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RnAM #353625 06/12/16 09:36 AM
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Beautiful song that allows me to feel the emotion of a viewer being taken by the painting featured in your video, specifically the beautiful woman in the picture. I think the song has me really appreciate and experience the emotion that the viewer feels for the artwork which is a new experience for me as a listener and inspires me as a composer and video editor.

I really like your mix and the flow of the arraignment for both recordings for your song. I’m not sure why, but the sound cloud seems to have more clarity in some parts of the mix that really jump out at me. Both arraignments are worthy and exceptional productions and show a gifted musical ear.

The feature of the art literal comes to me at the end. I was impressed with the beautiful woman seemingly comes to life and comes out of the painting. Curious as to how this was done, but maybe like a magic, some things are only shared with some.

This was my first experience hearing and watching what you do, look forward to more.

RnAM #353640 06/12/16 02:28 PM
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Originally Posted By: RnAM
It was quite some work to make The Naiad "leave" the painting.
Anne-Marie

indeed, I was wondering how you separated the girl from the trees!

That was quite an undertaking to start with an instrumental piece and add lyrics, melody and video! And you completed each of those tasks so well! The song is just beautiful as you have presented it, and the video is equally engaging! And very tasteful, as several others have already observed!

wonderful, wonderful, wonderful!

Atze Akkerman #353785 06/13/16 12:11 PM
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Hi Atze,

Thank you so much for your positive comments.
I made the NAIAD come to life by using the face of another naiad on another painting of John William Waterhouse, that resembled her very much. The arm is from a completely different painting by a different painter (don't remember which one, Google found it for me).
These changes can best be seen when you watch the video full screen on YouTube.
After I made a cut out of The Naiad and made her come forward, I had to "paint" the gap she left on the painting. I made tons of cut outs on different spots of the painting and pasted them on the place the Naiad originally stood. So it was filled by Waterhouse's paint and strikes, only without him knowing and on places he didn't mean to paint trees, water and grass grin

Glad you like it!

Anne-Marie


We are Rob Meulman and Anne-Marie Bovenkamp from The Netherlands.

https://www.youtube.com/channel/UC1gsdNLE7_Gy8qavoOplQow/videos
http://rnam.net/


RnAM #353786 06/13/16 12:12 PM
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Thanks Trevor, Charlie, Paddy, Guenter, Bob, Floyd, David, Mario, Peter, J & B, Greg, Pradon, Sergio, Ray, Tommy and Pat for you nice and positive comments.
Appreciated as always.

Rob and Anne-Marie


We are Rob Meulman and Anne-Marie Bovenkamp from The Netherlands.

https://www.youtube.com/channel/UC1gsdNLE7_Gy8qavoOplQow/videos
http://rnam.net/


RnAM #353789 06/13/16 12:22 PM
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Originally Posted By: RnAM

I made the NAIAD come to life by using the face of another naiad on another painting of John William Waterhouse, that resembled her very much. The arm is from a completely different painting by a different painter (don't remember which one, Google found it for me).
These changes can best be seen when you watch the video full screen on YouTube.
After I made a cut out of The Naiad and made her come forward, I had to "paint" the gap she left on the painting. I made tons of cut outs on different spots of the painting and pasted them on the place the Naiad originally stood. So it was filled by Waterhouse's paint and strikes, only without him knowing and on places he didn't mean to paint trees, water and grass grin

Glad you like it!

Anne-Marie


VERY clever! I am totally impressed!

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