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Soundcloud: That was the reason why YouTube: That was the reason why DEVELOPMENT Written sometime between 2001 and 2003 (I have a midi file dated Oct 2004), this song details some of the me to my (now) wife and me while we were dating leading me to be very appreciative of being loved and loving her. I think the bridge might have been added last, as it usually is for me - but not sure when. A point of clarification: ‘that’ in the title refers to all the things we did – not how I am referring to my wife – just making it clear. At various times over the years when I have considered the song, I have wondered about the lyrics. I've decided there's a fine line between adoration/affection, sounding 'needy' or some form of obsession. Hopefully, the lyrics come across as the first type. Coming in just over 3 minutes, this song is fairly ‘vanilla-flavoured’ and not adventurous in a musical sense. When working on the BV harmonies, I was pleasantly surprised that I was singing (on ‘I can’t waste/live…’) 7ths and 9ths of the root – not something I designed, but it sounded okay so I kept going with it. There's a section of the song I've called 'middle bit' which is repeated - it's not the chorus because it doesn't contain the title, but I wasn't sure what to call it. Is this song an A, B and C structure? Those that know more about the theory of songwriting can comment. RECORDING SUMMARY Style is _STORIES.STY (Stories Guitar n Piano Folk Pop) RealTracks in style: 2527:Bass, Electric, PraiseBreakBasic Ev 140 – just used in the solo RealTracks in style: 890:Piano, Acoustic, Solo-Accompaniment PopLite Ev 140 RealTracks in style: 2934:Guitar, Acoustic, Rhythm FolkySync8thsFintan Ev 140 – replaced by my own acoustic RealTracks in style: 2934:Guitar, Acoustic, Rhythm FolkySync8thsFintan Ev 140 – replaced by my own acoustic RealDrums in Song:NashvilleEven8^1-a:Sidestick, HiHat , b:Snare, Ride General midi patch Vibes notated on the solo track in BIAB and exported Recorded in Reaper. Lead vocal x 3, but with 2 of those sitting behind the main vocal BV x 2 LYRICS Intro Verse 1 Sometimes I wonder why, everything clicked and fell into place Across the café I saw you smile and that twinkle in your eye That was the reason why Verse 2 Sometimes I wonder why, you followed me back to the car that day You seemed to need me as I needed you – our loneliness would die That was the reason why Middle bit I can’t waste ... a lifetime, not knowing you’re mine And being better for loving you I can’t live, without you with me, to have you near me To spend my whole life next to you Solo Verse 3 Sometimes I wonder why, you’d walk with me for miles and miles Those country roads were never too long, the time we’d spend would fly That was the reason why Middle bit I can’t waste ... a lifetime, not knowing you’re mine And being better for loving you I can’t live, without you with me, to have you near me To spend my whole life next to you Bridge Don’t ever change the way you smile Don’t ever change the way you laugh or cry Or life would be impossible, or life would be improbable Unrecognisable to me Verse 4 Sometimes I wonder why, each Christmas Eve by my side Summer sun and hot jam doughnuts, see the waves roll by That was the reason why CHORDS Intro: | D | % | Am / Bm / | Am / Bm / | D | % | G | % | Verses and solo: | G | Bm | G | C / D / | C / D / | G / Em / | C | Em | Am / D7 / | G | Middle bit: | E7 | % | Am | % | Cm | % | D | % | x2 Bridge | G | % | C | / / / Bm | Am | % | Bm | Em | | D | % | Am / Bm / | Am / Bm / | D | % | G | % |
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It sounds to me like you did something pretty major to the vocals on V2, and the result made the whole song much better! Much more musical now. I like it. The telephone effect on the penultimate verse is okay - I could take it or leave it. Nice track, worth the revision for sure.
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Enjoyed it!! thanks for posting!
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WHERE DO WE GO FROM HERE (V2) Style is _POPH085.STY (Slow Guitar Ballad) RealTracks in style: ~518:Bass, Electric, Pop HalfNotes Ev 085 (Reverb 40) RealTracks in style: ~365:Guitar, Acoustic, Fingerpicking Ev 085 (Reverb 40) RealTracks in style: ~362:Guitar, Acoustic, Strumming Ev 085 (Reverb 40) RealTracks in style: ~542:Guitar, Electric, Rhythm Dreamy Ev 085 (Reverb 40) RealTracks in song: 1264:Piano, Acoustic, Rhythm PopShiningA-B Ev 120 (Reverb 40) RealDrums in style:NashvilleEven8^1-a:Sidestick, HiHat , b:Snare, Ride (Reverb 40) In the original mix (2019), all instruments were VSTs, and all came from The Reason 11 sound-sampling suite. Since I no longer have Reason (for reasons I don't have time to explain), I have used other VSTs and, this time, the guitar parts are played on real instruments (whoopy doo!). Addictive Keys Stage Piano (XLN Audio VST) Solo Flute, Oboe, and Solo Violin (Spitfire Symphony Orchestra VST) Guitar A: Takamine GC1-CE nylon-string Guitar B: Yamaha 696L acoustic, steel-string with $25 Belcat sound-hole pickup. Both instruments recorded through Fender LT50 modelling amp, Focusrite Scarlett 2i2 Mk4 USB interface and mixed in Reason 7.55 DAW.
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Ha! The Thanksgiving gift I didn't know I needed. THANK YOU! Yes, a very big smile indeed. Fantastic playing, singing, dancing(!)...what more could anyone ask for? From ME? Nuthin'. This is inspired and perfect in every way. Also ties a neat bow around the mountain biking hobby, which we've of course heard about but I don't recall being demonstrated. Hope ya'll had a great Thanksgiving! Thanks man for those very generous comments. They mean a lot to us. Glad the smile came too! Thanks again and likewise regarding Thanksgiving. We rode our bikes. 😀 J&B PS Bud here - she’s too modest. We have a vid “On A Dime” that features Janice on her bike.
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Ray, Always appreciate your thoughts. Many thanks from both of us. Bob
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Views 2,278
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I like you music...gentle and clean with nice mixes. The visuals, unfortunately, leave me cold. I scrolled down to type & enjoyed the experience much more. Appreciated, Ray. The visuals are very much a matter of taste. I've had very postive to negative reactions to my artwork, which I understand as there are some graphics I loathe, such as today's animations, including those in TV series and popular movies. I much prefer the old style cartoons.
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Chay, A very inspired track and a very quick 10 minutes. There is so much going on musically that I did not even notice the track length. A great arrangement and an excellent mix as usual. You're making some very fine music these days. Bob Thanks, Bob! Both instrumentals in the soundtrack are nearly 3 years old, so neither are new.
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Ray, super bass and groove. I really liked the vocals and the effects you used on them. You did a great job on the rhythm guitar and MIDI piano. Super ending. IMHO this is one of your best to date. Ta Mario, The vocal FX are a free VST called Televox PLUS another freebee called Iron Oxide classic Airwindows. https://plugins4free.com/plugin/3753/ https://www.airwindows.com/iron-oxide-classic/ The latter is GREAT for helping vocals and bass poke through a mix.
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Reminds of the so called new wave bands from 1980s, even some psychedelic sounds of the 1970s. Interesting and different. Thanks Brno, The main influence on this one comes, quite literally, from 77.
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I agree with what J&B wrote on SC: it's "funky" disco rather than either disco or funk (as Dave wrote). It reminds me of the kind of music you'd hear in dance scenes in 1960s & 70s movies. I can picture Roger Moore in a "Persuaders" episode dancing to it - though he was a crap dancer! 
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COOOOOL stuff though my brain REALLY wanted the melodic guitar in the center of the mix for the intro/V1 section.
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Two things - your acoustic is the glue & the bass entry is a bit sudden and, on 1st listen, didn't make sense. Another geography song and an excellent narrative too. The harmony/duet/bvox are REALLY great in V3. The horns REALLY work.
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Cool easy-breezy instrumental. My only minor criticism is that I thought the sax should have been a little louder. I was actually surprised that it's a tenor as it sounded more alto to me.
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Luckily this is far less disco than it is funk. Nice work on the Mario bits.
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Pretty cool though I found the intro guitar's tone a little dull...could use a little top end nudge perhaps.
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I like you music...gentle and clean with nice mixes. The visuals, unfortunately, leave me cold. I scrolled down to type & enjoyed the experience much more.
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Adding to Jim's excellent suggestions also look at what is running in the background. An anti-virus, anti-malware, an app calling home, a program updating, plus other background running programs can cause downloading problems. {edit} - an afterthought - a VPN can also cause problems.
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All goods advice above. If you suspect corruption, definitely only download one at a time, and also only install one at a time.
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I'm getting a chuckle reading these threads. It brought back memories of the discussions about BiaB replacing real musicians. When DJs and DWI laws curtailed bars, dance halls, and other places from hiring bands only those whom used BiaB or other backing track programs where working musicians. I believe the same thing will happen with AI. Adapt it and use it as a tool and keep on playing. I'm sure the pros will. Just my 2 cents.
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Probably my favourite song of yours to date! Superb in all aspects, but outstanding is the lead solo and Janice's vocals, particularly the scat! 101%, 11 out of 10! PS: "verbal sounds that aren't actually words" are called vocables. Most if not all cultures have used them going back thousands of years. Some I class as offshoots of Ancient Gibberish (the intuitive 'language' of the Ancient Gibberites, now called by archaeologists Neanderthals - pfft!) such as Navajo and Apache vocables like "heya-neya-yanga-heya" and such; then scat and such (Pre-Modern or Modern Gibberish?) like "boo-boob-she-bob-bob-arama-langa-ding-dong" (sometime confused with "boo-boob-she-Bob-Dean-aramalaga ding-dong") and "hey-bob-aree-bob" (also how some folk greet Bob Dean); and then there's the Middle Gibberish, which I'm not keen on, such as "fala-lala-la" and "hey-nonny-no" (I mean, what's that about?). I'll stop there or I'll babble on about how great the Ancient Gibberites were - they taught the later arising and smaller-brained humans everything they knew (how to use fire, plant crops, how to make tools, what's now called haute cuisine, etc, etc), then as an ice age began and the humans were crap hunters they bit by bit ate all of the Gibberites! Pfft and triple pfft! … I'll shut up now.
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And the proponents of 432 Hz claim a mathematical origin as well as the historical precedent. Hmmm, I think these folks might have lost the debate, my understanding is 440 is the global standard. And I'm thinking any standard is somewhat arbitrary, but it's important that the world agree on a standard. But I'm still trying to figure out the linkage (if any) between altered tuning and Zepelin's uncommon sound/European children folk songs. Maybe the linkage is the fact that if said children folk songs were ancient they may have been in 432 and Led Zeppelin may have wanted to emulate that. There is a lot of controversy about what sounds better, songs in 440 or songs in 432. Through out the ages there has been no tuning standard, that is until 1955, or 1939 if you want to include the suggestion to standardize 440. If you are interested in 432 here is the history of it: https://432playerplus.com/a-brief-history-of-432-hz-tuning-in-music/
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Yes, Bud, it sucks, but it is what it is. I am 79, only one year behind you, so I get what you say. None of these things affects me in any real way. Yes, I sort of know what Suno is, but I never used it. Not to say I would not, or I would use it. I am way deep into AI, and Suno is child's play compared to the insanity I am involved in with AI. I just got back from Europe. I got to play live just like you and I did when we were kids. Most fun I have had in a good while. I feel empathy for anyone who gets displaced by technology. There are worse things...life goes on. I assume there may be a few aboriginals living in tree tops in remote places north of Australia, wearing only one item that I want define here. So... there are those who cannot change with the technology, those who choose not to, and people like me who are on the other far end of the spectrum. None of that is right or wrong, good or bad. In fact, in my less-than-educated mind, there is no good or bad, just cause and effect. Cheers, Billy
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Hi David, Here's some ideas you might want to try. Download the files to the computer's internal storage drive. Later on, transfer the files to the external storage drive. Download the files one at a time. Don't download and install files at the same time. You didn't mention your internet connection speed. Sometimes a slow connection can adversely affect file downloads.
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An interesting story coupled with an ideal backing soundscape. I think it's the longest track I've heard since Arlo Guthrie's anti-war themed "Alice's Restaurant" (1967). Appreciated Ghostgum! The soundtrack is 2 instrumentals, so each one is a lot shorter than "Alice's Restaurant". But since then there have been oodles of recordings lasting longer than 10-11 minutes. Side 2 of Love's 1967 "Da Capo" album is a single track at 19:04; BS&T's 1969 "Blues Paer2" is 11:45; Franck Zappa's" Gumbo Variations (69 or 70) is 12:55; plus bands like the Grateful Dead and Pink Floyd must have done a lot of stuff over 11 minutes long. Neil Young has done 3 songs longer than 10 minutes: "Cowgirl In the Sand" 10:09; "Natural Beauty2 10:23; and "Change Your Mind" 14:40. There must be lots more bands, particularly rock and jazz, who have far exceeded 11 minute tracks. My longest instrumental is "Sophia Loves V2: Gnosis of Love" at 7:30.
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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XPro and Xtra Styles PAKs Special Extended Until August 31st!
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In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 20.
Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
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