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Wow Scott! And wow again! So much going on to keep the listener interested. Very innovative, love it! Erm! I’m getting the wackiness and Avant Garde of Split Enz and harmony of ELO. You have really channeled a great song here. I love this sort of creativity, à la Godley & Creme. Sen (tic-tic) sa (tic-tic) tion (tic-tic) al. Brilliant, kind regards
Replies 6
Views 36
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Scott, It’s a song with a somewhat unusual, indescribable feel to it. But it’s a really fun track. Your artistic sensibility is exceptional. I don't think anyone but you could have created this song. Enjoyed my listen a lot. Best regards. Shigeki Adachi
Replies 6
Views 36
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Hi Finna, You’ve treated what is a sad theme in a very positive way. I'm getting a feeling of resignation rather than melancholy, it could have easily been handled in a negative manner, but I’m not feeling that at all. Loved your vocals, great write and mix. Most excellent, kind regards.
Replies 7
Views 56
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B.D., My first impression was, "Wow, so you write lyrics like this, too?" It’s a really fun song that blends reggae and ska. Serious lyrics certainly wouldn't suit a track like this. Reggae has become popular in Japan lately. Personally, I prefer Latin music, so I feel a bit left out. Enjoyed my listen and watch a lot. Best regards. Shigeki Adachi
Replies 47
Views 4,540
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This entire scene is fiction. This is Raphaël Froissart's YouTube channel. He's the one responsible for the title: He asks for the most difficult piece ever and SHOCKS everyone with his pan flute...🤯 Now, why are these people "shocked"? After all, Michel Tirabosco is a world-class player. The answer is because the the video is intentionally set up to mislead people. Michel says to Raphaël: "Can I play with you? I have my flute." This is - at best - intended to mislead, to give the impression that he just happened to meet Raphael. Michel then says: Vivaldi? Winter, you know? He's trying to give the impression that he's selected "Winter" at random. And he's pretending that he's not Raphael knows the piece. That's rubbish, because we know that they've already recorded it.. When the "mob of musicians" comes along, Raphael acts as if this is unexpected - even as if he doesn't even know who they are. At 0:52, Michel saws "Wow", as if he's surprised by all these people who have suddenly appeared. By this time, it's straining credulity that anyone would believe this wasn't fake. But that's not the point. If they simply wanted to give the impression of a live performance, that's one thing. That's not what they're doing here. They're intentionally misleading people - and that's what I object to.
Replies 6
Views 448
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Two points that may help. I needed fewer steps by doubling the tempo of Noel's Chord Chart's measure 10 to 240; Equalizing the entire track to 120 bpm and that resulted in measure 10 performing two beats in 4/4 @ 120. Counting beats during playback went bar 9 4/4 1,2,3,4; bar 10 4/4 1,2; bar 11 4/4 1,2,3,4 This created the issue of needing artful editing or regeneration and careful phrasing for bar 10 to play a two beat phrase but the count was correct. Micro-Chords may help audio in measure 10. I didn't work on the audio portion. Secondly, since the audio for the equalization phase is temporary, it's faster to open the Master Channel and utilize the render/unrender to audio commands. It reduces the number of steps by eliminating WAV export and import then it also adds the ability to erase the track using this menu as well.
Replies 3
Views 81
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Hi Bob! I’m not sure I understood the meaning of the lyrics, or in fact if they are meant to be understood or just evoke a feeling or memory … but I am glad that I have stayed at home, and my wife and I have lived so long together that she has lived to see my ‘jeans fade’. Andrew
Replies 2
Views 32
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Hmm, my first attempts with this seemed nearly OK apart from the abrupt ending. I'd done a slow rebuild of styles right after the install, selected _BULB then run it. I have a red line in the style box in bar 44, which I tried to remove by F5->Reset all bars, but it reappears. Tried an RTFS(MOST), but now I appear to have the extra chords playing again. I hope to try to repeat that more carefully tomorrow on a different PC. Another odd thing was that my audio volume seemed very low; I moved the "this song" volume up a bit and it jumped to much louder, but still low. Again I'll try to repeat the process and see if I can make sense of that.
Replies 11
Views 607
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Hi, David. As usual, the passion and conviction in your vocal shine through. Of course, everything else is stellar. But the vocal? It's your not so secret power.
Replies 15
Views 354
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Hi Scott! I like the Eurodance style used here, and it fits really well with the chord movement - I think I heard I - III - IV - iv progression in the chorus. While I’m familiar with the expression ‘tickety-boo’, I wasn’t quite sure what the context was, so I asked Copilot for its interpretation, which summarised is ‘If you’re going to judge me, please do it fairly’. Not sure if that was YOUR meaning, but it’s probably something I would hope for. In saying that, I love the imagery you have used and the oblique way of getting your message across. Those BVs - very good - with some Queen stylings in some parts. As well as Bob’s suggestions, I’d throw Pet Shop Boys in there as well - particularly in the intro and verse 1. I love that very dark middle section! Very creative! Andrew
Replies 6
Views 36
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Hi, Andrew. Listening to the music before reading your writeup, I got an image of a circus troupe rolling across the countryside. So... close.  Nice production!
Replies 9
Views 131
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Hi, Chris. Very smooth - more smooth jazz than funk to my ears. Everything fits together well - especially the singer. It's one of those things where the vocals are so smooth it's almost hard to notice the lyrics. 
Replies 5
Views 72
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Thanks, K-Dub Ya! Sorry for the late reply!
Replies 35
Views 2,077
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Thanks Andrew! Glad you enjoyed it enough to take another listen!
Replies 7
Views 56
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Hi, Scott. As B.D. said, this is super-catchy. Fun listen - especially the breakdown with the synth calliope. It is indeed "something different". 
Replies 6
Views 36
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Hi, Bob. My favorite line: But I still hear her laughing/Like ice cubes in a drink Of course, that's just one in many that fit together to make this sketch in time. (See what I did there? ) As always, excellent!
Replies 2
Views 32
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B.D., That's a fun song. Great arrangement and a great mix. Very nice job on this! Bob
Replies 4
Views 35
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Hi Chris! The band has a good feel to it that works well with the melody and lyrics. I particularly like these … I don't wait for a miracle I only believe in myself All I know is empirical Even If I like my bookshelf I like the way they are sung. Your lyrics often display a deep introspection. Andrew
Replies 5
Views 72
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Hi, B.D. AI can do mean country vocals! My worthless comment is that drear is archaic and I've never heard it used before. Fortunately, my brain automatically converted drear to dreary so you didn't have to. Fun song, your research paid off!
Replies 4
Views 35
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Hi, Finna. Nicely done all around.
Replies 7
Views 56
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Hi B.D.! A song about every female bartender’s cross they have to beer bear - approaches from almost every male with ‘beer goggles’. This song delivered what was stated on the tin. It made me think again that one of the defining traits of country music is the singer’s accent, with large doses of rhotic pronunciation. I’m not sure the sub-genre is lesser known - about as lesser known as chick-country. However, this is an excellent example of bro-country - at least to these ears. A great song and well researched with good methodology! I hope the beach sand is no longer! Andrew
Replies 4
Views 35
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Hi Finna! Your song has a good tempo and style choice that suits the theme really well - the melody over the title is very memorable. I like your vocal technique over ‘time’ followed by ‘rolled’ - the following word describing how you sing the word ‘time’. Great effect! I’m going back for another listen! Andrew
Replies 7
Views 56
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Both sad and enjoyable ... but ultimately uplifting. Very, very poignant in all aspects. J&B
Replies 25
Views 830
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What a fun ride that was, Marty, and we both love trains and the West! You and the band created a delightful trip. And you got us reading more history on the railroad line and the Harvey Houses. We both remember our Mothers talking about their train travels. BTW, we LOVE steam engines. Your performances and the BiaB Wrecking Crew are all very nice. Enjoyed it! J&B
Replies 19
Views 513
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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Peter Gannon Talks Band-in-a-Box with zplane
zplane recently interviewed Peter Gannon, the founder and creator of Band-in-a-Box, about the software's early days, what sets it apart from AI, how zplane's audio algorithms are used in Band-in-a-Box, and more!
Special thanks to the team at zplane for their continued support.
Check out the full interview here: https://products.zplane.de/blog/peter-gannon-interview-pg-music
Last Chance! The Band-in-a-Box® 2026 for Mac® Special Ends Today (May 31, 2026) at 11:59pm PDT!
Time really is running out! Save up to 50% on Band-in-a-Box® 2026 for Mac® upgrades and receive a FREE Bonus PAK—only when you order by 11:59 PM PDT today!
We've added many major new features and new content in a redesigned Band-in-a-Box® 2026 for Mac®!
Version 2026 introduces a modernized GUI redesign across the program, with updated toolbars, refreshed windows, smoother workflows, and a new Dark Mode option. There’s also a new side toolbar for quicker access to commonly used windows, and the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, making it easier to customize your workspace.
Another exciting new addition is the amazing new AI-Notes feature, which can transcribe polyphonic audio into MIDI. View the results in notation or play them back as MIDI, and choose whether to transcribe an entire track or transcribe specific parts like drums, bass, guitars/piano, or vocals. There's over 100 new features in Band-in-a-Box® 2026 for Mac®.
There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
Upgrade your Band-in-a-Box for Mac® to save up to 50% on most Band-in-a-Box® 2026 upgrade packages!
Plus, when you order your Band-in-a-Box® 2026 Mac upgrade during our special, you'll receive a Free Bonus PAK of exciting new add-ons.
If you need any help deciding which package is the best option for you, just let us know. We are here to help!
Band-in-a-Box® 2026 Mac Special Offers Extended Until May 31st!
Good news- we've extended our Band-in-a-Box® 2026 for Mac® special offers until May 31, 2026!
Band-in-a-Box® 2026 is packed with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can transcribe an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Mac®.
When you order purchase Band-in-a-Box® 2026 before 11:59 PM PDT on May 31st, you'll also receive a Free Bonus PAK packed with exciting new add-ons.
Check out the Band-in-a-Box® for Mac packages page to find the best package for you.
Holiday Weekend Hours
It's Victoria Day Long Weekend in Canada. Our Customer Service hours are:
Saturday, May 16: Closed
Sunday, May 17: Closed
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Regular hours resume Tuesday, May 19th!
Today's the Last Day of the Band-in-a-Box 2026® for Mac Special!
Order before 11:59pm PDT today (May 15, 2026) to save up to 50% off your Band-in-a-Box® 2026 for Mac® upgrade and receive a FREE Bonus PAK loaded with great new Add-ons to use with this new version!
Don't wait - order today!
Check out all the new features in the redesigned Band-in-a-Box® 2026 for Mac®!
Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!
Order before 11:59pm PDT on Friday, May 15th and SAVE up to 50% on most Band-in-a-Box® version 2026 for Mac Upgrade packages... and that's not all! With your version 2026 for Mac purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Upgrade to the 2026 49-PAK to receive even more NEW Add-ons including 20 additional RealTracks... that's 222 NEW RealTracks available with version Band-in-a-Box® 2026 for Mac!
Upgrade to Band-in-a-Box® 2026 for Mac® today for as little as $49! Check out the Band-in-a-Box® packages page for all available purchase options.
Learn more about the Free Bonus PAK and 49-PAK here.
If you have any questions about which package is the best option for you, just let us know. We're here to help!
202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
The 2026 49-PAK is loaded with other great new add-ons as well. Learn more about the 2026 49-PAK!
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