Actually, it's all BiaB, but thanks anyway. One of the reasons for micro-editing is that although BiaB will make really good choices, I can splice together a line until it's just right.

I agree that it's too short, but (as I mentioned in the beginning) it was really just an experiment to see how much I could mix and match various piano styles together in in piece. (I thought they worked quite well)

Plus, it's fun having that faux Mark Knopfler guitar!

Slightly off topic, I really wish there were more flute RealTracks in BiaB, but I've also found that I can splice GPO flute (rendered as a .wav) together with bits from the BiaB flute soloist, and get a pretty seamless performance. A little bit of "humanization" goes a long ways to creating a convincing performance.

There are a lot of bluesy phrases for the flute, and some held notes go a bit flat. But I can still splice together a usable performance in a DAW, and then add some pitch correction.

Thanks!

-- David Cuny
My virtual singer development blog

Vocal control, you say. Never heard of it. Is that some kind of ProTools thing?