LyricLab A.I assisted chords and lyric app. Export lyrics and import directly into Band-in-a-Box 2024. https://lyriclab.net Play-along with songs you know and love, download SGU files https://playiit.com/
Well presented and a great summary of the fundamentals. And those fundamentals are about all I use. It was cool to see the Tonal Balance and Ozone 8's maximizer as I use them both every time. If your ears are not as sharp as they used to be (and that is likely the case )the Tonal Balance is a wonderful tool.
I also use iZotope tonal balance but I use it at the mixing stage. I think it makes more sense to fix balance problems in the mix instead of trying to fix them while mastering.
The ability to visually see where the issue is, and then zoom in and actually hear exactly what part of the mix is causing the issue is very useful, it's one of the best tools iZotope has ever come up with IMHO.
Bob, I agree 100% about the Lurssen Mastering Console although it gets lots of negative comments from the purists. The mastered for iTunes feature alone is brilliant, some serious magic happening with that. It's not the only mastering tool I use, but it's always the last in the chain, other than a LUFS meter.
I use the tonal balance when mastering - but just for a check. I’m yet to have a final mix that doesn’t fit within the “modern” parameters unless (like our current song Tryin)’ I use no bass or drums.
I don’t get the luft thing. If I limit “loud” but < 0 and no clipping then the streaming platforms are still gonna compress my wav’s and engineer the volume to suit their protocols. I’ve listen to our album on 8 different platforms and it sounds fine to me. OK no more illustrating my ignorance
FWIW:
Tonal Balance check
- Ozone EQ with low end shelf 40 down - Waves LinMB to “open” up the mix - Ozone limiter
Will they leave it alone? They don’t leave it a wav file do they? Showing more ignorance I guess but I figure if they are going to change the file format a little volume reduction won’t matter in the overall.
BTW, I know the Ozone 8 Maximizer has a 14 L option. Have you used it?
Well worth the watch, I didn't understand what all the fuss was about until I watched that video.
I didn't know about that 14 L setting with Ozone, but I'll check into it later on this morning. Thanks!
EDIT: I should add by "leaving alone" I meant that they won't need to change the levels to bring it down to -14 LUFS because it's already there. I have no idea what format they use for streaming, I guess that depends on the platform.
and mastered it first using Ozone (I used the master assistant feature and selected "streaming" to setup the maximizer and also had the 14LUFS maximizer setting enabled), then using LMC.
I then converted both files to 128K MP3, because the streaming services will be doing something similar.
I tested the the two using a dynamic range meter and also the iZotope insight meter and the results were quite close:
LMC: DR 11, Peak L -.66 R -.66, LUFS -14.3
Ozone: DR 11, Peak L -1.11 R -1.00, LUFS -15
So I suppose if -14 LUFS is the goal, the streaming service would reduce the volume of the LMC file and increase the volume of the Ozone file until that target is achieved.
Not enough to make an audible difference?
I think the most important thing is making sure the mix is not too compressed and has good dynamic range before you start mastering. In the case of this particular song, when I check the mix before mastering the peaks are around -5.5 and the LUFS is -20.
If you've reviewed our Support page, you've probably noticed the Videos page, which separates our Band-in-a-Box® tutorial videos by category: Overview, VST DAW Plugin, Setup, Beginner, Intermediate, Advanced, and there's even an Archive category to go down memory lane... (You'll also find these videos on our YouTube Channel.)
Ci siamo dati da fare e abbiamo aggiunto oltre 50 nuove funzionalità e una straordinaria raccolta di nuovi contenuti, tra cui 222 RealTracks, nuovi RealStyles, MIDI SuperTracks, Instrumental Studies, "Songs with Vocals" Artist Performance Sets, Playable RealTracks Set 3, Playable RealDrums Set 2, due nuovi set di "RealDrums Stems", XPro Styles PAK 6, Xtra Styles PAK 17 e altro ancora!
Band-in-a-Box® 2024 apporte plus de 50 fonctions nouvelles ainsi qu'une importante de contenus nouveaux à savoir : 222 RealTracks, des RealStyles nouveaux, des SuperTracks MIDI, des Etudes d'Instruments, des Prestations d'Artistes, des "Morceaux avec Choeurs", un Set 3 de Tracks Jouables, un Set 2 de RealDrums Jouables, deux nouveaux Sets de "RealDrums Stems", des Styles XPro PAK 6, des Xtra Styles PAK 17 et bien plus encore!
Video: Making a Song with Band-in-a-Box®, ChatGPT, and Synth V
Take your Band-in-a-Box® project to a whole new level when you incorporate ChatGPT and Synth V to add lyrics and vocals to your song!
We wanted to demonstrate how this is done with our video, where we show you how to go from nothing to a finished "radio ready" modern pop song by combining the features of Band-in-a-Box®, ChatGPT, and Synth V!
User Video: Next-Level AI Music Editing with ACE Studio and Band-in-a-Box®
The Bob Doyle Media YouTube channel is known for demonstrating how you can creatively incorporate AI into your projects - from your song projects to avatar building to face swapping, and more!
His latest video, Next-Level AI Music Editing with ACE Studio and Band-in-a-Box, he explains in detail how you can use the Melodist feature in Band-in-a-Box with ACE Studio. Follow along as he goes from "nothing" to "something" with his Band-in-a-Box MIDI Melodist track, using ACE Studio to turn it into a vocal track (or tracks, you'll see) by adding lyrics for those notes that will trigger some amazing AI vocals!
Wir waren fleißig und haben über 50 neue Funktionen und eine erstaunliche Sammlung neuer Inhalte hinzugefügt, darunter 222 RealTracks, neue RealStyles, MIDI SuperTracks, Instrumental Studies, "Songs with Vocals" Artist Performance Sets, abspielbare RealTracks Set 3, abspielbare RealDrums Set 2, zwei neue Sets von "RealDrums Stems", XPro Styles PAK 6, Xtra Styles PAK 17 und mehr!
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