Pipeline's approach is an approach for individual Realtracks and Supermidi tracks (at least as I presently understand it).
With this in mind, I tried soloing each of the tracks and it seems that the holds on the two midi Supertracks are fine. From what I can tell, it's Realtrack #1814 (Guitar, Acoustic, Fingerpicking CelticAir Ev 085) that has the loud hold. This means that Pipeline's approach should be able to be used by selecting that single Realtrack and it will solve the problem.
Below is an alternative global approach that might also be worth investigating....
1. Enter into Realtrack preferences (#1 on the image).
2. Enter a negative value in the "Adj. Shot Velocity" window. (-2 or -3 seems to be a reasonable value)
I have noticed this same behavior. The fix for me is to use envelopes in the DAW track to lower the level of the offending note or chord.
Depending on how many places need fixing.... it could be a short process or it could take some time. But the more you practice using this form of editing, the better you get and the faster it goes.
For example, when I use Melodyne to "fix" a track, I literally take it manually note by note and phrase by phrase. I work one phrase at a time. Usually just a line of lyric at a time for the vocals. But I can generally work through an entire track in relatively short order.
I guess it all depends on how good you want the final result to be and how long you're willing to spend to get it to that point.
You can find my music at: www.herbhartley.com Add nothing that adds nothing to the music. You can make excuses or you can make progress but not both.
The magic you are looking for is in the work you are avoiding.
I've found that this phenomenon happens with a lot different instruments when using held chords.
I had not experimented much and was unaware of the various options global and specific mentioned here in this thread and will give them a try.
Up until today, I have handled the issue, which can occur multiple times in a song, individually with each occurrence using the track options from the Bar Settings Window.
The affected track reacts similar to Guitarhacker's description to envelopes in a DAW. I've found it's very quick and is accomplished without exporting tracks or involving another program.
If I remember correctly, these RT settings that are entered via the Soloist dialogue are saved with the Realtrack. This means that next time the Realtrack is used, volume adjustments for holds are already in place.
Been a few days. I've noticed this in a few styles but only chose this one as an example because it's a contender for one of the songs I'm working on. I wasn't using midi super tracks or soloist at the time. But' if adjusting things there resolves the issue I'm okay with that. I'd even generate a soloist and mute it if adjustments to it gave a positive effect on the hold for the style. Has anyone been able to reduce the loudness of holds in CAIRPGS.STY ?
As an idea I just had: Would it be possible to open the style in the directory, find the holds .wav file or other file, edit the level in a DAW, save it back to the style in the directory? Any thoughts from any geniuses?
The above solutions from Pipeline and me are how to reduce the volume of the Hold.
You don't have to be using the Soloist for it to be effective. Pipeline's instructions simply show where to find the control for Holds on a particular Realtrack. As it turns out, the individual RT control is accessed via the Soloist dialogue window.
Try both the previously given solutions and you'll find that they work.
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Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!
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202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
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MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
MIDI SuperTracks Set 46: Piano & Organ
Instrumental Studies Set 24: Groovin' Blues Soloing
Artist Performance Set 19: Songs with Vocals 9
Playable RealTracks Set 5
RealDrums Stems Set 9: Cool Brushes
SynthMaster Sounds Set 1 (with audio demos)
iOS Android Band-in-a-Box® App
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20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
MIDI SuperTracks Set 47: More SynthMaster
Instrumental Studies 25 - Soul Jazz Guitar Soloing
Artist Performance Set 20: Songs with Vocals 10
RealDrums Stems Set 10: Groovin' Sticks
SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
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