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A half-hearted attempt to write a half-decent song from a half-baked idea. Took a while to figure out what to name it. HALF half the time we laughed together the other half we cried half the time i loved her the other half i tried halfway through this marriage something went astray it took a half-ton pickup to haul her half away i stare at half a bottle half drunk, i'm halfway there i've half a mind to tell you i only half-way care but half this heart is broken so the other half is too half the time it seems i'm telling half-lies, the rest half-truths it's driving me half crazy i'm off by half a beat if i was half the man i thought i was i'd sweep her off her feet given half a dozen reasons on my behalf...her heart might dance i'd tell her i still love her if given half a chance The BAND... RealTracks in song: 1036:Bass, Electric, NorthernRockBallad Ev 065 MIDI SuperTracks in song: 2231:Piano, Rhythm 80sPopBallad Ev 085 RealTracks in song: ~1676:Guitar, Acoustic, Fingerpicking CountryBrent Ev 065 RealTracks in song: ~364:Guitar, Acoustic, Fingerpicking Ev 065 MIDI SuperTracks in song: 2058:Strings, Rhythm CelticAir Ev 085 Hope you enjoy it. Comments encouraged. Half at it. floyd
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Accolades? They would fall short. This is great stuff. I had to listen on the old Sennheisers, and this is absolutely gorgeous. Aural nirvana. You hopeless old romantic, you.  Thanks. Regards, Bob
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I had halfway convinced myself to give my analysis of this song that in my opinion is one of the more successful commercial sounding productions of your recent forum submissions. But then I figured that more than half of the forum members would likely disagree with my thoughts on the subject. Couple that with the fact I am in total agreement with Bob's (90Db) remarks, (at least if Aural nirvana's meaning is a good thing. I did not take time to look up the meaning.)
It is a gorgeous song and pretty accurately describes my first marriage that was cut in half by divorce and remarriage and and at the end of it, when carbon dated, the half life of 17 years matches with the split between the good years and the not so good years. The one child we produced was half the family we planned.
This is an easy song for me to relate to emotionally. If I had given my analysis, you'd see that I'm on the fence, half on/ half off to whether the lyrics would be considered too cliched --- You have a 50-50 chance there but I'm too emotionally attached to the message to give a balanced assessment - This one is an absolute winner with me.
Charlie
BIAB 2025:RB 2025, Latest builds: Dell Optiplex 7040 Desktop; Windows-10-64 bit, Intel Core i7-6700 3.4GHz CPU and 16 GB Ram Memory.
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floyd, Wow! This song overflows with emotional sincerity. It seems to me that 'tears in the beer glass' songs are one of your writing strengths. Each one you've posted on the forum has been a real pleasure to listen to. This is no exception. The lyrics of "Half" are very, very powerful and resonate with believability. When these words are coupled with your outstanding melody, accompaniment, arrangement and vocals, an incredible listen unfolds. My fingers are stumbling over what to type! It's not a situation that they usually find themselves in. Perhaps I should drive you through my thoughts as I listened... Firstly, that second chord of the intro really sets the tone for what is to follow. It's such an excellent choice of sonic mood-lighting. Secondly, the two-bar intro made me open my eyes and pay attention because I was anticipating a third bar of strings. Then, when you started singing with the strings backing, Neil Diamond flashed into my mind. The key, the strings, the lyrics, the backing, the vocal delivery, the phrasing all struck me as reminiscent of Diamond. For this reason, when "Half" was done, I went to Youtube and listened to Neil singing "Love On The Rocks", "Hello Again" and "You Don't Bring Flowers" just to confirm that I wasn't hearing things. All the above being said, what impressed me most about "Half" is that it seems like you've used just about every possible permutation of how the prefix/suffix/word can be used but it never sounds humorous, trite nor overdone. Just wow! How did you do that??? I counted 23 occurrences of 'half'. That's unbelievable. In addition to this, all those perfect rhymes flow so very smoothly and so conversationally. Prosody shines at all times. Upside down and inside out, this is magnificent lyric writing. Quite honestly, I'm in awe of what you've presented here. This is not an ordinary song by any stretch of the imagination. Everything about it cries out 'professional', 'commercial appeal', 'international hit'. Seriously! I'm heading back for another listen. All the best, Noel
MY SONGS...Audiophile BIAB 2025
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Hi Floyd,
I'm speechless.
Back to another listen.
Guenter
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Hello Floyd,
This is a beautiful song with beautiful lyrics and a cool chord progression, especially at the end.
I would have left out the strings in the beginning (for dynamics's sake), and have them entered at the beginning of the second verse or so.
Rob
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Hi Floyd.
What can I say, except exceptional. Beautifully crafted in all respects*.
This is definitely film music. I can see the closing credits rolling as I listen to it.
* Well maybe one thing... I would have faded the bass with the strings on that last chord instead of leaving it to run on. Maybe you did that for a reason which I've missed?
ROG.
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WOW, WOW, WOW!!! This is absolutely beautiful. There is a cleverness but it enhances instead of obscures the message. Vocal/arrangement/production are tight, clear, and wonderfully emotional. All I can say is .............WOW,WOW,WOW!!! Take care. Greg
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Accolades? They would fall short. This is great stuff. I had to listen on the old Sennheisers, and this is absolutely gorgeous. Aural nirvana. You hopeless old romantic, you. Thanks. Regards, Bob Bob...that is the nicest thing you've ever said to me... I appreciate that! (I appreciate all the jabs, too). Aural nirvana! HA! I think you scared Charlie with that.... 
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Hi Floyd. When I first read the lyrics I thought oh yeah half half half not very exciting but when i listened to the song it is beautiful. You bring it very much to life and I think the backing is superb. Another good one. Cheers.
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WOW, WOW and WOW!
I wish that I had half of your talent and that's no lie!
This is one outstanding song. You vocal was top notch as always but the lyrics really got to me!
Super song
My momma didn't raise a fool. And if she did it, was one of my brothers.
64 bit Win 10 Pro, the latest BiaB/RB, Roland Octa-Capture audio interface, a ton of software/hardware
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I love this one. Lyrics are rock solid and professional.
The arrangement is superb.
Beautiful...
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Wonderful vocal. With the melody, phrasing and arrangement, this song became a quite beautiful and engaging whole despite all those halves.
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Fantastic song, really nice, well done. I wanted it lift at one point, like a different feel of a bridge or something, but that was only me playing along in my head thinking where I would go next.
It's solid, everyone is right. I don't like strings much in things but they give this depth like the movie theme comment indicated.
I also thought of Ronnie Dunn, not comparing or saying that you're doing his "style" I love the guys music and voice, he could power ballad the hell out of this. I hope you know that these are all compliments, please consider me as a writing partner on a project sometime, I would be honored. btw, what's your impression of the new Jason Isbell record, personally I wanted more full band 24 Frames type songs so it's taking awhile to sink in, Speed Trap Town caught my ear.
Kenny
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I had halfway convinced myself to give my analysis of this song that in my opinion is one of the more successful commercial sounding productions of your recent forum submissions. But then I figured that more than half of the forum members would likely disagree with my thoughts on the subject. Couple that with the fact I am in total agreement with Bob's (90Db) remarks, (at least if Aural nirvana's meaning is a good thing. I did not take time to look up the meaning.)
It is a gorgeous song and pretty accurately describes my first marriage that was cut in half by divorce and remarriage and and at the end of it, when carbon dated, the half life of 17 years matches with the split between the good years and the not so good years. The one child we produced was half the family we planned.
This is an easy song for me to relate to emotionally. If I had given my analysis, you'd see that I'm on the fence, half on/ half off to whether the lyrics would be considered too cliched --- You have a 50-50 chance there but I'm too emotionally attached to the message to give a balanced assessment - This one is an absolute winner with me.
Charlie
Charlie - I thoroughly enjoyed your review! Thank you...
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Has to be one of the best - if not 'the' best - of your vocal performances.
As for the song, it's one of those that makes me smile and shake my head in admiration.
Clever and poignant.
'...on my behalf....' Cha-ching!
Standing ovation:)
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floyd, I read the lyrics first. I usually don't do that, but like Richard , I said to myself this can't work. Well you've proven me wrong again ( and I hate that ). This is a spectacular tour de force of how songwriting and performance combine to make the sum greater than the parts. It has a New York feel and I am sure many Brill Building writers would have loved to have a piece of it. The mix, your vocal chops and arrangement skills are on fine display here. Another fine creation to add to your long list of artistic creations. Tom
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Outstanding work, floyd!
Most enjoyable.
Encore!
Thanks for the music,
Dan
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floyd,
Wow! This song overflows with emotional sincerity. It seems to me that 'tears in the beer glass' songs are one of your writing strengths. Each one you've posted on the forum has been a real pleasure to listen to. This is no exception.
The lyrics of "Half" are very, very powerful and resonate with believability. When these words are coupled with your outstanding melody, accompaniment, arrangement and vocals, an incredible listen unfolds. My fingers are stumbling over what to type! It's not a situation that they usually find themselves in.
Perhaps I should drive you through my thoughts as I listened...
Firstly, that second chord of the intro really sets the tone for what is to follow. It's such an excellent choice of sonic mood-lighting. Secondly, the two-bar intro made me open my eyes and pay attention because I was anticipating a third bar of strings. Then, when you started singing with the strings backing, Neil Diamond flashed into my mind. The key, the strings, the lyrics, the backing, the vocal delivery, the phrasing all struck me as reminiscent of Diamond. For this reason, when "Half" was done, I went to Youtube and listened to Neil singing "Love On The Rocks", "Hello Again" and "You Don't Bring Flowers" just to confirm that I wasn't hearing things.
All the above being said, what impressed me most about "Half" is that it seems like you've used just about every possible permutation of how the prefix/suffix/word can be used but it never sounds humorous, trite nor overdone. Just wow! How did you do that??? I counted 23 occurrences of 'half'. That's unbelievable. In addition to this, all those perfect rhymes flow so very smoothly and so conversationally. Prosody shines at all times. Upside down and inside out, this is magnificent lyric writing.
Quite honestly, I'm in awe of what you've presented here. This is not an ordinary song by any stretch of the imagination. Everything about it cries out 'professional', 'commercial appeal', 'international hit'. Seriously!
I'm heading back for another listen.
All the best,
Noel
Noel - I had a feeling that you might enjoy "the write" on this one. Using a word over in subsequent lines can be a great writing device - I do it often... I wanted to see how far I could take it... Thank you for another delightful review! Now I have to go have a listen to some Neil Diamond (I was actually going for an "older" feel than that - Johnny Mathis doing "I've Grown Accustom To Her Face"... https://www.youtube.com/watch?v=X7izY6dUmTo )
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Hi floyd, I've just had a listen to Johnny Mathis singing "Accustomed To Her Face". It's excellent! This might sound strange but even though I'm a huge Mathis fan, I've never once bothered to hear him sing this song. If I knew how to kick myself effectively, I would because I'm definitely the loser with that decision! After listening to the Mathis version, I've actually discovered that I like the song! I'd better explain... When I was somewhere around 20 years old, I had a non-singing role in a local amateur production of "My Fair Lady" and the person who was Higgins discovered new (and I think he thought "exciting") ways to interpret this song. The memory of that interpretation has stayed with me for a few decades and coloured my appreciation of the music and the lyrics. The consequence is that whenever I stumbled across it on Youtube, etc., I never bothered clicking on it. Thank you for enlightening me! I can definitely hear the Mathis/Faith influence in "Half". Also, after I read Tom's comment above about the Brill Building, it occurred to me that Diamond came to popularity via the Brill Building. That could partly explain why I hear the Diamond influence. Using a word over in subsequent lines can be a great writing device - I do it often... I wanted to see how far I could take it...
This is the first time that I have read or heard this songwriting tip. After reading it, it was like a hallway full of doors opened into new and unexplored rooms. I can't believe that, after all your lyrics that I've worked my way through, I didn't pick this up. Thank you for today's lesson. I appreciate this little device and have added it to my lyric-writing toolbox. Regards, Noel P.S. I've just listened again. It's probably about the dozenth time. The more I listen, the more I'm convinced that one of this song's arrangement strengths is the lack of drums. Without them, my brain finds it a challenge to isolate the exact tempo: I hear some sections in a slow 4/4 and other sections at twice the speed. For example, when I first heard the song, I heard a 2-bar intro but now I hear a 4-bar intro sometimes and a 2-bar intro sometimes. I suspect that this tempo-variation effect is a great mood enhancer.
MY SONGS...Audiophile BIAB 2025
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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Band-in-a-Box 2025 Italian Version is Here!
Cari amici
È stata aggerate la versione in Italiano del programma più amato dagli appassionati di musica, il nostro Band-in-a-Box.
Questo è il link alla nuova versione 2025.
Di seguito i link per scaricare il pacchetti di lingua italiana aggiornati per Band-in-a-Box e RealBand, anche per chi avesse già comprato la nuova versione in inglese.
Band-in-a-Box 2025 - Italiano
RealBand 2025 - Italiano
Band-in-a-Box 2025 French Version is Here!
Bonjour à tous,
Band-in-a-Box® 2025 pour Windows est disponible en Français.
Le téléchargement se fait à partir du site PG Music
Pour ceux qui auraient déjà acheté la version 2025 de Band-in-a-Box (et qui donc ont une version anglaise), il est possible de "franciser" cette version avec les patchs suivants:
BIAB 2025 - francisation
RealBand 2025 - francisation
Voilà, enjoy!
Band-in-a-Box 2025 German Version is Here!
Update Your Band-in-a-Box® 2025 to Build 1128 for Windows Today!
Already using Band-in-a-Box 2025 for Windows®? Download Build 1128 now from our Support Page to enjoy the latest enhancements and improvements from our team.
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Get the latest update today!
PowerTracks Pro Audio 2025 for Windows is Here!
PowerTracks Pro Audio 2025 is here! This new version introduces many features, including VST3 support, the ability to load or import a .FLAC file, a reset option for track height in the Tracks window, a taller Timeline on the Notation window toolbar, new freeze buttons in the Tracks window, three toolbar modes (two rows, single row, and none), the improved Select Patch dialog with text-based search and numeric patch display, a new button in the DirectX/VST window to copy an effects group, and more!
First-time packages start at only $49. Already a PowerTracks Pro Audio user? Upgrade for as little as $29!
www.pgmusic.com/powertracks.htm
Video: Summary of the New Band-in-a-Box® App for iOS®
Join Tobin as he takes you on a tour of the new Band-in-a-Box® app for iOS®! Designed for musicians, singer-songwriters, and educators, this powerful tool lets you create, play, and transfer songs effortlessly on your iPhone® or iPad®—anytime, anywhere.
Band-in-a-Box® for iOS® :Summary video.
Check out the forum post for more information.
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