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Hi Donny - I'm very sorry that you're dealing with serious health issues, wishing you a full and speedy recovery from that!! I agree with AudioTrack - the sounds and arrangements you produce are crazy impressive! The bit I'm missing in learning how you go about your creative process is having a chance to hear 'before & after' - it would be incredibly helpful to listen to even 1 track before it's processed through Suno, etc! Any chance Donny?? Many thanks for letting us hear your extremely classy and polished end results - long may you keep creating them!! Best wishes, Carl
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That's a really interesting storyline. I really like this final version, but I'd actually like to hear these lyrics with the original which has a great vibe to it. Thanks Chay! That's an interesting thought - once I've recuperated from overexposure to the song, I might give that a run. Andrew
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I liked it. It reminds me of some British group, but at the moment I can't think who. Well written, well produced. Good job. Hi Rob! That British group may well be Keane - you might be familiar with 'Somewhere only we know' or maybe 'Everybody's changing' which were the two songs that influenced the style on this latest version. Thanks for listening! Andrew
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Your instrumentals are always fun to listen to, Chay. Of course I'm likeing the vocal version you're making, and they have as much entertainment value, but with the instrumentals your talent for crafting the best group of players shines through even louder. I love the subtle things you add. Beautifully done! Very much appreciated, Marty. Lucy now has the demo with my vocals, the lyrics and backing track so Great Spirit willing I'll be posting the song verion in a few weeks.
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Incredible lyrics here, Marty. I 100% relate. I love the production and the effect on the vocals, plus of course Dave's guitar. This is my favourite of your to date. There's no 'music' like that of Great Nature's nature-al sounds, and I'm often baffled as to why joggers I sometimes see on the beach wear headphones to listen to something else!  I've copied the YT link and the lyrics so that I can post them for friends on other sites who I know will love the music and lyrics.
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That's a really interesting storyline. I really like this final version, but I'd actually like to hear these lyrics with the original which has a great vibe to it.
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The walking trail and bench is a wonderful idea Dan. I'm sure your HOA appreciates the thought and your generosity. Not sure about the HOA itself appreciating it, but the community sure should. /cynical HOA guy .. for personal reasons //still, I think this is awesome, both for the community and as a tribute
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Incredibly impressive! This is a sensational arrangement, the vocals are clear, the instruments add beautiful color and the mix is superb. Impressive indeed. Please tell us more about the tracks that you used. Thank you very much. I use a various set of tools to easily generate sketches to see if they will make it into my live busking sets. I have created my own style in BiaB and also in other virtual tools. The memo in BiaB looks like this, I use the audio stem and mute the other stems, other times I import the stems first. This song is in 12/8. ****** Song Summary ************* Title: Velvet on Vinyl File:Velvet on Vinyl.SGU Key=Am , Tempo 110, Length (m:s)=1:18 No intro. 32 bar chorus, from bar 1 to bar 32. Repeat x1 chorus No Melody No Soloist track. Song is saved with Volume, Pan, Reverb, Chorus, Bank0, Song is saved with bar changes for Tempo, Time signature, Style is disabled {I use Michael} *******************
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I liked it. It reminds me of some British group, but at the moment I can't think who. Well written, well produced. Good job.
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Incredibly impressive! This is a sensational arrangement, the vocals are clear, the instruments add beautiful color and the mix is superb. Impressive indeed. Please tell us more about the tracks that you used.
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Velvet on Vinyl ! So, I am dealing with some serious health issues, so I write a lot of tunes to keep my mind and fingers active. I wrote this tune today, it seemed fitting for the circumstances. Donny G
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Excuse me, but we Finns are famous of saying straightly what we think, even tho it may be rude. That's very interesting, Arri, because I guarantee you the main world view of Finns, accurate or not, is that they are laconic. My favorite Finn joke goes like this: Two Finns go into a bar to drink. After a few hours of downing vodka, one of them says, "this is fun." The other one replied, "Are we here to drink or talk?"
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Man, what a good song, and the mix is fabulous. Do you mix or is that Suno? Really good question, Marty. I wondered how a heavily processed Suno vocal would sit in my DAW with a bunch of BIAB Real Tracks. Better ears than mine will have to be the judge. Maybe rayc will come along and give us his assessment. One thing I will say, levels were very easy to set. Usually I labor over the volume of my own vocal levels. I suspect that when the vocal is excellent, the ear is more forgiving. Thanks for your detailed response, I appreciate it as always.
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Bob, I echo all the kudo's and I can only add..."I really liked it alot!" Great work! Enjoyed it! Thanks, Tom!
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Excellent love song and I love both the chorus and harmonica. Suno AI vocals definitely do the job, which IMHO SynthV rarely did. Thanks, Chay!
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Hi Rob! I heard the opening I - iv chord change and immediately thought ‘We’re in for something good here’. That chorus is ear candy and your Suno vocal choice works well, as well. Your harmonica work - sublime as always - adds a cool, casual flavour. This was great to listen to. Thanks, Andrew. As I mentioned above, I don't play even groove stuff as well with harp as I do blues and jazz. I gotta have that swing to really get going. But this wasn't too bad. I'm happy with it
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Gotta be honest; The Harmonica opening made me think "Country" song, lol. Then the groove kicked in with the instruments and was thoroughly surprised! Beautiful song AND mix. I have a version with a RT sax that frankly is much better. But I was too excited about having learned to mix my harp with a Suno vocal and RTs not to include it. Thanks for your good review
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Good job! Great mixing of the Suno vocal with the BIAB backing tracks. Loved the harmonica  . Beautiful bluesy song. Well done! Thanks, James. I should have left more space for the harp solo, but oh well.
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Hi Bob That’s a smooth sound you’ve got going on there. Nicely polished production, couldn’t fault it. The lyrics are perfect, full of sentiment and gel well with the music. Good job get that harmonica in there too. Thanks, Lee!
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Rob, cool tune and GREAT arrangement. That's a nifty little band, I especially like the bass. Super harp work, as always. Very clean mix, too. Nice technical job recovering your harp work and the BiaB backing track while using synth vocals. Would be surprised if PGMusic doesn't spin this feature out of the box for 2026... Thanks, Ron! You must be reading my mail, as Tom Waits would say. I really like the arrangement and bass in this. I must admit I don't play harp as well on even groove stuff. I need that swing to really let loose. And yes, it will be interesting to see if PG Music does something vocal related. We'llsee.
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Bob, That's a great pop song. Very cool how you blended Suno with the RTs. Sounds excellent. The overall production on this piece is just great. Bob Thanks, Bob, you're always supportive and I appreciate that.
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Nothing wrong with simple pop songs in my book BTW, especially when they are as good as this  Thanks, Dave. I agree, genres are just genres, and they all have both good and bad music in them.
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This is a complex and theatrical piece. I like how you put at the parts together seamlessly. Synth voice choices work well. "Clowns of our world are praised for showing no mercy/homeless and immigrants they deem unworthy" That lyric is spot on (unfortunately).
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The evolution of the song – working backwards I realise this is a long summary - I know some of you like that, but if you want to cut to the chase, just listen to my latest Soundcloud version immediately below. Otherwise, I have summarised and linked earlier versions in in reverse chronological order. Soundcloud - Lift my eyes I first wrote this song back in 2001/2002 and it was called 'Ordinary' (see below). I made a recording of this in 2016 - still available to listen to on my Souncloud account - but always felt that the lyrics were negative, despite quite liking the song musically. In 2025, I rewrote the lyrics in a more positive light about the theme of self improvement and this is the basis of this recording. Some elements of the original song remain, such as the BVs and some rhythm guitar parts, albeit re-recorded. New elements have been introduced, such as the synth bass, piano and a new guitar solo. This song is a nod to Keane, whose album 'Hopes and fears' is a favourite. The change from A minor in the verses to A major in the chorus is used to illustrate musically the shift from negative to positive thinking. This recording has helped me with some new skills: I used time stretching in Reaper to better align the phrasing of duplicated vocals and solo guitar, and reversing audio items - heard in verse 2. For the solo, I used this opportunity as my response to challenge with Knee Wobbler and another to think through how we approach writing a guitar solo. I started with a phrase used in the first line of the verses, then added a slide down through successive notes. This sliding was then re-used in other sections of the solo. I also wanted to use features such as bend/release, hammer/pull, vibrato and the slides down and up. I octaved the solo, and also tried (unsuccessfully to get a Stranglers ‘Golden Brown’ solo effect. I haven’t produced a video for this song yet but will do so over the next couple of weeks. For the time being, I need some time away from this song – a sentiment I am sure many of you can relate to. Soundcloud - Ordinary 2018 recording This is the first audio recording of 'Ordinary' which ultimately became 'Lift my eyes'. It is more of a guitar driven song recorded slightly slower with the rhythm guitars doing a 'boom boom tish!' style of strum. There are some backing elements here (BVs, rhythm guitars) which are carried forward into the new production. Ultimately, it was the negative lyrics and my pronunciation of 'ordinary' that drove the change to a new theme and words. This recording also reveals some naïve mixing – like panning doubled vocals left and right, so I hadn’t quite understood balance, panning and dynamics. The song has features that I use in other songs - a downwards or upwards line, usually in the bass but also in the chorus Ooos which are my 'go to' BV device. Soundcloud - Ordinary BIAB midi This is the midi original version of 'Ordinary' rendered to mp3. It typifies my songwriting workflow in the early 2000s - start with a chord progression, add melody, then develop in BIAB and/or on guitar. Words would usually be one of the last pieces. If I recall correctly, I had the phrase 'Don't want to be treated like I'm ordinary' over the last bar in the 4 chord progression: A - Amaj7/G# - A6/F# - A/F. I created my own BIAB style for this which I did a lot of back then - albeit a hybrid of an existing style with somethings I added. There's a faux midi guitar solo in the middle - which was replicated by my guitar in the 2018 audio recording. Song Summary Style is _SOUTAMP.STY (Amplitube Southern Rock Electric) RealTracks in song: 1268:Bass, Electric, PopUplift Ev16 120 RealTracks in song: 2578:Bass, Synth, RetroPop Ev16 085 – with EQ removing anything below 100Hz and phasing applied RealTracks in style: 666:Guitar, Electric, Rhythm SouthernRock Ev 085 RealTracks in style: 663:Guitar, Acoustic, Rhythm SouthernRock Ev 085 RealDrums in Song:RockBritDrivingEv16^1-a:Snare, HiHat , b:Snare, Ride My parts Keys – M-Audio Oxygen49 playing Spitfire Audio LABS Autograph Grand – my ‘plonking’ was quantised to correct. Rhythm guitars strumming the ‘boom boom tish!’ Lead guitar octaves with IK Tonex ‘Bright Loud Clean’ plugin with reverb and delay Main vocal – doubled BVs – doubled LYRICS INTRO VERSE 1 It’s the luck of the draw I guess or the hand of fate’s caress Or it’s grip around my neck Ooo-ooo ooo-ooo ooo-ooo ooo-ooo But I won’t be portrayed in a negative kind of way I’ll give that doubt away Ooo-ooo ooo-ooo ooo-ooo ooo-ooo CHORUS 1 I lift my eyes to see, the man I’m meant to be I’m stepping past the shadows that once followed me I won’t speak that way again I’ve left that voice behind I’m leaning on hope to clear my clouded mind VERSE 2 I know I can think the worst Of that I’m well-rehearsed But that’s gonna be reversed Ooo-ooo ooo-ooo ooo-ooo ooo-ooo I’m looking for the good each day for uplifting words to say And no bad thoughts in the way Ooo-ooo ooo-ooo ooo-ooo ooo-ooo CHORUS 2 I lift my eyes to see the habits I will form I’m growing past behaviours that became the norm I won’t go back to doubt I’ve found a brighter way I’m learning how to be the light in every day BRIDGE I have realised that unless I change I’m done And thinking about others is better than number one Sometimes when I lie awake and ponder who I am Accepting the notion to be the man I plan SOLO CHORUS 3 I lift my eyes to see the habits I will form I’m growing past behaviours that became the norm I won’t go back to doubt I’ve found a brighter way I’m learning how to be the light in every day I lift my eyes to see, the man I’m meant to be I’m stepping past the shadows that once followed me I won’t speak that way again I’ve left that voice behind I’m leaning on hope to clear my clouded mind OUTRO CHORDS Intro and chorus: A | A/G# | A/F# | A/F | Verses and solo: Am | C | G7 | C F7 | Am G | Esus E7 | Bridge: C G | F G | Em Dsus4 | F Am | Adim Db | E |
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The title caught my attention. What an awesome hard-driving rocker! Excellent vocal performance. You're singing younger than 70. Cool production. I love that instrumental part that starts at 1:98.
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XPro and Xtra Styles PAKs Special Extended Until August 31st!
XPro & Xtra Styles PAKs Special Extended Until August 31st!
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Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
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XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Windows!
Xtra Styles PAK 20 for Windows & Mac Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
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Learn more and listen to demos of the Xtra Styles PAK 20.
Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
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