Creation software
----------------------
Unity
Unreal

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Video: Band-in-a-Box® 2025 for Mac®: VST3 Plugin Support

Band-in-a-Box® 2025 for Mac® now includes support for VST3 plugins, alongside VST and AU. Use them with MIDI or audio tracks for even more creative possibilities in your music production.

Band-in-a-Box® 2025 for Macs®: VST3 Plugin Support

Video: Band-in-a-Box® 2025 for Mac®: Using VST3 Plugins

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Band-in-a-Box 2025 for Mac Videos

With the release of Band-in-a-Box® 2025 for Mac, we’re rolling out a collection of brand-new videos on our YouTube channel. We’ll also keep this forum post updated so you can easily find all the latest videos in one convenient spot.

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Reference this forum post for One-Stop Shopping of our Band-in-a-Box® 2025 Mac Videos — we’ll be adding more videos as they’re released!

Band-in-a-Box 2025 for Mac is Here!

Band-in-a-Box® 2025 for Mac is here, packed with major new features and an incredible collection of available new content! This includes 202 RealTracks (in Sets 449-467), plus 20 bonus Unreleased RealTracks in the 2025 49-PAK. There are new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 4, two new sets of “RealDrums Stems,” XPro Styles PAK 8, Xtra Styles PAK 19, and more!

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If you have any questions, feel free to connect with us directly—we’re here to help!

Band-in-a-Box 2025 Italian Version is Here!

Cari amici
È stata aggerate la versione in Italiano del programma più amato dagli appassionati di musica, il nostro Band-in-a-Box.
Questo è il link alla nuova versione 2025.

Di seguito i link per scaricare il pacchetti di lingua italiana aggiornati per Band-in-a-Box e RealBand, anche per chi avesse già comprato la nuova versione in inglese.

Band-in-a-Box 2025 - Italiano
RealBand 2025 - Italiano

Band-in-a-Box 2025 French Version is Here!

Bonjour à tous,

Band-in-a-Box® 2025 pour Windows est disponible en Français.
Le téléchargement se fait à partir du site PG Music

Pour ceux qui auraient déjà acheté la version 2025 de Band-in-a-Box (et qui donc ont une version anglaise), il est possible de "franciser" cette version avec les patchs suivants:

BIAB 2025 - francisation
RealBand 2025 - francisation

Voilà, enjoy!

Band-in-a-Box 2025 German Version is Here!

Band-in-a-Box 2025 für Windows Deutsch ist verfügbar!

Die deutsche Version Band-in-a-Box® 2025 für Windows ist ab sofort verfügbar!

Alle die bereits die englische Version von Band-in-a-Box und RealBand 2024 installiert haben, finden hier die Installationsdateien für das Sprachenupdate:

https://nn.pgmusic.com/pgfiles/languagesupport/deutsch2025.exe
https://nn.pgmusic.com/pgfiles/languagesupport/deutsch2025RB.exe

Update Your Band-in-a-Box® 2025 to Build 1128 for Windows Today!

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