Ha: gallery/salary/calories - that’s right up my alley. I wish I had a lyricist like the one you have. COOL band, the drummer gives the song a touch of punk. Great vocals, perfect harmonies, catchy like hell. Perfect in every aspect, I wouldn't change a thing
BLUNDER TOWN 1 It's been a while but here's something that needs ears & suggestions. I sketched this out last year and Steve "Louisiana Steve" Hutter reworked the lyrics as well as melody and played the lead parts PLUS mix and arrangement planning. BIAB provides the drums and organ. Steve does voices & lead guitar I hack away at the rest. Lyrics Blunder Town Hutter/cochrane V1 This town, my town At sundown, turns so brown I smile & you frown But let's not tear it down Working & living We're talking, we're giving & walking, driving, Somehow surviving C1 Something calls, I can't hear It calls from far, it calls from near Not quite home Not quite here. But I can hear Something near Life in Blundertown. V2 This place, our place This case, is our space You think while I pace We're bot in a rat race Working & living & taking, believing Running & diving, Still just surviving C2 Something calls, I can't hear It calls from far, it calls from near Not yet home I start to fear. 'cos I can hear Somewhere near That life in Blundertown. V3 Living, dying Consuming, buying Faking & trying To look like we're making do Working & slaving Then seeing & craving Always behaving like We've all been trained to. C3 Something calls, I don't hear It calls out loud, it calls quite near Almost home, you can feel my fear. In a different gear Someone's near That's life in Blundertown. C4 Something calls, all along It calls out loud, it's sounding wrong Not quite home, feel me drown. It's a different tread Someone bled Life in Blundertown.
Joe's Apology - SoundcloudJoe's Apology - YouTube Happy Easter to all BIAB users. Joe's Apology is my first published foray into finger picking. Fortunately for all of you, this is an instrumental so you wont hear any of my dulcet tones. So this tune came about as a challenge within our guitar group by our third member, not Andrew Dee. The challenge was to do something else with the chord progression C G D A E (circle of fifths) as was used by Jimi on Hey Joe. We weren't limited (as far as I'm aware) to keep it a completely Major progression, so that's where I've sourced my variation using minor, sus, maj7 chords etc. I don't profess to being a fluent finger picker, I have to reach saturation practice point before I can get it to a point of acceptable fluidity. As you will hear with this recording, it's a steady picking pattern, nothing too fancy. Any comments on the mix would be welcome. I've listened through 2 sets of headphones, PC speakers and even the TV. They all vary in which tone and instruments they accent, I do need to invest in a set of reasonable monitor speakers. As you may or may not know, Hey Joe is a song about a man who kills his partner and flees to Mexico. This is sort of like a sequel, where he is captured and is remorseful for his actions. Don't examine the still AI images too intensely, AI can be nonsensical. I'm releasing this ahead of our groups scheduled get together next Wednesday, sorry Andrew, I've been sat on it for several weeks now and I'm in need of some community cheer. I also need to get my fingers in gear ready for Wednesday. I hope you all find it acceptable. Kind regards. PS Get those fingers loosened Mr.Dee. INTRO: Am / / / Am / / / Gm / / / Gm / / / Am / / / Am / / / Gm / / / Gm / / / PRE VERSE C / / / C / / / Dm / / / Dm / / Am#5 / / / Am#5 / / / C / / / C / / / C / / / C / / / Dm / / / Dm / / / Am#5 / / / Am#5 / / / C / / / C / / / VERSE C / / / Csus4 / / / C / / / Csus4 / / / Gm / / / Gm / / / Dm / / / Dm / / / Am#5 / / / Dm/A / / / Am / / / Asus2 / / / Em / / / EmMaj7 / / / Em7 / / / Em6 / / / BRIDGE Gm / / / Gm / / / Am / / / Am / / / Gm / / / Gm / / / Dm / / / Am / / / repeat PRE VERSE repeat VERSE repeat BRIDGE OUTRO C / / / C / / / Dm / / / Dm / / / Am#5 / / / Am#5 / / / C / Csus4 / Csus4 C Title: Joe's Apology File:Joe's Apology.SGU Key=C , Tempo 104, Length (m:s)=3:48 Style is _CMPFBF3.STY (Campfire, Fingerpicked and Strum) RealTracks in style: ~712:Bass, Acoustic, Bossa Ev 085 (A:simple) RealTracks in style: ~~405:Guitar, Acoustic, Strumming Ev 120 RealTracks in song: 3064:Vocal Oohs, Rhythm Pop3-part Ev 085 There is also a Cello Realtrack which has been lost on my SGU Guitar: Seagull Coastline acoustic.
I think what I wrote above got lost (Use the Utility tracks. When you have the harmony the way you like it, copy it to a Utility track. Do this as often as you need to do to build your song.) but it really is the key to building arrangements in BIAB. I’m a pro composer and arranger. Since recent versions of BIAB gave us more than the Melody and Soloist tracks, then one Audio track, I can stay in BIAB a lot longer now before I move to my notation program and DAW. As for the learning curve, I look at it this way: I’ve used BIAB commercially for 34 years and I’m glad I can learn something new about it every day because it’s that powerful.
Hi Herb! Great song and well sung and played. That mandolin that you kept from BIAB just kept going and provided a good foundation for the music - I liked the rhythm of it. There are many lyric lines to like, but one that stood out to me is ‘And this old heart beats steady where the sky and forest meet.’ Where I live in the ‘burbs of Adelaide, we have a couple of areas of native scrub within 1km from our home that have not been touched since time immemorial, apart from the odd walking track or fire track, and it’s very peaceful for the soul to walk through it from time to time. Enjoyed my listen. Andrew
My morning walk in the woods, I have 28 acres with 2 creeks, with my dogs, is such a peaceful experience and a great way to start each day. It gives me time to think about the day and I'll often come up with song ideas. I'm glad you related to the song
The intro is very good. The song is composed and sung from the heart. Because you're right, there's nothing more beautiful and wonderful than life in the countryside and nature. So thank you for your song. Laurent
Very groovalicious, Vic! Superb Knopfler-esque sound to my ears, with a hearty tip of the hat to Townshend. This style really suits you, and you've posted a banger of a song here. That's a cool story about The Detours, though I'm sometimes not quite sure of the larger-than-life stories that come with a post by David... Great tune!
Hi Noel! I really enjoyed the shift from the verse in the minor to the chorus in the relative major - if that’s what it was - cool anyway. I was trying to work out the instrument playing in between verse and chorus - I couldn’t tell if it was a guitar or synth - but sounded arpeggiated? Nice sounding anyway. Another piece of positive work from you. I’m intrigued by your inspiration for lyric writing - drums playing in the background - that’s a new one! Andrew
Hi Andrew. Thanks for dropping in I appreciate your listen and comments. The song did indeed go from a verse in A minor to a chorus in C major. The instrument playing between the chorus and the verse is Synthmaster 3. This in a MIDI-driven arpeggiator. A free version of the software comes with BIAB. I've upgraded to Synthmaster 3 which I picked up at a really generous price (they have a few sales throughout the year). There are lots of videos on YouTube about how to use the software if you want ideas for your own songs. Thanks again for the visit! --Noel
Thank you Ember for all the detail you have provided. I found the whole harmony fearure a bit tricky. I am using BB to generate harmonies. What I'm doing, or ttrying to do, is to create 3 or 4 part harmonies of my melody. The harmonies will be used be differnt instruments in orchestral piece. I use BB quite a lot but not constantly and each time I come back for a session I feel I'm back on the learning curve,
I am glad that the copy/move track option will work for you. I find that's the easiest way to move things around to different tracks. For what it's worth, I wouldn't feel too discouraged—all programs have a learning curve. I've actually been trying to learn more about the latest version of Photoshop after easily a decade of not using it and I'm finding things have changed/been retired/don't work how I remember. We've all been there. The forums here are a great place to get the support as we learn or re-learn things as we go along with newer versions.
Should have clicked this much sooner. Brilliant. "Really, who has the TIME???" Ha! Might want to add "SATIRE" to the subject line so this doesn't get confused with the stuff that only Reaper folks should watch. EVERYONE should watch this. Like the finished song. Sounds like a Bowling for Soup song in the vein of "1985".
David. I did call him on his fish farm number about 10 years ago but he was a little suspicious that I was genuine. He did however mention me in his book, “Thank you Mr. Kibblethwait” when he tried to persuade me to stay in the group, but he couldn’t remember my name. I sometimes wonder what would have happened if I had stayed with them but then The Who wouldn’t have happened. He enlisted Entwhistle after that, who was a better bass player than me for that style of music. When I was with him the group was called “The Detours” and were quite different in rock style from what they became. Priceless memories though and “I can't complain”. I did well after I left.
Just a bit more on Jim's good advice. With the topic you mention, the "Most" option should do it. [The "All" option also affects choice of drivers.] Either one will prompt you to Save your preferences first, and when you get things where you want them, do a separate Save so you will have settings you can recover.
Pretty cool and moody blues. Good band, good singer, and I don't think the harmonica is a problem, in the context of the song it works actually pretty well. But I'm no expert on Chicago blues Enjoyed my listen
I would use the "Return To Factory Settings" option. Navigate to the Menu bar at the top of the screen; select "Options"; "Return to Factory Settings"; "Most". If that doesn't work, do it a second time but choose "All" instead of "Most". Also note there are selections to save or load preferences. Once you have the program settings the way you want then you can save the settings and load them anytime you have to use the "Return to Factory Settings" command.
From Lost in Time Vol I (original songs from the 80s) The BIAB "Foundation" tracks (Style: _UKBIGRK): Drums: RealDrums=NashvilleEven8 Bass: 683:Bass, Electric, PopHalfNotesPush Guitar1: 524:Guitar, Acoustic, Strumming Guitar2: 1000:Guitar, Electric, Rhythm HardRockLAFuzzyHeld Guitar3: 998:Guitar, Electric, Rhythm HardRockLACrispSync Recorded tracks: Vocal VerseVocal Verse HarmonyVocal ChorusVocal Chorus Harmony1Vocal Chorus Harmony2Vocal Chorus Harmony3Organ (with vibrato added, played in Bridge) Harmonica1 (played in instrumental Chorus) Harmonica2 (background in Bridge) Harmonica3 (harmony to Harmonica2) Written and produced by AurealiusB with lyrics by Kathy Keogh Key: E Mixed and mastered with Reaper DAW
J&B IT may not be "everyone's genre" but it sure works for me! It amazing how 3 chord blues stands the test of time! Never gets old! That velvet voice of Janice's was the perfect touch here! You know a singer is good when they record doubled vocals and they aren't a distraction. They sit very well in this one. Peter once again laid down some sizzling guitar lines A very good, professionally done production that sounds super to me! Thanks, TB
Thank you Torrey! This was only our second doubling attempt in all the years we've recorded vocal. It's quick and fun. Glad you liked them. Yes, Peter sizzled indeed. And thanks for mentioning the production. We spent a lot of time on the BiaB tracks. Hugely appreciated! J&B
Hi Esa! I listened to your song on Soundcloud - I hope it’s the right one? Soundcloud - Ain’t she sweet I know this song well, and your version doesn’t disappoint. I love the swing to it, and your solo in the middle is very enjoyable. Good vocal as well! Loved it! Andrew
Excellent remake and it definitely “pops” more with the changes and addition of Marty’s new bass. The lyric is very interesting and the video clips are so enjoyable and supportive. Chris’s vocal and piano are great and the MT piano track fits perfectly. Your guitar works it’s magic all through the song, Dave. Thanks for the mix notes: It sounds great. Those drums pop. We use an older version of Neutron for unmasking … need to get that version! The new vocal fx chain is ace. It sits perfectly. Is the reverb via Nectar? Another fine remake! J&B
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